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The Latest Breaking News from Bartók

Organised Delirium: Piano Sonatas by Boulez, Shostakovich, Bartók and Eisler album review – coruscating and exceptional

Stefanovich brings total mastery, athleticism and power to her recordings of Boulez’s second sonata, and other 20th-century piano works

The Guardian - UK

LSO/Pappano review – new era begins with ghosts and great beauty

Chief conductor’s kicks off his first season with the London Symphony Orchestra with energy and thrilling drama in beguiling Sibelius and a new work from James MacMillan

The Guardian - UK

Wendy Ritson obituary

Other lives: Violinist, teacher and psychotherapist who was a member of the 1970s prog rock band Centipede

The Guardian - UK

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Bartók: The Wooden Prince album review – very fine recording of rarely heard fairytale ballet

Bartók revised his ‘pantomime ballet’ many times; the BBC Scottish Symphony orchestra’s new disc is the first ever recording of its final version

The Guardian - UK

Duke Bluebeard’s Castle review – erotic, unsettling and beautifully staged

A last-minute cast substitution added a remarkable gender twist to Bartók’s opera about marital disintegration

The Guardian - UK

‘It’s quartet Disney World!’ Getting to grips with world’s biggest string quartet festival

This year’s String Quartet Biennale Amsterdam saw big names and rising stars play 113 works from Beethoven to Larcher, plus masterclasses, a DJ – and free biscuits. Can you have too much of a good thing?

The Guardian - UK

Seiji Ozawa, longtime conductor of the Boston Symphony Orchestra, has died at 88

The pioneering Japanese-American conductor who led the Boston Symphony Orchestra for nearly decades died Tuesday.

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LSO/Ward review – soaring and accomplished, Faust resisted flashy indulgence

In Bartók and Chausson, violinist Isabelle Faust was elegant and expressive, and conductor Duncan Ward brought orchestral colour and focus to orchestral showpieces by Debussy and Janáček

The Guardian - UK

Concerto Budapest SO review – András Keller conducts with a chamber musician’s instinct for detail

In a programme of Mozart, Beethoven and Bartók (with soloist Pierre-Laurent Aimard) the Hungarian orchestra brought fine playing full of detail and focus

The Guardian - UK

Elvis Costello on writing The Juliet Letters: ‘It initially caused panic’

‘It’s been translated into different languages, there’s a version for a cabaret band – and the songs have been covered many times. Björk’s version of Why? is better than mine!’

The Guardian - UK

Prom 39 at the Royal Albert Hall: Budapest Festival Orchestra put on a night of surprises and spontaneity

The programme of Ligeti, Bartók and Beethoven included a virtuoso performance by soprano Anna-Lena Elbert

Evening Standard

Philharmonia/Hrůša review – genteel beginnings cede to compelling drama

If his Dvořák felt a little bland, with Bartók and Strauss’s Dance of the Seven Veils, the Royal Opera’s music director designate gave London audiences a glimpse of the vivid excitement he can bring

The Guardian - UK

The week in classical: It’s a Wonderful Life; A Child of Our Time; IMS Prussia Cove – review

ENO’s warm-hearted production of Jake Heggie’s operatic take on the classic Frank Capra film is full of poignant ironies

The Guardian - UK

Prom 36: Vienna Radio SO/Alsop review – tight teamwork and carefree swagger

Marin Alsop led the orchestra through lively performances of Bartók, Prokofiev and Dvořák, full of rhythmic drive, as well as the UK premiere of Hannah Eisendle’s evocative Heliosis

The Guardian - UK

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The Guardian - UK

RLPO/Hindoyan review – shock but not enough awe in Bluebeard concert staging

Domingo Hindoyan brought grace to Mahler and sonic terror and conviction to Bartók’s Bluebeard’s Castle

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