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The Latest Breaking News from Tristram Kenton

Carlos at 50 review – Acosta’s gorgeous birthday bash with friends and family

There’s less gravity defying, more gravitas as the Cuban star makes a dazzling return to the Royal Opera House in a seamless show of crowd-pleasing highs

The Guardian - UK

The Australian Ballet: Jewels review – lots of glitter but no gold

George Balanchine’s choreography is gorgeous to look at, and there are standout individual performances, but it really needs more lush grandeur

The Guardian - UK

The week in classical: Itch; Semele; Prom 16: Hallé/Elder – review

Jonathan Dove transforms Simon Mayo’s ripping yarn into an exhilarating instant classic; it’s Thebes by way of Port Talbot in Adele Thomas’s Glyndebourne debut; and all hail the Hallé

The Guardian - UK

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No for An Answer review – touching moments but Blitzstein’s ‘play with music’ offers at best curiosity value

Part of Grimeborn opera festival, Marc Blitzstein’s 1941 work has here an economical production and strong and committed cast, but it’s no forgotten masterpiece

The Guardian - UK

Carlos at 50 review – stunning tricks and charisma to burn

Of course Acosta has lost a little bounce after half a century, but the Cuban master still dances with care, specificity and dramatic flair

The Guardian - UK

Semele review – outstanding mezzos enliven dour take on Handel’s tale of desire

Joélle Harvey and Jennifer Johnston are ravishing, and the chorus sensational, but Adele Thomas’s staging feels neither funny nor erotic enough for what is essentially a barbed Restoration comedy

The Guardian - UK

Itch review – a tale of chemistry, corporate muscle and kidnap

Based on Simon Mayo’s children’s books, OHP’s mainstage premiere features a nerdy teenager, radioactive rocks, greedy executives and a stunning Tetris-like set

The Guardian - UK

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La Bohème review – fine performances but Puccini is swamped by busy staging

Although musically very strong and with Katie Bird a lovely Mimi, Natascha Metherell’s relocation of Puccini’s bohemians to a 1950s film studio brings as many distractions as it does insights

The Guardian - UK

Ballet Flamenco Sara Baras: Alma review – mesmerising power and fluency

The Spanish star kicks off London’s annual Flamenco festival with a dazzling bolero-infused tribute to her late father

The Guardian - UK

They review – Maxine Peake’s powerful delivery leaves us wanting more

The actor’s controlled inner outrage reels us in with this eerily prescient tale from 1977 of a dystopia in which art is criminalised

The Guardian - UK

The best theatre to stream this month: Like Water for Chocolate, Heart and more

Our roundup of the drama to enjoy at home in July includes a glorious adaptation of the Laura Esquivel novel and Saoirse Ronan in The Tragedy of Macbeth

The Guardian - UK

A Playlist for the Revolution review – Hong Kong romcom turns serious

Set against a backdrop of the 2019 Hong Kong protests, AJ Yi’s thought-provoking and zingy culture-clash comedy contrasts online bedroom activism with the real thing

The Guardian - UK

Review: The Faggots and Their Friends Between The Revolutions at Manchester International Festival

This masterpiece does not rewrite history, it radically retells it

Manchester Evening News

The Faggots and Their Friends Between Revolutions review – unforgettable celebration of queer activism

At times chaotic but never less than virtuosic, Philip Venables’ take on Larry Mitchell’s 70s manifesto is gritty but sensual and extravagant

The Guardian - UK

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The Guardian - UK

Tarantino Live review – a megamix of songs, speeches and severed ears

Spattered with blood and brains, this blend of cabaret and cosplay brings together Quentin Tarantino’s career highlights with flashes of divine inspiration

The Guardian - UK

‘We sing the word faggot lovingly, hundreds of times’: inside Manchester’s queerest show

Composer Philip Venables and director Ted Huffman’s previous shows have caused panic attacks. How will The Faggots & Their Friends Between Revolutions go down? Ahead of its premiere, the duo talk f-words, love-ins and the capitalist patriarchy

The Guardian - UK

Scouts! The Musical review – family show wins gold badges for enthusiasm

Be prepared to be won over to the pleasures of scouting by Gigglemug’s winning mix of knots, knockabout games and infectious songs

The Guardian - UK

Robin Hood The Legend. Re-Written review – inventive take on outlaw tale

With anarchic comedy, songs and merry gender twists in Carl Grose’s version, the folk hero of Sherwood Forest blazes a fresh trail of must-see summer fun

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The Guardian - UK

On my radar: Lesley Sharp’s cultural highlights

The actor on her love of dance, the reality TV series Below Deck and what helps her to write

The Guardian - UK

‘God, I really need a pint after that’: actors on the toll of dying on stage night after night

What’s it like to expire every evening, often in devastating, drawn-out scenes? Nathan Lane, Josette Simon and more talk about how playing death messes with their minds – and describe the ‘de-role’ rituals that bring them back

The Guardian - UK

Werther review – Kaufmann heads strong cast in stylishly sung and fabulously played revival

This revival of Benoît Jacquot’s 2004 staging of Massenet’s tragedy sees Antonio Pappano and his orchestra on top form. Kaufmann was not at full strength but Aigul Akhmetshina’s Charlotte shone

The Guardian - UK

Ariadne auf Naxos review – austere staging makes room for the riches of Strauss

Natalya Romaniw’s Ariadne shines in an unfussy production that is, at its best, breathtakingly effective and beautiful

The Guardian - UK

Royal Ballet triple bill review – McGregor and Wheeldon at the top of their game

Wayne McGregor’s incisive new ballet conjures the very brushstrokes of the late Carmen Herrera; Bernstein meets Les Sylphides in a muscular Christopher Wheeldon revival; ; and Laura Morera bows out in style

The Guardian - UK

‘Don’t be frightened of chaos’: Mark Rylance answers questions from readers and famous fans

The revered actor, passionate activist and I Ching devotee fields queries on self-doubt, levelling up the arts, and turning loss into beauty

The Guardian - UK

Rufus Norris has made the National Theatre more diverse – on both sides of the curtain

The director, who has announced he is stepping down, should be credited for opening up the organisation and steering it through the Covid crisis. Now, who’s next for the NT job?

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