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The Latest Breaking News from Almeida

On my radar: Rebecca Frecknall’s cultural highlights

The theatre director on the best novel she’s read in a long time, Tracey Emin’s latest exhibition, exercising in the dark, and a Middle Eastern vegetarian restaurant

The Guardian - UK

The week in theatre: Cat on a Hot Tin Roof; The Little Foxes; The Invention of Love – review

Daisy Edgar-Jones is on the prowl; Anne-Marie Duff channels Bette Davis; and Simon Russell Beale gleams in the literary afterlife

The Guardian - UK

Cat On a Hot Tin Roof at the Almeida review: Daisy Edgar-Jones is a force of nature in this striking revival

4/5 Director Rebecca Frecknall’s vivid interpretation makes a hazily-remembered classic feel new and strange

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

The week in theatre: Tender; Expendable review – small provocations

An on-off romance is all tumbling dialogue and tiny details in Eleanor Tindall’s agile new play. Plus, a grooming scandal tale seen through the eyes of British-Pakistani women

The Guardian - UK

Rupert Goold is an audacious innovator. He will make waves at the Old Vic

Having worked his magic as director of the Almeida theatre, the gifted Goold is bound for greater glories: the National had better watch out

The Guardian - UK

Rupert Goold to join The Old Vic as artistic director after leaving the Almeida

Goold oversaw productions such as Tammy Faye, Spring Awakening, Richard III, Patriots, King Charles III and Ink at the Almeida

Evening Standard

Rupert Goold named as next artistic director of Old Vic

Goold says he is seeking new challenge after more than a decade in charge at the Almeida theatre

The Guardian - UK

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The Old Vic announces Rupert Goold as new artistic director

Goold said he will be joining with ‘excitement and trepidation’

The Independent UK

The Guardian view on Look Back in Anger: still shocking

Editorial: Toxic masculinity is centre stage in a timely revival of John Osborne’s 1956 classic

The Guardian - UK

Roots/Look Back in Anger at the Almeida review: the ferocious roar of angry young men and women resonate down the decades

It is a particularly ripe moment to bring back two plays about the anger of younger generations with two plays that couldn’t be more different

Evening Standard

Brazil drought punishes coffee farms and threatens to push prices even higher

Brazilian coffee farmers are grappling with above-average temperatures as the country, the world’s largest coffee producer, faces its worst drought in more than seven decades

The Independent UK

The week in theatre: The Years; Pericles – review

Extraordinary performances from five actors all playing the writer Annie Ernaux add up to a five-star adaptation of her Nobel prize-winning book. And a fairytale take on Pericles

The Guardian - UK

London play pauses after graphic abortion scene leaves theatregoers feeling faint

‘The Years’ is based on French author Annie Ernaux’s 2008 autobiography ‘Les Années’

The Independent UK

London play paused after theatregoers felt faint during abortion scene

Mainly male audience members had to step out of preview performance of The Years after graphic scene

The Guardian - UK

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The Guardian - UK

From the Arctic Circle to the top of European theatre: director Eline Arbo on being ‘an outsider looking in’

The Norwegian theatremaker talks about succeeding Ivo van Hove as artistic director of one of the influential Internationaal Theater Amsterdam and staging classic plays as rock concerts

Evening Standard

Spring fashion trends special 2024 — the chicest dresses, jeans and jackets to launch into the new season

Spring into spring with 12 fashion editor approved trends to refresh your look — from the new easy dresses to the joy jacket and blanc jeans

Evening Standard

How to get cheap theatre tickets in the West End: we reveal the secrets to bagging those seats

From knowing the best websites to sneaking in as a filler (sssshhhh), we’ve got all the tricks

Evening Standard

Alison Oliver interview, reviews of Old Friends and Close Up: The Twiggy Musical - The Evening Standard Theatre Podcast

This week on the Evening Standard Theatre Podcast, Conversations with Friends star Alison Oliver joins Nick Curtis to talk about playing the title role in Portia Coughlan, opening soon at the Almeida Theatre.

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news in one place.

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The Guardian - UK

The week in theatre: A Mirror; Next to Normal – review

Sam Holcroft’s unsettling new play about censorship features a menacing performance from Jonny Lee Miller, while a musical drama exploring bipolar disorder is edgily transfixing

The Guardian - UK

A Mirror review – Pirandellian wedding drama throws a bouquet of unrealities

Sam Holcroft’s drama delights in the theatrical trickery of dual identities and false realities to throw a final surprise punch

Evening Standard

A Mirror at the Almeida Theatre review: thrilling and infuriating in equal measure

Clever, thoughtful and tricksy, Sam Holcroft’s work about a playwright in an authoritarian regime is also exasperating

The National (Scotland)

Axed Covid vaccine deal with Livingston firm cost taxpayers £358m

THE UK Government has been accused of “absolutely shafting” a Scottish vaccine plant after it emerged a contract it axed cost taxpayers £358.6…

The Independent UK

Black Mirror’s Anjana Vasan: ‘I’ve been underestimated because I’m small, brown and foreign’

The award-winning star of ‘A Streetcar Named Desire’ tells Ellie Harrison about subverting stereotypes, and playing a reluctant serial killer in Charlie Brooker’s dystopian anthology thriller

Evening Standard

National Theatre: Runners and riders to replace Rufus Norris in top job

Rufus Norris’s departure from the National Theatre leaves a gap at the top of British Theatre but there is no shortage of potential successors.

The Guardian - UK

‘I want it to feel quite feral’: Rebecca Frecknall on staging Romeo and Juliet

From Cabaret to Streetcar, the West End’s hottest director Rebecca Frecknall has a reputation for finding leads who put bums on seats. ‘I just go on my gut,’ she says

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