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The Latest Breaking News from Andy Johns

"I remember this cold, damp day in Barnes Cemetery, lugging this plexiglas coffin around with Mickey Mouse": The curious story of Free's debut album

Recorded for just £800, Free’s Tons Of Sobs remains one of rock’s greatest debut albums

“This is the best record I’ve ever done in my life. Montrose and Van Halen led up to this”: the story of Sammy Hagar’s Chickenfoot, the greatest rock supergroup of the 21st century

“This is the best record I’ve ever done in my life. Montrose and Van Halen led up to this”: the story of Sammy Hagar’s Chickenfoot, the greatest rock supergroup of the 21st century

How members of Van Halen, the Red Hot Chili Peppers and a bona fide guitar hero joined forces to bring the good times back with Chickenfoot

“I know Pagey made me mix the outro section half a dozen times: ‘Not enough of me, dear boy! Not enough of me, make me louder!’” – Andy Johns on the challenges of engineering Led Zeppelin's Rock And Roll

“I know Pagey made me mix the outro section half a dozen times: ‘Not enough of me, dear boy! Not enough of me, make me louder!’” – Andy Johns on the challenges of engineering Led Zeppelin's Rock And Roll

In 2011 the acclaimed engineer revealed some of the realities behind making Led Zeppelin IV: "John’s got his hi-hat nearly all the way open and that was bleeding all over the place"

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“I don’t remember saying I’d never heard Led Zeppelin. It’s beyond stupidity to say that!”: did Kingdom Come really sound like Zeppelin? Not according to singer Lenny Wolf

Kingdom Come released their divisive debut album on March 1, 1988. Original singer Lenny Wolf looks back on success, struggle and those infamous comparisons

The Depeche Mode track and album that saw them conquer US stadiums: "It's about the concept of fleeing from reality and the evil awakening afterwards. Any kind of fleeing - drugs, alcohol, or whatever"

Led Zeppelin samples and happy accidents, with the Gore and Wilder songwriter/soundscaper dynamic in full flow

“I had no idea he was coming. I was like, ‘This is the last song that I wanted to play’”: Joe Satriani recalls his first and only meeting with Eddie Van Halen – a surprise visit when he was tackling a tricky track in the studio

Satch was busy piecing together The Extremist and laboring over the jangly, 12-string sounds of a challenging song – then Eddie Van Halen walked in

Engineer Andy Johns on recording and mastering Led Zep IV: “I put the tape on and the first song goes by and sounds bloody awful. Then the second one comes along and that’s really horrid, too... Pagey should’ve fired me at that point"

"Pagey was going on about seeing ghosts on the stairs and we were like, ‘Oh yeah right, Jimmy!’"

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"Bonzo would say, 'There's not enough 'frudge' on the bass drum'": Engineer Andy Johns on the recording of Led Zep IV

"Bonzo would say, 'There's not enough 'frudge' on the bass drum'": Engineer Andy Johns on the recording of Led Zep IV

The sadly departed British studio ace on mixing one of the greatest rock albums ever

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