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The Latest Breaking News from Philharmonia

Philharmonia/Blomstedt review – the collective performance of a lifetime

The 97-year-old conductor led the Philharmonia – on exceptional form – in one of the finest performances of Mahler’s epic Ninth Symphony one is likely to hear.

The Guardian - UK

More endurance than you can shake a stick at: does conducting keep you young?

The 97-year-old Herbert Blomstedt is in London today to conduct the Philharmonia. He is one of a very long line of maestros working well into old age

The Guardian - UK

Lawrence Power/Philharmonia/Salonen review – commitment and virtuosity in works old and brand new

Two concerts, including the UK premiere of Magnus Lindberg’s fiercely challenging Viola Concerto, showcased the versatility and communicative skills of Lawrence Power

The Guardian - UK

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Philharmonia/Alsop review – contrasting voices of the complex Mahlers side by side

Symphonic Gustav and orchestrated songs by Alma Mahler – sung with exquisite poise by Sasha Cooke – combined in a programme conducted with warmth and care by Marin Alsop

The Guardian - UK

Philharmonia/Rouvali review – epic Nordic soundscapes of drama and disruption

Sibelius’s rarely programmed Kullervo closed a rich and varied programme of Nordic music in touch with nature

The Guardian - UK

Philharmonia/Soddy review – Strauss’s Nazi-tainted last opera ends Edinburgh international festival

Soprano Malin Byström stole the show in Capriccio, programmed as a celebration of EIF partnership with the late Sir Andrew Davis

The Guardian - UK

Wagner in Auckland: can performing a famously antisemitic composer hit the right note in 2024?

Whenever the music of Richard Wagner is performed, the composer’s famously antisemitic views come back into sharper focus. With a harrowing conflict in the Middle East and rising antisemitism elsewhere, the “Wagner question” is almost inevitable.

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James Loughran obituary

Conductor who won the inaugural Philharmonia competition and recorded Brahms with the Hallé and Beethoven with the London Symphony Orchestra

The Guardian - UK

Philharmonia/LPO review – brilliant new piano concertos by Dessner and Coll

Bryce Dessner’s ebullient concerto, equal parts rock and Reich, was dazzlingly performed by Alice Sara Ott and the Philharmonia, while Francisco Coll’s glinting, flamenco-tinged piece had its world premiere with the LPO and Javier Perianes

The Guardian - UK

Patricia Lynden obituary

Other lives: Superb flautist at a time when few women were to be found in major UK orchestras

The Guardian - UK

Anna Clyne/Philharmonia review – Martin Fröst delivers torrents of bravura

The clarinetist was utterly compelling for the premiere of Clyne’s Weathered while female composers showcased work inspired by American artists and poets

The Guardian - UK

The week in classical: In the Realms of Sorrow; Alexander’s Feast; Sheku Kanneh-Mason plays Bloch – review

The raw, ravishing power of four solo cantatas is taken to the next level at the London Handel festival, while young star cellist Sheku Kanneh-Mason works overtime

The Guardian - UK

Philharmonia/Hrůša review – genteel beginnings cede to compelling drama

If his Dvořák felt a little bland, with Bartók and Strauss’s Dance of the Seven Veils, the Royal Opera’s music director designate gave London audiences a glimpse of the vivid excitement he can bring

The Guardian - UK

Philharmonia/Shani review – fast-rising conductor shapes and steers Mahler’s monster

Lahav Shani favoured excitement over weight in his reading of Mahler’s sixth symphony, while Lisa Batiashvili’s exceptional virtuosity added depth to Sibelius’s Violin Concert

The Guardian - UK

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The Guardian - UK

Currie/Philharmonia/Francis review – Colin Currie leads impressive short works

The percussionist showed off complex polyrhythms from Luke Bedford and led an instrumental kaleidoscope by Philippe Hurel

The Guardian - UK

Philharmonia/Rouvali/Levit review – secure and clear-sighted Beethoven

The Emperor Concerto – at the centrepiece of this Philharmonia concert – became a moving tribute to the late Lars Vogt, and Anna Clyne’s lively triptych Color Field and Dvořák’s Seventh offered much to admire

The Guardian - UK

‘It’s my age that’s the talking point, not that I’m black’: Toks Dada, the Southbank’s head of classical music

With its new season opening this weekend, the Southbank Centre’s 32-year-old leader talks about how he’s shaping the venue to reflect classical music today, the magic of live music, and the challenge of keeping the lights – and the heating – on

The Guardian - UK

The week in classical: La Traviata; Salome; Jeneba Kanneh-Mason & the Philharmonia – review

NI Opera’s excellent new Verdi production went straight to the heart, while Royal Opera’s Strauss revival failed to ignite. Plus, the next star Kanneh-Mason…

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The Guardian - UK

Prom 38: Philharmonia/Santtu-Matias Rouvali review – raucous but undemanding

Rouvali’s Proms debut as principal conductor of the Philharmonia could have been more challenging; while violinist Jennifer Koh was understated on Missy Mazzoli’s Procession

The Guardian - UK

The week in classical: Parsifal; Eugene Onegin; Scriabin: Poems of Ecstasy and Fire

Opera North’s new Wagner production is one to remember; OHP take on Tchaikovsky’s perfect opera; and Bold Tendencies go to town with Scriabin’s synaesthesia

The Guardian - UK

Philharmonia/Blomstedt review – flow and glow as one one of wonders of our age remains in control

In Mozart, Maria João Pires was an ideal partner for Blomstedt’s attentiveness to pulse, phrasing and dynamics; his unified and unshowy approach brought lightness and clarity to Bruckner

The Guardian - UK

Bruce Liu/Philharmonia/Santtu-Matias Rouvali review – an unexpected but refined UK debut

Last year’s winner of the International Chopin competition, Bruce Liu, was a late substitution for this all-Tchaikovsky programme, but made light and elegant work of the challenging Second Concerto

The Guardian - UK

The week in classical: Theatre of Voices; Philharmonia/Wilson; Felix Klieser – review

John Luther Adams’s Grand Canyon meditation finally surfaces; James Ehnes makes Walton look easy; and Felix Klieser and co shine in Mozart and Brahms

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