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The Latest Breaking News from Royal Opera House

La Bohème at the Royal Opera House review: Juan Diego Flórez is still kicking to score

The Peruvian tenor and his co-star Ailyn Pérez get it right every time in this well-loved, if overbearing, staging

Evening Standard

Sex, drugs and pas de deux: how Mayerling’s flame keeps burning

As Kenneth MacMillan’s classic returns, his widow Deborah and Edward Watson – celebrated for dancing the lead role – reflect on preserving the spirit of this seamy beast of a ballet

The Guardian - UK

Best hotels in Covent Garden: Where to stay in London’s tourism hub, for business trips and luxury breaks

Whatever your reason for staying in the capital’s delightful culture hub, there’s a hotel for you. Here’s our pick of the very best

The Independent UK

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Thank Ed Miliband for bringing the Royal Ballet to Doncaster

Letter: Sheila Cross praises the MP for encouraging a partnership between the Royal Opera House, Doncaster council and the Cast theatre, and improving access to the arts for children

The Guardian - UK

Scramble for new royal figureheads begins among Britain’s arts organisations

Britain’s creative institutions are poised to compete for the most familiar faces to act as patrons – and maximise potential funding

The Guardian - UK

Salome review – lethal desires and emotional extremism

Alexander Soddy made an auspicious Royal Opera debut with his wonderful conducting of this revival of David McVicar’s staging: a tragedy of horrifying power

The Guardian - UK

London's best restaurants for a pre-and post-theatre meal, from Bar Crispin to Joe Allen

Here’s where to find food worthy of a standing ovation

Evening Standard

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Otello review – a truly compelling and long overdue revival

American tenor Russell Thomas – the first black man to sing the title role at Covent Garden – delivers a searing and shattering performance

The Guardian - UK

The week in classical: La bohème; Madama Butterfly; The Excursions of Mr Brouček – review

Puccini’s story of doomed love is burdened by an oppressive set and a new character, but elsewhere his Japanese tragedy is brilliantly performed. Meanwhile Janáček’s farcical landlord is a hoot

The Guardian - UK

Beyond black and yellowface: how opera can address prejudice

Madama Butterfly is one of many landmark works to embody offensive beliefs – but there are sensitive ways new productions can tackle these without cancelling them

The Guardian - UK

Royal Opera stages Madama Butterfly with changes to respect Japanese culture

Revival of Puccini classic seeks to be ‘both true to the spirit of the original and authentic in its representation’

The Guardian - UK

The week in classical: Samson et Dalila; Lise Davidsen & Freddie De Tommaso with James Baillieu

Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila; and two star singers in the ascendant hit all the high notes

The Guardian - UK

Like Water for Chocolate review – Christopher Wheeldon’s delectable take on a magic-realist love story

Wheeldon choreographs Mexican novelist Laura Esquivel’s 1989 tale of food and forbidden passions into a fulfilling ballet full of buoyant movement and visually arresting coups de theatre

The Guardian - UK

Christopher Wheeldon: ‘Most boys at ballet school were closeted, terrified our parents would disown us’

As his version of Like Water for Chocolate opens at the Royal Opera House, the choreographer talks about how the ballet world is changing – and why he took on the Michael Jackson musical

The Guardian - UK

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The Guardian - UK

Mavra/Pierrot Lunaire review – blancmanges, bin bags and drag as double bill probes gender

The Royal Opera’s unusual pairing of two modernist works boasts an outstanding lead in Alexandra Lowe as Pierrot Lunaire, and plenty of imaginative touches elsewhere

The Guardian - UK

The week in classical: Don Pasquale; Holst’s Sāvitri

The charms of Donizetti’s comic opera continue to elude, while a Holst rarity shines in an elegant fusion of music and movement

The Guardian - UK

Lohengrin review – powerful and prescient production strips Wagner’s opera of its romance

A revival of David Alden’s war-torn staging of Wagner’s early opera finds disturbing new resonance with current events; in the pit Jakub Hrůša has an unerring sense of the work’s structure

Asharq Al-Awsat

Groundbreaking Composer Harrison Birtwistle Dies at 87

Harrison Birtwistle, the creator of daringly experimental modern music who was recognized as one of Britain’s greatest contemporary composers, has died at 87. Birtwistle’s publisher, Boosey & Hawkes, said he died Monday at his home in Mere, southwest England.

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The Independent UK

Groundbreaking composer Harrison Birtwistle dies at 87

Harrison Birtwistle, widely recognized as one of Britain’s greatest contemporary composers, has died at 87

The Guardian - UK

Olivier awards 2022: the full list of winners

Find out who won what at the Royal Albert Hall ceremony where Cabaret was toasted and Life of Pi proved a roaring success

The Independent UK

Kurt Cobain’s final days to be adapted by Royal Opera House

The Nirvana frontman battled addiction and depression before taking his own life in 1994

The Guardian - UK

Kurt Cobain’s final days to be dramatised by Royal Opera House

Last Days, adapted from acclaimed 2005 film, ‘plunges into the torment’ of Nirvana singer before death in 1994

The Guardian - UK

Ballet Black; Royal Ballet review – mixed blessings and beauty in motion

The dancers shone in a double bill to mark 20 years of Cassa Pancho’s company, while at Covent Garden Kyle Abraham’s new work was suffused with longing

Evening Standard

Peter Grimes at the Royal Opera House review: Deborah Warner’s production is evocative and theatrical

The director evokes neglected contemporary estuary towns in her new version of the coastal tragedy

The Guardian - UK

Lost and Found review – micro-operas transport commuters as station becomes pop-up venue

Seven works written by all-female teams for the Royal Opera House brought a mix of comedy, glorious voices and itchy percussion

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