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The Latest Breaking News from Brahms

LSO/Rattle review – old, new, borrowed and Boulez for conductor’s birthday concerts

World premieres by George Benjamin and Mark-Anthony Turnage were centrepieces of two concerts celebrating Rattle’s 70th, but it was symphonies – Brahms and Vaughan Williams – that were the high points

The Guardian - UK

Boulez, Benjamin & Brahms at the Barbican review: Simon Rattle brought new light to familiar works

5/5 The LSO marked Boulez's centenary and the great conductor’s birthday with a subtle, understated belebration

Evening Standard

Man, 88, passes grade 8 piano with distinction, 67 years after taking grade 7

Ray Eveleigh says playing helps keep his brain active and wife and daughter encouraged him to go for grade 8

The Guardian - UK

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Brahms for the soul on the night the US election results came in

A stirring performance by Víkingur Ólafsson of a piano concerto written amid a period of great sorrow. I think we could relate

The Guardian - UK

Brahms: Piano Sonata No 1; Schubert: Wanderer Fantasy, D760 album review – beautifully shaped works and a bravura performance

The French pianist revels in the virtuoso demands of Brahms’s early sonata

The Guardian - UK

WEDO/Barenboim review – optimism and despondency as visionary conductor returns to London

Making their second visit to the capital this year, a frail Daniel Barenboim and his West-Eastern Divan Orchestra played sun-drenched Mendelssohn and stately Brahms with command and beauty

The Guardian - UK

Williams/Burch; Booth/Waley-Cohen review – persuasive Schubert and superb Kurtág

Roderick Williams was vivid and compelling in Schubert’s Schwanengesang, while Claire Booth rose to the challenges of Kafka Fragments

The Guardian - UK

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Brahms: Piano Concertos; Piano Pieces Opp 116-119 album review – Levit’s performance is utterly compelling

It’s hard to think of a better recording of Brahms’ late solo works for piano, even if the two concertos they are packaged with here are less convincing

The Guardian - UK

Piotr Anderszewski review – exceptional, even by his meticulous standards

This programme made largely of miniatures was one to treasure. Anderszewski is a remarkable pianist – no note is out of place, no chord not perfectly balanced

The Guardian - UK

Megalopolis to Industry: a complete guide to this week’s entertainment

Francis Ford Coppola’s grandiose, dystopian sci-fi is finally unleashed, and the young City bankers go green with Lord Muck

The Guardian - UK

Proms 53 and 54: BBCSO/Brabbins; Beethoven for Three

The Proms’ tribute to Andrew Davis was crowned by a joyous Steve Reich premiere, while the next day saw three outstanding musicians grapple with awkward acoustics

The Guardian - UK

The week in classical: Prom 31: West-Eastern Divan Orchestra/ Barenboim; GBSR Duo – review

With minimal gestures yet complete control, a now frail Daniel Barenboim returned to the Proms in a concert of exceptional poignancy

The Guardian - UK

Prom 31: West-Eastern Divan Orchestra/Barenboim review – an unforgettable and heroic return

Two years after he stepped back from performance, the conductor was back at the Proms – far frailer, but still able to conjure an instant response with a tiny flick of the baton

The Guardian - UK

Prom 9: BBC Scottish SO/Wigglesworth review – meticulous making of unexpected connections

Beautiful wind playing in a slow-burning Brahms joined searing strings in Schoenberg and Alice Coote’s fine-grain singing of Mahler for a space-testing night

The Guardian - UK

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The Guardian - UK

Brahms: The Symphonies album review – less is more for Nézet-Séguin and the COE

With a smaller orchestra than standard, Yannick Nézet-Séguin bring litheness without diminishing any of the symphonies’ power or clarity

The Guardian - UK

James Loughran obituary

Conductor who won the inaugural Philharmonia competition and recorded Brahms with the Hallé and Beethoven with the London Symphony Orchestra

The Guardian - UK

The week in classical: Igor Levit, Renaud Capuçon, Julia Hagen; Manchester Camerata: Disruptors review – ringing successes

Three soloists collaborate to singular effect playing Brahms, while vibrant works old and new are performed by the Camerata ensemble

The Guardian - UK

Belcea Quartet/Zimmerman/Queyras review – exquisite, unbuttoned Brahms

The Belceas were joined by Tabea Zimmermann and Jean-Guihen Queyras for this revelatory performance of Brahms’s two youthful String Sextets

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The Guardian - UK

Quatuor Agate: Brahms – The String Quartets album review – a suave and refined debut

The Paris-based group’s first disc is a wonderfully detailed recording of Brahms quartets that at times might benefit from a more muscular edge

The Guardian - UK

Igor Levit review – this was a recital where everything was just right

In a supremely poetic and impressive performance Levit perfectly conveyed the searching spirit of Brahms’s late-life piano works

The Guardian - UK

BBCNOW/Martin review – Higgins’ horn concerto is confident, fluent – and life-enhancing

Gavin Higgins’ new work, premiered here, takes inspiration from the Forest of Dean, where he grew up. It was brought to vivid and organic life by Ben Goldscheider

The Guardian - UK

LSO/Noseda review – Prokofiev’s curious Fourth alongside very fine Brahms

Gianandrea Noseda and the LSO made a strong case for the 1947 version of Prokofiev’s Fourth symphony, and Simon Trpčeski was an insightful and elegant soloist in Brahms’s second piano concerto

WEKU

Even Beethoven got bad reviews. John Malkovich reads them aloud as 'The Music Critic'

A new live stage show features actor John Malkovich transformed into some of the meanest music critics ever — in real reviews skewering the work of great composers like Beethoven, Brahms and Chopin.

The Guardian - UK

Poem of the week: September Castles by Peter Davidson

Davidson redeems a bitter season with the story of a personal encounter that is also an encounter with poetry

The Guardian - UK

The week in classical: Proms 38 & 39; Prom 40; Trouble in Tahiti – review

Three Hungarian-inspired proms combine sizzling energy, Bartók and dadaist absurdity, while an intimate staging ramps up the angst in a bite-size Bernstein

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