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The Latest Breaking News from Jethro Tull

“I remember trying to work out what extra notes he’d put in. I was so infatuated…” Gun guitarist Jools Gizzi on his prog hero Alex Lifeson

Scottish rocker discovered Jethro Tull fan, Pink Floyd and Tangerine Dream as a teenager – but Rush really stood out to him as he learned to play

Louder

“We were limited by venues, by the number of people in the band. We wanted to play louder. Everyone had been talking about going electric as Dylan had. None of us had the budget…” Maddy Prior’s history of Steeleye Span

From breaking out of local clubs to touring with Jethro Tull and attracting guest spots from David Bowie and Peter Sellers, the leading light of British folk looks back – and forward

Louder

“Jethro Tull would rehearse at a strict time every morning and then break for lunch. It was like going to work. In Black Sabbath, we never did that”: Tony Iommi on hanging out with Jimmy Page and Brian May, early Sabbath –and his time with Tull

The godfather of heavy metal takes us through the unimpeachable majesty of Black Sabbath’s first six records, his gear choices – old and new – and how that new solo album is coming along...

Guitar World

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We say farewell to Fish on the cover of the new issue of Prog, which is on sale now!

Plus Tony Levin, Jethro Tull, BEAT, Dream Theater, Public Service Broadcasting, Rosalie Cunningham, Beardfish, Vincent Cavanagh and more...

Louder

“I only asked for the spoken-word part, then an email comes in – ‘Do you need some flute?’ I wasn’t going to say no!” How Opeth’s The Last Will And Testament wound up featuring Ian Anderson, Joey Tempest and growled vocals

Mikael Åkerfeldt insists his band’s new concept album, featuring Jethro Tull and Europe men, is no return to their death metal past – and won’t keep prog fans away

Louder

“I wound up on the bill with them in Malaysia, where I got escorted offstage by police with automatic weapons”: Despite the drama, Joe Satriani still loves Jethro Tull

Guitar maestro professes his love for Ian Anderson’s genius, along with early Yes, ELP and King Crimson

Louder

"I’ve thought about writing a will, just to make sure my daughters don’t throw my records away." With guest appearances from Ian Anderson and Joey Tempest, plus the return of death metal, The Last Will And Testament is Opeth's biggest swing yet

Mikael Åkerfeldt spills the tea on Opeth's prog metal rock opera The Last Will And Testament

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“We always had so much more in common with bands like Yesand Genesis… we wanted to see how far we could take an idea”: What Blue Öyster Cult thought of being called prog – and what they really thought of the More Cowbell sketch

They may have been called “the thinking man’s metal band” but comparing themselves to ELP, Jethro Tull and King Crimson, they assert there was a lot more progressive thinking going on than many realised

Louder

Great new prog you must hear from Beardfish, Motorspcyho, Overhead, The Albatross and more in Prog's Tracks Of The Week

Cool new new proggy sounds from Virtual Symmetry, Alex Carpani, Raven Sad and more...

Louder

“He tore the whole thing to shreds and was very unkind, harsh and cruel … It was very upsetting to have someone you admire being so nasty about your work”: Ian Anderson, Jethro Tull’s War Child, and 1974

Their seventh studio album was the result of a failed attempt to make a movie – but the band leader believes many more significant things happened in the world of music that year

Louder

Jethro Tull announce expanded and remixed version of The Jethro Tull Christmas Album

The five-disc The Jethro Tull Christmas Album – Fresh Snow At Christmas will be released in December

Louder

“I took off my apron. My manager said, ‘You’ve got tables to serve,’ and I said, ‘I’m talking to Peter Gabriel!’” How actor Adrian Lukis was talked out of signing a music contract by his Genesis hero

After connecting with fellow public schoolboys, he went on to admire Pink Floyd’s intellectualism, appreciate Curved Air’s sexiness, and get lost in Jean-Luc Ponty while on acid

Louder

“We were torn between trying to make it big and making our music more crossover, but failing… that happened because we became conscious of what we were doing”: The Power And The Glory signalled the beginning of the end for Gentle Giant

They’d reasserted themselves after a line-up change and enjoyed the results – but the surprisingly polarised response to their sixth album led them to start second-guessing their own work.

Louder

“You could be a Luddite and ignore these new instruments, or you could say, ‘Let’s give it a spin.’ And I chose the latter”: How Jethro Tull embraced synths, drum machines and the 1980s – and split their fans

The tangled story of Jethro Tull’s controversial 80s albums A, The Broadsword And The Beast and Under Wraps

Louder

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Louder

“So wasteful… such a futile and pointless gesture”: Ian Anderson sent a flute into space, and William Shatner followed later. The Jethro Tull leader wishes neither of those things had happened

His desire to be associated with the space race, first shared on 1970 album Benefit, resulted in disappointment

Louder

"The sound of a man pushing his own boundaries and having an absolute ball": Ian Anderson's solo years, now in a handy box

31 years, 10 vinyl albums, one Ian Anderson

Guitar World

“Rory Gallagher’s a saint in my house. There’s even a saintly painting of him above where I hang my guitar”: Meet Louise Patricia Crane, the solo-loving songwriter, seeking new prog sounds with King Crimson’s Jakko Jakszyk

Netherworld is the sound of Crane and producer Jakszyk testing the boundaries of where guitar can go, in the company of special guests Tony Levin, Gary Husband and Ian Anderson

Louder

“I felt so embarrassed for him and I didn’t want to make things even worse”: Ian Anderson, the man who refused to meet Elvis Presley

The King had just staged his comeback and Jethro Tull were touring breakthrough album Stand Up – but when the ‘invitation’ came to greet Presley, Anderson resisted

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Metal Hammer

“I just had to tell him, ‘You’ve outdone me, you bugger!’” Iron Maiden used to merely hint at their prog credentials… now they flaunt them

A selection of the NWOBHM veterans’ longest, deepest and weirdest tracks – and they weren’t all written by Steve Harris

Louder

“I was always the lowest common denominator… but occasionally less can be more”: Jeffrey Hammond’s five years with Jethro Tull

Bassist contributed to some of the band’s most definitive works – but ultimately couldn’t resist the call of another art form

Louder

“I tried to persuade Steven Wilson we should give that one a miss on the remix series!” Ian Anderson still detests the mindless sax of Jethro Tull’s A Passion Play

Horrified by sessions in a French chateau, they went home, dumped the work they’d done on their Thick As A Brick follow-up and started again. The result was a Marmite production that inspired split rumours

Top News

Jethro Tull Returns To Top Album Sales Chart After 20 Years

Jethro Tull's 'Bursting Out' re-enters charts at No. 33, showcasing band's enduring popularity and successful reissue strategy.

Guitar World

“We used to boil all our strings so all the crap would come off them. We couldn’t afford to buy new strings”: Geezer Butler explains how Black Sabbath managed to make ends meet as emerging heavy metal pioneers

Before they made a name for themselves, Sabbath were forced to save cash any way they could – and Butler’s bass strings took the hit

MusicRadar

“I couldn't afford a set of strings, so I'd play the same strings for about six months... and then boil them, so all the crap would come off them, and they'd sound almost new again”: Geezer Butler on Sabbath’s cash-strapped early days

Geezer Butler talks about Black Sabbath's early days

Louder

“Crystal-clear stereo separation, a much fuller and warmer sound… Steven Wilson’s remaster is a huge improvement”: Jethro Tull’s Bursting Out – The Inflated Edition

Bookset series turns to the band’s first live release, which showcases Ian Anderson as zany ringmaster

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