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The Latest Breaking News from Pia Johnson

A new play about Julian Assange, Truth is an intelligent, thoughtful and unsettling work

Truth, the new play from writer-director pair Patricia Cornelius and Susie Dee, dives headfirst into the contentious world of Julian Assange. It offers us a nuanced portrait of the WikiLeaks founder who transformed from hacker wunderkind to global lightning rod.

The Conversation

My Brilliant Career: musical based on Miles Franklin’s novel takes us on a sassy, spirited journey of self-discovery

Melbourne Theatre Company’s My Brilliant Career is a musical re-imagining of Miles Franklin’s classic 1901 novel of the same name. It follows a young woman, Sybylla Melvyn, as she chafes against her rural constraints to seek creative freedom.

The Conversation

Rent review – earnest Australian production doesn’t save the musical from feeling like parody

Musical theatre can get away with being daggy and manipulative but this show pushes it too far – and this remount doesn’t overcome its faults

The Guardian - AU

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Meet Me at Dawn review – a deeply moving meditation on grief

Fairfax Studio, Melbourne Theatre CompanyJing-Xuan Chan and Sheridan Harbridge are excellent as a couple mysteriously marooned on a beach – but the pace of this story is jarring

The Guardian - AU

Seventeen review – seniors play teenagers in a spirited, elegiac meditation on youth

Melbourne Theatre Company, Sumner theatreThe cast are uniformly excellent as raucous, vulnerable teens in Matthew Whittet’s play, which grapples with the mystifying allure and trap of memory

The Guardian - AU

Australia on stage: the best theatre, musicals, dance and opera of 2023

From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year

The Guardian - AU

Hour of the Wolf review – is this the end of immersive theatre?

This choose-your-own-adventure set in a spooky town haunted by a monster reaches for the baroque – but feels like a hollow cash-grab instead

The Guardian - AU

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Escaped Alone and What If If Only review – this Caryl Churchill double bill opens with a masterpiece

These two short plays by the legendary UK playwright span afternoon tea and the apocalypse, past and future, grief and survival

The Guardian - AU

New Aussie musical Bloom misses an opportunity to interrogate the gaps in aged care – and in our social fabric

Bloom, the new Australian musical produced by the Melbourne Theatre Company, is proudly billed by the company as born and bred right here in Melbourne/Naarm.

The Conversation

Bloom review – Tom Gleisner’s aged care musical is cheerily good-hearted

Katie Weston’s songs are effective enough and Gleisner’s lyrics are serviceable, but Bloom comes to life when the excellent cast get to perform all together

The Guardian - AU

This Is Living review – a group holiday turns sour in autobiographical play that fails to ring true

Dealing poorly with a cancer diagnosis, the central couple seem oddly underwritten – but the piece is saved by the three women who play their friends

The Guardian - AU

Midnight review – feminist Cinderella musical is derivative and Disneyfied

This ambitious production has a talented cast, but it is often so imitative of other shows, it ends up feeling shallow and conservative

The Guardian - AU

Is God Is, the explosive play shaking up theatre: ‘I’ve always been the only Black actor in the room’

The hit play, which is MTC’s first all Black production, blends Spaghetti westerns and Greek tragedies to produce a story that is by, for and about Black women

The Guardian - AU

Jacky review – incredibly uncomfortable, thoughtful theatre

Fairfax Studio, Melbourne Theatre CompanyBy Arrernte playwright Declan Furber Gillick, Jacky follows two Indigenous brothers who clash over the expectations of white people around them

The Guardian - AU

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The Guardian - AU

Happy Days review – Judith Lucy is wonderfully disturbing in Samuel Beckett’s masterpiece

Sumner Theatre, Melbourne Theatre CompanyThe former stand-up is a natural fit for the role of Winnie, a tragic woman attempting to stave off hopelessness in the face of great horror

The Guardian - AU

Bernhardt/Hamlet review – Kate Mulvany is astonishingly good

Melbourne Theatre Company, Sumner TheatreMulvany juggles comedy and vulnerability in her performance as the grand dame who decides to liven up her career by playing Shakespeare’s Dane

The Guardian - AU

Nosferatu review – camp take on vampire classic is good fun

This self-aware and often genuinely thrilling play puts the beloved bloodsucker in a Tasmania town, but it is let down by uneven pacing

The Guardian - AU

Sunday review – a masterful and moving portrait of a woman who railed against conformity

This world-class production anchored by superb central performances brings Sunday Reed back to shimmering, incandescent life

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The Guardian - AU

Monsters review – Stephanie Lake production is supposed to scare but sinks into silliness instead

This ambitious dance-theatre hybrid, about a woman searching for her missing sister, falls apart when the allegorical becomes literal

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