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One of Hollywood’s greats who starred in All the President’s Men, Butch Cassidy and the Sundance Kid, and The Sting

Oraine Johnson’s emotionally available take on Jay Gatsby adds more energy to a dance-filled show but Fitzgerald’s lesson risks getting lost amid the frocks and fun

F Scott Fitzgerald’s classic jazz age novel ought to be a perfect basis for a musical, but no amount of Charlestons from a fine cast can put the fizz into this

Last November, I flew to New York to see a play: Gatz, an eight-hour reading of the entire text of The Great Gatsby by the experimental theatre ensemble the Elevator Repair Service.

THE READING LIST: Something of F Scott Fitzgerald’s 1925 book has been lost in the fog of its own mystique, commercialised by endless business endeavours that seem to contradict its core message. Nick Hilton revisits the classic on its milestone anniversary and hears warning bells for today’s billionaire oligarchs

One hundred years after its publication, F. Scott Fitzgerald’s third novel, The Great Gatsby – the story of nouveau riche Jay Gatsby’s obsessive quest to win back his lost love, Daisy Buchanan – is best remembered for its depiction of America’s Jazz Age excess, especially through Gatsby’s wildly extravagant parties.

F. Scott Fitzgerald’s The Great Gatsby, a top contender for the title of Great American Novel, turns 100 on April 10.

Two enjoyable debut novels put fresh meat on Fitzgerald’s deathless classic – one a modern-day retelling in which Gatsby becomes a female influencer, another a pacy murder mystery in the vein of Agatha Christie

I’ve dedicated my professional life to reading and teaching the English classics. The crucial thing about classics is that they start as cutting-edge literary experiments.