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The Latest Breaking News from Guitar World

“My solos are more like rolling scales than the call-and-response of blues riffs... I used to analyze the progression. If I didn’t like what was available, I’d play as weird as possible”: How Randy Rhoads reinvented classical guitar for metal

Applying classical training to the service of heavy metal, Rhoads was the generational guitar talent that helped launch Ozzy Osbourne's solo career

Guitar World

“I love driving people crazy. They come and say, ‘How did you do that? I’ve been working for months trying to get that.’ And I say, ‘It’s just a pedal!’” A guide to untapped guitar playing of David Gilmour’s solo albums

From his 1978 debut to the record he deemed his best since Dark Side of the Moon, we present a complete guide to the Pink Floyd icon’s solo material

Guitar World

“I told Ibanez, ‘You make wonderful instruments, but you have nothing original.’ They said, ‘That’s why we’re here’”: How George Benson helped take Ibanez to the next level in the late-’70s

With multiple Ibanez signature guitars under his belt, the Breezin' guitarist shares the story of how his relationship with the Japanese guitar brand came about

Guitar World

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“My custom-made classical guitar with the synth module was stolen while we were on tour. I got it back thanks to some people who worked with Joe Bonamassa”: Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less

A gearhead through and through, the Dixie Dregs and ex-Deep Purple guitarist reveals some of his follies and lessons learned along the way

Guitar World

“An ultra-rare, Golden Era signature model, now available for everyone”: Gibson honors trailblazing guitar hero Mary Ford by reviving her one-of-a-kind 1958 Les Paul Standard Goldtop

After helping to shape the ES-295, the legendary recording artist reportedly had a one-off Les Paul built in 1958 that combined aspects of both models

Guitar World

“Was that open-string a mistake or pure brilliance? Who cares? It’s a masterpiece”: Did bass maestro Willie Weeks miss a note on this Donny Hathaway classic?

Willie Weeks is best known for his storied bass solo on Hathaway’s 1972 Live album, but the disc also features what may be his baddest bassline

Guitar World

Paws what you’re doing: Fender’s viral Hello Kitty Stratocaster is officially back, along with a Hello Kitty fuzz pedal, as part of a bumper 50th Anniversary release

Fender has revived the internet-breaking Strat – along with a host of other appropriately branded accessories – to mark Hello Kitty's latest milestone

Guitar World

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“I don’t really relate to the guitar anymore. I don’t like its nature. Honestly, guitar is the least interesting thing about the record to me”: Mk.Gee and his Fender Jaguar take center stage on SNL – alongside a mysteriously spec'd vintage Charvel

The fast-rising guitarist performed the recently-released Rockman, and Alesis., from his critically-acclaimed debut, Two Star & the Dream Police

Guitar World

“It isn’t unrealistic to try with your usual setup, provided you’re not using eights with a 1mm action”: Upgrade your blues chops now with this lesson in how to play slide guitar in standard tuning

Looking for an entry into slide playing but don't want to retune your guitar and give it a setup? This tab and audio lesson in plain ol' EADGBE will help you develop your slide vocabulary

Guitar World

“Bringing back the classic rock tones that started a revolution”: Behringer rolls out a $65 Tone Bender copy – promising the fuzz sounds of Eric Clapton, Jimmy Page and Pete Townshend in an ultra-affordable format

The budget pedal offers two modes inspired by different iterations of the legendary fuzz stompbox, as well as a smaller ergonomics to maximize pedalboard space

Guitar World

“I thought Billy was the coolest guitarist I’d ever heard, and that opinion hasn’t changed in 50 years”: Add some Texas blues sizzle to your lead playing with this lesson in Billy Gibbons' sweet soloing style

This lesson is the ZZ Top content you need to stay cool while bringing the heat. It will develop your sense of pacing and blues phrasing, and give you a chance to let some pinch harmonics fly off the fingerboard

Guitar World

“I used an SG Junior and it would never stay in tune. Felix had this old beat-up Junior and said, ‘Try this thing,’ and I never gave it back’”: Leslie West on giving his Gibson Les Paul Junior to Pete Townshend after tracking three songs with The Who

West met Townshend when The Who recruited him to play lead guitar on several tracks for their 1971 album Who’s Next

Guitar World

“We’d be on the phone and he goes, ‘It’s too metal. I gotta get it on pop radio! Use the small amp, not so much distortion’”: Steve Lukather on how Quincy Jones saved Michael Jackson’s Beat It from becoming a metal track

