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The Latest Breaking News from Carlos Acosta

Acosta Danza: Carlos Acosta’s Carmen review – never quite reaches boiling point

His dancers are superb, but abrupt tonal changes get in the way of the story’s emotional punch in Acosta’s expanded new production

The Guardian - UK

Carlos Acosta’s Carmen review – a giddy Cuban tragedy

Bursting with upfront energy, Acosta Danza’s contemporary mashup is lively but light on emotive moments

The Guardian - UK

Carlos Acosta’s Carmen at Sadler's Wells review: fails to take flight

This flawed take on the French ballet lacks any tension, and Carmen’s fate feels dully inevitable from the start

Evening Standard

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Carlos Acosta: ‘It’s hard to talk about weight in ballet’

The Havana-born superstar may have retired from dancing nearly a decade ago, but he has no plans to slow down. Currently the artistic director of Birmingham Royal Ballet, he talks to Charlotte Cripps about ballet and Black Sabbath, middle-aged spread, and his plans to bring ballet to the masses

The Independent UK

Judge sentences former Illinois child welfare worker to jail in boy's death

A judge has sentenced a former Illinois state child welfare worker to six months in jail in connection with a 5-year-old boy's death

The Independent UK

Black Sabbath Ballet announces international dates after huge success of UK run

Black Sabbath – The Ballet is headed for the Netherlands, Luxembourg, Germany and the USA

Metal Hammer

Has it come to this? We must act now to save Birmingham’s culture from cuts

Austerity-hit Birmingham’s decision to stop funding the arts is a calamity for a city whose rich contribution to UK culture – from Tolkien to the Streets – is such a vital source of civic pride

The Guardian - UK

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Carlos Acosta to create new version of The Nutcracker set in Havana

The acclaimed dancer, director and choreographer takes on ballet’s favourite frosty Christmas show, with his Cuba-based company Acosta Danza

The Guardian - UK

Birmingham Royal Ballet: The Sleeping Beauty; Dimitris Papaioannou: Ink – review

Carlos Acosta’s BRB revels in an expansive revival of Peter Wright’s 80s classic, while the Greek choreographer’s sensational-looking Ink tantalises and terrifies

The Guardian - UK

Lycett, Acosta and Duran Duran condemn Birmingham’s 100% arts budget cut

Napalm Death, visual artist Pogus Caesar and Peaky Blinders’ Steven Knight also among city’s cultural figures warning over ‘horrifying’ move

The Guardian - UK

Carlos Acosta and Tony Iommi on Black Sabbath the Ballet – ‘Hopefully people won’t be ripping the seats out’

As this surprising collaboration opens in London, Acosta says it’s part of his drive to bring ballet to new audiences ‘for the survival of the art form itself’

Evening Standard

Former child welfare worker guilty of endangerment after Crystal Lake boy beaten to death by mom

Andrew “AJ” Freund of Crystal Lake died in April 2019 after being beaten by his mother. Ex-DCFS investigator Carlos Acosta was accused of ignoring numerous warning signs of the boy’s abuse.

Chicago Sun-Times

Don Quixote review – Nuñez and Muntagirov deliver a sensational shock of sunshine

The Royal Ballet principals light up the stage in Carlos Acosta’s charmingly comic staging of an often nonsensical, but enduring, classic

The Guardian - UK

Don Quixote review – sunshine, warmth and dazzling technique from the Royal Ballet

With its stellar leads and lively background action, this sprightly revival of Carlos Acosta’s revised staging is a celebration of the pleasure of classical dance

The Guardian - UK

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The Guardian - UK

Birmingham Royal Ballet: Black Sabbath – The Ballet; English National Ballet: Our Voices – review

The fathers of heavy metal have gained at least one new fan thanks to an inspired new Carlos Acosta commission. And the music’s the star in the English National Ballet ambitious new mixed bill

The Guardian - UK

Black Sabbath: The Ballet review – riveting riffs, endless kisses and flying limbs

Three choreographers use inspiringly orchestrated tracks from the city’s heavy metal legends to spring some surprises

Evening Standard

Black Sabbath at Birmingham Royal Ballet review: head banging at the ballet? It shouldn’t work but it does

Londoners will have a chance to experience this culture clash of Carlos Acosta and Ozzy Osborne when the ballet arrives in the capital next month

The Guardian - UK

Paranoid pirouettes – inside Black Sabbath: The Ballet, already a headbanging hit

Will Birmingham Royal Ballet’s near-sold-out spectacular get audiences air guitaring? Our writer dons his denim and leather tutu to meet choreographer Carlos Acosta and Sabbath legend Tony Iommi

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The Guardian - UK

Birmingham Royal Ballet uses virtual reality to make dance more accessible

Company aims to allow those unable to go to the theatre, including neurodivergent people, the elderly and children, to enjoy its shows

The Guardian - UK

Carlos at 50 review – Acosta’s gorgeous birthday bash with friends and family

There’s less gravity defying, more gravitas as the Cuban star makes a dazzling return to the Royal Opera House in a seamless show of crowd-pleasing highs

The Guardian - UK

Carlos at 50 review – stunning tricks and charisma to burn

Of course Acosta has lost a little bounce after half a century, but the Cuban master still dances with care, specificity and dramatic flair

Evening Standard

Carlos at 50 at the Royal Opera House review: the knees may creak but his charisma won’t rust

The Cuban ballet star is an undeniable force for good, and no one should begrudge him a sold-out birthday bash

The Independent UK

Carlos Acosta wants dance centre to become inclusive global landmark

The former Royal Ballet star wants to bridge dance and community engagement gaps.

The Guardian - UK

Carlos Acosta: ‘At 50, I have to dance in a way that I can still walk off, and not call an ambulance’

The Cuban star on returning to the Royal Opera House stage, commissioning a heavy metal ballet and diversity in the arts

Metal Hammer

"It’s basically this story of rags to riches" - Behind the scenes at the Black Sabbath ballet

Black Sabbath's Tony Iommi and the project’s creative team explain what the hell is on on at the Black Sabbath ballet

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