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The Latest Breaking News from BBCSO

M. Butterfly review – Huang Ruo’s cross-cultural opera gets an enthralling UK premiere

Remarkable performances keep us guessing about the intricacies of the east-west relationship at the heart of this BBCSO/Barbican concert staging

The Guardian - UK

Last Night of the Proms review – pauses stretched patience but warmth and a Mexican wave won out

Pianist Stephen Hough was magical, soprano Angel Blue was on velvet-voiced form and a sporting theme brought inspired silliness

The Guardian - UK

Proms 53 and 54: BBCSO/Brabbins; Beethoven for Three

The Proms’ tribute to Andrew Davis was crowned by a joyous Steve Reich premiere, while the next day saw three outstanding musicians grapple with awkward acoustics

The Guardian - UK

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Prom 45: BBCSO/Stasevska review – weighty premiere of a penniless composer’s symphony of love

The composer’s only surviving orchestral score feels more preliminary sketch than finished work, but Sibelius’s Fifth Symphony was stirringly delivered

The Guardian - UK

Prom 38: Gabetta/BBCSO/Lu review – Francisco Coll premiere roams deliriously wide

The composer’s Cello Concerto, written for and performed by Sol Gabetta, was perfectly precise in conductor Tianyi Lu’s hands, despite its dizzying technical demands on soloist and orchestra

The Guardian - UK

BBCSO/Brabbins review – a Brazilian mass brings a ray of Rio sunshine

Mellower than its European counterparts, Nunes Garcia’s mass flowed easily under Brabbins’ baton – and the four solo singers basked in its floridity

The Guardian - UK

BBCSO/Brabbins: Italian Radicals review – politically charged, expressive and technical

Works by Luigi Dallapiccola, Bruno Maderna, Luigi Nono and Luciano Berio got the BBC Symphony Orchestra Total Immersion treatment

The Guardian - UK

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BBCSO/Kahchun Wong review – hints of musical adventure to come

The Singaporean conductor, soon to head the Hallé, chose a Shostakovich symphony for his London debut, along with two Japanese pieces forming a timely tribute to the late Seiji Ozawa

The Guardian - UK

BBCSO/Oramo review – the freshness Oramo brought to Sibelius was a joyous revelation

Sakari Oramo presented the Finnish composer’s enigmatic Sixth symphony and the majestic Seventh as a single span in a concert that also included the UK premiere of Tebogo Monnakgotla’s Globe Skimmer Surfing the Somali Jet with violinist Johan Dalene

The Guardian - UK

Bacewicz: Symphonies 3 & 4 album review – Oramo is a passionate advocate

Sakari Oramo and the BBCSO revel in the expert orchestrations of Grażyna Bacewicz’s music in this first instalment of recordings of the Polish composer’s orchestral works

The Guardian - UK

BBCSO/Oramo review – a fresh take on Mahler’s Fifth

Sakari Oramo proved once again what a special Mahlerian he is with this outstanding performance, in a programme that also featured an early Ligeti work and the UK premiere of an underwhelming orchestral piece by Dora Pejačević

The Guardian - UK

Proms 45 & 46: BBCSO/Oramo; Manchester Collective review – Mahler with martial zeal and shimmering electronic works

Mahler’s Third Symphony is a huge undertaking, impressively played by the BBCSO, followed by a rare late-night excursion into contemporary works

The Guardian - UK

Colin Bradbury obituary

Principal clarinet of the BBC Symphony Orchestra for more than 30 years and exponent of the instrument’s lesser-known repertory

The Guardian - UK

The week in classical: Innocence; Sakari Oramo/BBCSO; Explore Ensemble – review

A big week for Finnish music and musicians led by Kaija Saariaho’s powerful opera about a school shooting, and a thrilling Bartok performance

The Guardian - UK

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The Guardian - UK

Classical home listening: Antonio Oyarzabal, Sarah Cahill and the BBCSO’s RVW symphonies 7 & 9

The Spanish pianist’s album of female Latin American composers is full of discoveries, while Martyn Brabbins and co take us out into the cold…

The Guardian - UK

BBCSO/Karabits review – Ukraine speaks out through its music

The BBC Symphony Orchestra’s guest conductor Kirill Karabits and pianist Anna Fedorova brought music from their homeland to an enthusiastic audience

The Guardian - UK

Total Immersion: Sibelius the Storyteller review – hair-raising climaxes and soaring operatic intensity

A day of concerts led by Sakari Oramo and the BBC Symphony Orchestra explored the Finnish composer’s tone poems and songs, and made for a vivid - and special - experience

The Guardian - UK

Prom 66: BBCSO/Canellakis review – Jolas puts her tongue in her cheek

Betsy Jolas’s bTunes is a witty ode to our attention-sapping times, while Karina Canellakis commanded Mahler’s First Symphony with an expressive and sharply etched performance

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The Guardian - UK

Prom 51: BBCSO/Gabel review – a bravura evening of charm and defiance

Presenting works rarely seen at the Proms, the BBCSO were at their best, led by the magnificently brooding Fabien Gabel

The Guardian - UK

Prom 39: BBCSO/Oramo review – a soaring tale of three cities … and a blackbird

Oramo’s Prom of English music included the UK premiere of Turnage’s Time Flies; with an encore of Paul McCartney’s Blackbird from tubist Constantin Hartwig

The Guardian - UK

Prom 33: BBCSO/Wigglesworth review – an evening of fizzing and sparkling mysticism

Matthew Kaner’s mystical new work, the gently glittering Pearl, is effective and engaging, with Roderick Williams its supremely communicative centre

The Guardian - UK

Prom 26: BBCSO/Bychkov review – ambitious and striking Czech theme

Julian Anderson’s new Prague-inspired symphony built to a huge climax, but ultimately felt over-inflated, while the verve and energy of the Labèque sisters’ performance of Martinů was a little lost in the huge hall

The Guardian - UK

The week in classical: Migrations; Aldeburgh festival; Royal Academy of Music SO/Bychkov

WNO’s multi-stranded exploration of human migration is a joy; Aldeburgh honours Oliver Knussen in style; and the RAM’s future stars are bold as brass

The Guardian - UK

BBCSO/Brabbins: Scott of the Antarctic review – astonishing orchestration is superbly played

Vaughan Williams’s score performed as a live accompaniment to a beautifully restored print of the 1948 movie is incredibly powerful and at times extraordinarily moving

The Guardian - UK

BBCSO: Music for the End of Time review – compelling and vital music from Europe’s darkest days

A day of concerts featuring music written in imprisonment during the Holocaust was a powerful testament moving from rage to irony

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