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The Latest Breaking News from Tristram Kenton

Front row at the wedding from hell: a toast to theatre’s marital ding-dongs

Party punch-ups, brides in disguise, simmering family rancour … playwrights have cordially invited audiences to some nightmarish nuptials

The Guardian - UK

Exhibitionists review – bed-hopping comedy of manners is a charmer

Set in San Francisco’s art world, Shaun McKenna and Andrew Van Sickle’s frothy farce brings a contemporary gay twist to an old-school comic formula

The Guardian - UK

The best theatre to stream this month: Kings of War, David Tennant’s Hamlet and more

If you can’t get tickets to his Macbeth, Tennant’s acclaimed prince of Denmark is online, along with a spectacular take on three Shakespeare plays by Ivo van Hove

The Guardian - UK

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Dance: Sarah Crompton’s five best shows of 2023

Tiler Peck breezed in, Carmen Herrera bowed out, Benji Reid made a dazzling return and Pam Tanowitz entranced

The Guardian - UK

Readers’ favourite stage shows of 2023

This year, our readers were blown away by productions from Machinal to Free Your Mind – with one theatregoer returning to watch Groundhog Day four times

The Guardian - UK

The best theatre, comedy and dance of 2023

Our critics’ highlights of the year include a 24-hour marathon, a standup welcoming hecklers, a reboot of The Matrix and a bus ride filled with emotion

The Guardian - UK

Edward Scissorhands review – Matthew Bourne’s tender hymn to difference and acceptance

Bourne’s sharp, tender dance production of the boy with scissor hands – a symbol for outsiders everywhere – feels more vital than ever

The Guardian - UK

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Edward Scissorhands review – Matthew Bourne’s dance blockbuster is a cut above

Tim Burton’s film is a natural fit for Bourne’s choreography and a bright young cast bring its bittersweet tale to fresh life

The Guardian - UK

Michael Blakemore obituary

Acclaimed theatre director admired for his productions of Kiss Me Kate and Copenhagen

The Guardian - UK

Cavalleria Rusticana/Pagliacci review – compelling and compassionate theatre

Damiano Michieletto’s 2015 pairing of the two short operas returns for its third revival with a superb cast including Roberto Alagna, and carefully if sometimes solidly paced by Daniel Oren

The Guardian - UK

Cinderella review – pop-powered Hammersmith panto looks sharp

Vikki Stone’s playful fairytale is staged with fabulous costumes and high-energy songs but falls short of delirious comedy

The Guardian - UK

The Snow Queen review – flurry of fun needs more sense of adventure

Working best as an origin story, this new adaptation of Hans Christian Andersen’s fairytale is poignant but lacks danger

The Guardian - UK

Keel Watson obituary

Versatile opera singer who could move effortlessly between Wagner and Alice’s Adventures in Wonderland

The Guardian - UK

Van Huynh Company: Re:birth review – a swirling portrayal of the exhaustion of exile

The UK-based Vietnamese dancer and choreographer stages a piece inspired by the horror and dislocation of war with experimental vocals from Elaine Mitchener

The Guardian - UK

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The Guardian - UK

L’Elisir d’Amore review – Glyndebourne takes Donizetti into the 1950s with wit and charm

A strong cast and gleeful chorus enliven this revival of Annabel Arden’s insightful production, which plays up the opera’s irony

The Guardian - UK

The week in theatre: Backstairs Billy; The Box of Delights; Brenda’s Got a Baby – review

The puns ricochet between Penelope Wilton and Luke Evans in a frisky royal tale of mistress and servant; merriment dispels mystery at the RSC; and a pregnancy drama that delivers in parts

The Guardian - UK

The week in classical: Jephtha; 7 Deaths of Maria Callas; Perfection, of a Kind: Britten vs Auden – review

Handel’s majestic final oratorio holds its own in Oliver Mears’s searching new production; Marina Abramović channels Maria Callas; and a well-told tale of when Britten met Auden

The Guardian - UK

Hot Orange review – hoop dreams and true love in bittersweet teen drama

Amal Khalidi and Tatenda Naomi Matsvai’s play for over-13s touchingly evokes two friends’ passions and pressures

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The Guardian - UK

Jephtha review – Clayton is magnificent as a wide-eyed zealot

Oliver Mears’s powerful but flawed staging of Handel’s biblical oratorio boasts very fine singing and performances, with Jennifer France’s Iphis and Allan Clayton’s Jephtha standouts

The Guardian - UK

The Box of Delights review – the RSC makes merry with Masefield’s fantasy

This is a well-crafted, brilliantly acted version of John Masefield’s classic novel about an orphan who travels through time

The Guardian - UK

Phantasmagoria review – scary story forgets the fear factor

Unsettling ideas about sinister political forces are debated in a haunted house. It’s timely subject matter, but fails to create any sense of tension

The Guardian - UK

Allan Clayton: ‘I’m your tortured tenor for hire’

His committed performances and expressive voice have made him one of today’s most admired singers. As he prepares for Jephtha at Covent Garden, Allan Clayton ponders creativity, pigeonholes and facial hair

The Guardian - UK

Ibsen’s Ghosts: a resounding flop that still returns to haunt us

Despite being panned as ‘a dirty act done publicly’ on its London premiere, the tragedy is now regarded as a classic – here are three productions that radically shifted our perspective

The Guardian - UK

Nutcracker review – a Christmas dream of love that goes with a swing

A hunky Action Man opens up a sequin-clad life for the protagonist of Drew McOnie’s jazzy, out-and-proud take on Tchaikovsky’s ballet

The Guardian - UK

Knocking on the Wall review – delightful domestic surprise in Ena Lamont Stewart revival

The third play in this programme of work by Scotland’s first major modern female playwright redeems an otherwise underpowered evening

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