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The Latest Breaking News from Mahler

The week in classical: Symphony of Sorrowful Songs; RPO/Petrenko; LPO/Mäkelä – review

Chart-topping Górecki becomes exquisite spectacle at ENO; Mahler’s Third is worth the wait; plus, the Finnish flourish of Klaus Mäkelä

The Guardian - UK

LPO/Gardner review – Brett Dean provides tantalising prelude to cool Mahler

World premiere of this extract from Dean’s ‘planned opera’ was full of vivid colour and ear-catching textures. The Mahler that followed was stylish and unsentimental

The Guardian - UK

Hallé/Wigglesworth review – British composer debuts an outstanding Magnificat

Ryan Wigglesworth composes a finessed Monteverdi Magnificat with the elegant, expansive assistance of wife and soprano Sophie Bevan and a virtuosic choir

The Guardian - UK

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The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot – review

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

The Guardian - UK

Stemme/Svensson review – a battle-scarred voice and an ungiving pianist

The great soprano was as expressively generous as ever but Nina Stemme was ill-served by her duo partner Magnus Svensson in this recital that featured Mahler and Wagner at its centre

The Guardian - UK

Classic Blanchett

Tár is set in the contemporary world of Western classical music and centres on Lydia Tár, one of the world's most prolific composer-conductors and first ever female music director of a major German orchestra. While the film has the look and feel of a biopic, Lydia Tár is a fictional…

Bangkok Post

Commentary: Oscar nominee ‘Tár’ brought conducting into the spotlight. That’s not good for classical music

Director Todd Field has gone through great pains, including on a podcast for the Los Angeles Times, to explain his great effort to get the world of classical music right in “Tár.”

Los Angeles Times

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BBCSO/Watts/Wigglesworth review – a striking song cycle that finds divine in the everyday

Elizabeth Watts’s buoyant soprano drew us in to this poignant performance of Ryan Wigglesworth’s work Till Dawning, based on the poetry of George Herbert

The Guardian - UK

Absolute power, misconduct and decline: the classical music pieces that unlock Tár

In his controversial film, Todd Field foregrounds melancholic works by Mahler and Elgar. Are they a requiem for Cate Blanchett’s supremely powerful conductor?

The Guardian - UK

CBSO/Madaras review – tumultuous, multi-faceted symphonies by Larcher and Mahler

Symphony Hall, BirminghamThe City of Birmingham Symphony Orchestra delivered a fierce Thomas Larcher’s piece and some idyllic Mahler as part of its belated centenary bonanza

The Guardian - UK

Tár – an exploration of the flawed musicians behind decadent music

Tár (2022) follows superstar conductor Lydia Tár, played by Cate Blanchett, as she conducts the Berlin Philharmonic (represented in the film by the Dresden Philharmonic) in a much-anticipated performance of Gustav Mahler’s Fifth Symphony.

The Conversation

The best new music to look forward to in 2023

Yo La Tengo, Billy Nomates, Låpsley and Paramore have hotly anticipated albums due out – while the BBCSO puts on an Everest opera and Simon Rattle waves goodbye to the Barbican

The Guardian - UK

Classical music: Fiona Maddocks’s 10 best concerts and operas of 2022

Excellence and perilous funding went hand in hand, Salome sizzled, a piano great led the way, and India and Italy became musical neighbours

The Guardian - UK

Philharmonia/Shani review – fast-rising conductor shapes and steers Mahler’s monster

Lahav Shani favoured excitement over weight in his reading of Mahler’s sixth symphony, while Lisa Batiashvili’s exceptional virtuosity added depth to Sibelius’s Violin Concert

The Guardian - UK

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The Guardian - UK

Royal Concertgebouw Orchestra/ Harding review – gorgeous Mahler with expressionist edge

Daniel Harding led a modernist interpretation of Mahler’s Ninth full of fierce drama, eloquence and intensity, in the orchestra’s thrilling return to this hall

The Guardian - UK

‘It’s OK to take risks in concerts because there it’s safe to do so’: Conductor Daniel Harding on his double life as an airline pilot

He’s been on the podium with the world’s leading orchestras but, he says, his new parallel career flying for Air France has taught him things he never learned in 30 years of music making

The Guardian - UK

The week in classical: The Marriage of Figaro; Mahler Symphony No 8 review – phenomenal

Mozart’s divine comedy is a shimmering feast for Glyndebourne, while Mahler’s epic symphony brings joy and redemption to a packed Royal Albert Hall

The Guardian - UK

Hans Rott, Symphony No 1/Mahler review – friends but not equals

His friend Mahler called him a genius, but there’s little in this recording – fine though it is – of Rott’s first symphony to persuade us of that

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The Guardian - UK

RPO/Petrenko review – Mahler’s grand and imposing 8th sounds as if it belongs here

Vasily Petrenko and the huge forces required for this choral symphony navigated the score with agility and conviction, but the dramatic connection remained elusive

Los Angeles Times

Why classical conductor 'Tár' was the most terrifying role of Cate Blanchett's iconic career

Cate Blanchett has played her share of formidable characters, rulers who could bring mere mortals to their knees with a single icy stare: Queen Elizabeth I in "Elizabeth," Galadriel in the "Lord of the Rings" trilogy, the goddess Hela in "Thor: Ragnarok."

Crikey

So, who should be our first Australian head of state? Ash Barty, Eric Abetz or Paul Keating?

Should Australia finally make the leap into becoming a republic, Crikey satirist Tom Red has some early suggestions for our new sovereign leader.

The Guardian - UK

Prom 66: BBCSO/Canellakis review – Jolas puts her tongue in her cheek

Betsy Jolas’s bTunes is a witty ode to our attention-sapping times, while Karina Canellakis commanded Mahler’s First Symphony with an expressive and sharply etched performance

The Guardian - UK

Prom 62: Berlin Phil/Petrenko review – sinister magic marks a concert of startling brilliance

Petrenko proved his mastery of Mahler’s Seventh yet again as he brought out its lurking ambiguity in a performance that hovered between dream and nightmare

The Guardian - UK

Berg: Violin Concerto; Three Orchestral Pieces review – an idiomatic and accomplished collection

Conductor Andrew Davis and warm-toned soloist James Ehnes vividly connect Berg’s early music to his later scores and the composers who were his models

Tribune News Service

How the Pittsburgh Symphony's librarian manages 1,200 pounds of sheet music during its European tour

ESSEN, Germany — For the Pittsburgh Symphony Orchestra, another day in Europe means yet another rehearsal.

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