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Hurt by arts cuts, gender balance criticisms and a post-Brexit lack of musicians from Europe, this year’s event is rife with insecurity. But, says Opera Now’s editor Hattie Butterworth, there is also defiant innovation...

The first of three programmes from Prégardien, with songs by Ives, Schubert, Schumann and Mahler linked with settings from Hanns Eisler, consummately sung and played

Ryan Wigglesworth composes a finessed Monteverdi Magnificat with the elegant, expansive assistance of wife and soprano Sophie Bevan and a virtuosic choir

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

The great soprano was as expressively generous as ever but Nina Stemme was ill-served by her duo partner Magnus Svensson in this recital that featured Mahler and Wagner at its centre

Tár is set in the contemporary world of Western classical music and centres on Lydia Tár, one of the world's most prolific composer-conductors and first ever female music director of a major German orchestra. While the film has the look and feel of a biopic, Lydia Tár is a fictional…

Director Todd Field has gone through great pains, including on a podcast for the Los Angeles Times, to explain his great effort to get the world of classical music right in “Tár.”

Elizabeth Watts’s buoyant soprano drew us in to this poignant performance of Ryan Wigglesworth’s work Till Dawning, based on the poetry of George Herbert

In his controversial film, Todd Field foregrounds melancholic works by Mahler and Elgar. Are they a requiem for Cate Blanchett’s supremely powerful conductor?