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The Latest Breaking News from James Mollison

Baroque'n'Roll: meet London's fans of The Last Dinner Party

At the five-piece band’s recent gig in Hammersmith, the fans honoured their heroes with elaborate and stunning outfits

Evening Standard

Meet London's biggest Swifties

As Taylor Swift superfans descended on Wembley, Nicole Holcroft-Emmess and photographer James Mollison found them shaking it in all the star’s eras

Evening Standard

Ezra Collective interview: ‘Politicians aren't gonna be the saviour of our communities’

They’re making history as the first jazz act to headline Wembley Arena, and Ezra Collective couldn’t be more thrilled. The London quintet tells Isobel Van Dyke why music is the soul of community

Evening Standard

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The origin of all things: Kyotographie 2024 – a photo essay

The 12th annual Kyotographie photography festival features 13 exhibitions staged in striking locations across the Japanese city of Kyoto. Photographers from around the world submitted pictures on the theme of ‘source’

The Guardian - UK

Ezra Collective review – a home-town triumph for jazz’s young heroes

Fresh from their Mercury prize win, the genre-melting, future-building London party band bring out guests aplenty in a night of inspirational, infectious joy

The Guardian - UK

The NGA's $500m picture and why we shouldn't sell it

"Two inches of that would buy me a washing machine", as one visitor said.

The Canberra Times

The Past is Present: reflecting on 150 years of Chinese art at the National Gallery of Victoria

Earlier this month, Penny Wong detailed the last 50 years of Labor government engagement with China in her Whitlam Oration, tracing how the relationship’s varying warmth and chill have been politicised.

The Conversation

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The night Queen Elizabeth saw Blue Poles

She was a regular visitor to Canberra's best tourist spots.

The Canberra Times

'The relation between politics and culture is clear and real': how Gough Whitlam centred artists in his 1972 campaign

As we enter the final week of the election campaign with its scrappy debates and breathlessly seized “gotcha” moments, the impact of Gough Whitlam’s electoral reforms can be seen at every stage.

People

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National Gallery of Australia

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