Jackson wanted a rock track for Thriller – and Lukather says Jones had to step in to stop the song from entering fully fledged metal territory

Guitar World

“No one has ever played these instruments live other than Gary”: Gary Rossington’s ‘Free Bird’ Les Paul/SG will be loaned out for a series of A-list gigs – and Blackberry Smoke have already used it for a Lynyrd Skynyrd medley

The Chicago Music Exchange is working with Rossington’s family to help put the iconic guitar in the hands of big-name players, in a new initiative that aims to honor the late Southern rock icon’s legacy

Guitar World

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“Jimi Hendrix was my superhero, and so I threw a bit of his style into the bassline”: How a young Bootsy Collins took the James Brown bass chair to its busiest level on this Bootsy-fied recut from 1970’s Sex Machine

The first version of the song was recorded in October 1968 with Charles ‘Sweets’ Sherrell on bass

Guitar World

“Lots of what I play, I wouldn't know how to describe it… I’m following my nose all the time. It’s a process of instinct and desire”: Meet Lazy Day’s Tilly Scantlebury – the UK guitarist-producer summoning sparkling indie tones from secondhand setups

North London songwriter-producer embraces focus on rhythm, open tuning, Tubescreamer clones and following their instincts on debut album Open The Door

Guitar World

“A handsome and versatile instrument that deserves its second chance”: Gibson Victory Figured Top review

It hardly set the world alight on its first release, but tasteful upgrades may yet see the new Victory models receive the recognition they deserve

Guitar World

“Unprecedented customization”: Brubaker merges headless guitar hype with modern modular designs for the NBS Series – which offers switchable high-end preamps

Bartolini, Dark Glass, John East, Aguilar, and Nordstrand preamp modules are available, and each can be swapped out in less than 60 seconds

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Guitar World

“Aqualung was Ian’s riff. The solo was all done on the fly. If I hadn’t got it in two takes then it would have been a flute solo. That’s when Jimmy Page came up to say hello”: Martin Barre on Jethro Tull, the Aqualung sessions –and supporting Hendrix

A signature-shifting collision of bucolic folk and frayed-edge rock, Jethro Tull’s Aqualung is one of the ’70s’ most daring records. Barre takes us on a deep dive back to those fabled sessions, from winging hisparts to snubbing Jimmy Page

Guitar World

“This is why we want to show up at NAMM”: Marshall is returning to NAMM for the first time in 5 years – and has teased some blockbuster launches

After previously hinting that digital amps, modeling software and other advancements were in the works, Marshall is now set to embark on an all-new chapter when NAMM 2025 kicks off

Guitar World

“The second night after I arrived in Miami, I went to a jazz club. This guy played bass for one tune and it was like he had dropped out of a spaceship”: Pat Metheny tells the story of how he met Jaco Pastorius – and their formative years in Miami

Pastorius notably played on Metheny's debut album, Bright Size Life, and the two even joined Joni Mitchell on her Shadows and Light tour

Guitar World

“A lot of people are feeling the same way. They're like, ‘I’m covered with Superstrats and Strats, but I don't have an offset…’”: Misha Mansoor on the emergence of offsets in metal music – and why he should have seen it coming

The Periphery guitarist recently worked with Jackson to produce one of 2024's most talked-about custom builds – but he's not the first player to have dragged the offset into heavy territory over the past few years

Guitar World

Dave Keuning’s uncanny ability to craft huge songs like Mr. Brightside from simple melodies is at the heart of the Killers’ blockbuster sound – here’s how you can use his rhythm approach and hook-filled lead style

There are many lessons to be taken from Dave Keuning’s work with the Killers, not least that an appreciation of melody, a diverse musical vocabulary, and an ear for hooks makes for a crowd-pleasing set

Guitar World

“The idea of lead guitar is that there’s focus put on it, and during this period I just didn’t want any focus to be on me”: How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief

The first of a four-album cycle on death and rebirth involved a serious stack of gear and staggering new speakers – and the Canadian prog-metal maverick says the process was cathartic in its own way

Guitar World

“I wanted a portable amp that I could use backstage before a show to warm up with. I like to plug my PRS right into it – there are no pedals required”: Orianthi and Orange team up to create the 20RT, a portable, versatile amp with high gain tones aplenty

The 15.9 lb Orange Crush 20RT comes fully equipped with an 8-inch, custom-designed ‘Voice Of The World’ speaker, a 3-band EQ, chromatic tuner, and “spring-inspired” reverb

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