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The Latest Breaking News from A24

Beau is Afraid review: "Get excited for Ari Aster's extraordinary opus"

‘From his darkest fears comes the greatest adventure'. So goes the tagline for Beau is Afraid, Ari Aster’s 179-minute follow-up to his landmark 21st-century horrors Hereditary and Midsommar. With all due respect to the marketing department at A24, rarely has a pithy tagline – and the whimsical, Benjamin Button-esque poster…

Total Film

How the politics and personalities of Portland's art scene informed A24's 'Showing Up'

A ceramic artist named Lizzy sits in her studio, nimbly bending the arm of a clay figurine. She examines her creation, then picks up a fork and scrapes the clay girl's skirt. In doing so, she adds folds to the clothing and makes it look more realistic.

Los Angeles Times

Netflix’s ‘wild’ new dark comedy series earns near-perfect Rotten Tomatoes score

Critics have said series is Netflix’s ‘best new series since “Squid Game”’

The Independent UK

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Y2K: What We Know So Far About The Upcoming A24 Comedy

A24 is coming out with a disaster comedy about Y2K. Here is what we know so far about the new movie.

Cinemablend

Netflix’s ‘wild’ new dark comedy series earns near-perfect Rotten Tomatoes score

Critics have said series is Netflix’s ‘best new series since “Squid Game”’

The Independent UK

'Showing Up': Kelly Reichardt 'fine with being a side B-er’

The quiet perceptions, everyday troubles and intermittent moments of transcendence that make up Kelly Reichardt’s films have always had a rhythm apart from most American movies

The Independent UK

Beef review – Ali Wong’s dark, existential thriller is deliciously subversive

Entertaining chaos and extremely funny dialogue result from this Netflix show about two rage-fuelled drivers having a life-affirming feud. It’s a rare delicacy

The Guardian - UK

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A24’s Most Surprising Horror Franchise is Tackling a New Hollywood Era

An all-new cast join Ti West and Mia Goth in the final chapter of the 'X' trilogy.

Inverse

'Beef' Review: Netflix's Revenge Thriller Is a Career High For Steven Yeun and Ali Wong

Steven Yeun and Ali Wong dish it out in the razor-sharp black comedy from A24 and Netflix.

Inverse

Beau Is Afraid Has Screened, See What People Are Saying About The Midsommar Director’s New Dark Comedy Horror

Beau Is Afraid held a surprise screening, and audience members have taken to Twitter with their first reactions to Joaquin Phoenix's horror comedy.

Cinemablend

God’s Creatures review – Emily Watson and Paul Mescal elevate a solid study of violence

A mother is torn between her son and her conscience in a well-acted Irish drama marred by a routine plot

The Guardian - UK

‘Spring Breakers’ holds up for us who live where Selena Gomez partied

TAMPA, Fla. — When “Spring Breakers” released in theaters, the nation had just reinaugurated Barack Obama. “Argo” had just won best picture, and its director, Ben Affleck, was not yet “sad Ben Affleck.” Months later, Miley Cyrus twerked at the MTV Video Music Awards, which we still really cared about.

Tribune News Service

A24 to adapt Shuggie Bain author's second novel into TV series

An Oscar-winning production company is set to adapt Young Mungo.

The National (Scotland)

You Hurt My Feelings: release date, trailer, cast and everything to know about the Julia Louis-Dreyfus

Julia Louis-Dreyfus and Nicole Holofcener team up for You Hurt My Feelings, a new comedy coming in 2023. Here’s what to know.

WhatToWatch

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Cinemablend

After Everything Everywhere All At Once: 5 Types Of Movies I'd Love To See The Daniels Explore Next

Where will the Daniels' career take them after winning Oscars for Everything Everywhere All At Once? Here's what I'd like to see.

Inverse

Steven Yeun and Ali Wong Take Their Road-Rage Revenge to the Extreme in A24’s 'BEEF'

Steven Yeun and Ali Wong team up with A24 for a darkly comic Netflix series that looks to portray the most intense case of road rage ever.

USA Today Sports Media Group

10 takeaways from the 95th Oscars, including A24’s dominant evening

Here are some takeaways from Sunday's Academy Awards.

The Independent UK

One loser in 'Everything Everywhere' romp: Oscar bait

One surprising loser Sunday: Oscar bait

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The Guardian - UK

How did Everything Everywhere All At Once sweep the Oscars?

A combination of old fashioned star power and zeitgeisty marketing captured Oscar voters (and audiences) across the board

Asharq Al-Awsat

'Everything' Wins Best Picture, is Everywhere at Oscars

The metaphysical multiverse comedy “Everything Everywhere All at Once” wrapped its hot dog fingers around Hollywood’s top prize Sunday, winning best picture at the 95th Academy Awards, along with awards for Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis. Though worlds away from Oscar bait, Daniel Kwan and Daniel…

The Guardian - US

What Everything Everywhere All At Once’s Oscars win means for Asian American representation

The historic seven-Oscar haul is a major sign to an industry that has too often ignored, exoticized or stereotyped Asian and Asian American characters

Axios

"Everything Everywhere All at Once" sweeps Oscars

The movie also broke new ground for Asian representation in Hollywood.

ABC News

Oscars 2023: Everything Everywhere All at Once won big and stirred up emotions

Every time anyone involved with this genre-defying film wins an award, they are overcome with emotion. But as Beverley Wang explains, these are healing tears.

Los Angeles Times

Oscars 2023: A24 cements indie powerhouse status with 'Everything Everywhere All at Once' win

LOS ANGELES — A24, the studio behind best picture winner "Everything Everywhere All at Once," already had an enthusiastic following for its highbrow films and edgy, youthful tastemaker reputation.

Los Angeles Times

Commentary: The Oscars’ best picture might seem radical. But it’s as traditional as they come

LOS ANGELES — It will surprise few people and interest fewer to hear that the motion picture academy’s choice for best picture of the year was a far cry from my own. That happens most years anyway, and it’s long been the prerogative (some would say the obligation) of film…

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