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The Latest Breaking News from Janáček

The Makropulos Affair review – immaculately paced and gripping opera storytelling

Olivia Fuchs’ production of Janáček’s opera is a remarkable achievement, with Orla Boylan’s riveting performance at its heart. In the pit, Martyn Brabbins is superb

The Guardian - UK

BBCSO/Biss/Hrůša review – radiance, juggernaut power and soulfulness

The conductor put his stamp on the BBCSO programme with lyrical Haas, energising Beethoven, introspective Schubert and Schostakovich that may have been the loudest orchestral music ever heard at the Barbican

The Guardian - UK

Jenůfa review – this opera is in Hrůša’s DNA, his account is not to be missed

The Royal Opera’s incoming music director conducts a performance of rare intensity and authority, with Corrine Winters and Karita Mattila compelling in the two central roles

The Guardian - UK

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Otto Schenk, director known for traditional opera productions, dies at 94

Otto Schenk, an actor who became a noted director praised for traditional opera productions and criticized by advocates of contemporary approaches, died Thursday

The Independent UK

Janáček: The Excursions of Mr Brouček album review – eccentric opera has sparkle and muscle

Jaroslav Březina is characterful in the title role for this new studio recording, heading an excellent cast and orchestra who know this music inside out

The Guardian - UK

Nash Ensemble: Terezín-Theresienstadt review – incredibly moving survey of composers lost to the Holocaust

Works by Hans Krása, Viktor Ullmann, Pavel Haas and Gideon Klein were wonderfully performed, while Konstantin Krimmel gave a heart-rending account of of songs written in the ghetto-camp – an essential and unforgettable experience

The Guardian - UK

Bartók, Janáček, Szymanowski album review – Anderszewski beguiles and seduces

The Polish pianist Piotr Anderszewski’s new, and long awaited, recording is a beautiful collection of miniatures by composers all working around the edges of modernism

The Guardian - UK

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Betts-Dean/Armida Quartet review – drama and charisma as Brett Dean, and daughter, turn to Mary Queen of Scots

Matthew Jocelyn and Brett Dean’s 2021 song cycle based on the Scottish Queen’s letters was perfectly partnered with Dean’s new arrangement of Schumann, and Janáček’s second string quartet

The Guardian - UK

Jenůfa review – muscle and lyricism as Rattle leads superb cast through Janáček’s formidable opera

With the power of the LSO on stage alongside them, this concert performance found Agneta Eichenholz magnetic in the title role and tenor Aleš Briscein a particular standout

The Guardian - UK

LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought orchestral colour and focus to orchestral showpieces by Debussy and Janáček

The Guardian - UK

WNO/Hanus review – players with an instinct to make every line sing

On the concert platform, Welsh National Opera’s orchestral musicians brought lyricism and exactitude Britten, Mahler and Janáček, while mezzo Jana Kurucová gave a glowing, sensitive rendition of Dvořák’s Biblical Songs

The Guardian - UK

The Makropulos Affair review – fast-flowing and flamboyant

WNO’s production of Janáček’s opera tackles the question of the desirability of immortality with life-affirming purpose

The Guardian - UK

The week in classical: La bohème; Madama Butterfly; The Excursions of Mr Brouček – review

Puccini’s story of doomed love is burdened by an oppressive set and a new character, but elsewhere his Japanese tragedy is brilliantly performed. Meanwhile Janáček’s farcical landlord is a hoot

The Guardian - UK

The week in classical: A Midsummer Night’s Dream; The Cunning Little Vixen; Bath BachFest

Enchantment, glee and fresh voices are well met in Scottish Opera’s winning new production of Britten’s opera, while Janáček’s music holds court at ENO

The Guardian - UK

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The Guardian - UK

The Cunning Little Vixen review – colourful staging takes Janáček’s opera to the dark side

Anguish rather than sentiment is to the fore in Jamie Manton’s new production, with Sally Matthews and Pumeza Matshikiza a well-matched central pair

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