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The Latest Breaking News from Guitar World

Dave Keuning’s uncanny ability to craft huge songs like Mr. Brightside from simple melodies is at the heart of the Killers’ blockbuster sound – here’s how you can use his rhythm approach and hook-filled lead style

There are many lessons to be taken from Dave Keuning’s work with the Killers, not least that an appreciation of melody, a diverse musical vocabulary, and an ear for hooks makes for a crowd-pleasing set

Guitar World

“The idea of lead guitar is that there’s focus put on it, and during this period I just didn’t want any focus to be on me”: How Devin Townsend relied on his production process to deliver his new album from the depths of depression and grief

The first of a four-album cycle on death and rebirth involved a serious stack of gear and staggering new speakers – and the Canadian prog-metal maverick says the process was cathartic in its own way

Guitar World

“I wanted a portable amp that I could use backstage before a show to warm up with. I like to plug my PRS right into it – there are no pedals required”: Orianthi and Orange team up to create the 20RT, a portable, versatile amp with high gain tones aplenty

The 15.9 lb Orange Crush 20RT comes fully equipped with an 8-inch, custom-designed ‘Voice Of The World’ speaker, a 3-band EQ, chromatic tuner, and “spring-inspired” reverb

Guitar World

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“Wolfgang knows more Intervals songs at any given moment than I do – on guitar and drums”: Intervals' Aaron Marshall on making the impossible possible, and jamming with Wolfgang Van Halen

Memory Palace is another dizzying work of instrumental genius from Aaron Marshall and co, but creating all this on record presents a challenge when it comes to the live show. Marshall's approach? Play it by any means necessary...

Guitar World

Players like Larry Carlton use chords as a launching pad for improvisation, and you can, too. Learn how polychords and slash chords hold the key to musical exploration, just as scales do

Knowing the difference between slash chords and polychords can give you a much greater understanding of harmony

Guitar World

“An unapologetic approach to thrash rhythmic precision”: Weaponize your picking hand with this lesson in the bruising thrash-stomp riffing style of Anthrax rhythm kingpin Scott Ian

If you've got the time, this lesson'll whip your metal rhythm chops into shape. You might even call it a mosh pit-starter

Guitar World

“I want an instrument to give me the start of a song. And, often, getting discomfited slightly helps that process along”: David Gilmour on why the guitar is still a vehicle for giving “birth to new tunes” – decades deep into his career

Gilmour talks about how limitations and “getting discomfited” are crucial to his songwriting process – and to keeping things sounding fresh

Guitar World

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“The Janie’s Got a Gun solo had a ratty sound. I had a Chet Atkins signature guitar plugged into a 15-watt Marshall practice amp... the producer said, ‘It sounds terrible’”: Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”

As Aerosmith call timeon their stellar 50-year touring career, Perry joins us to reflect onwhathe’slearned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards

Guitar World

“Designed out of pure selfishness”: Brian Wampler conquers a career-long challenge with the Catacombs – a hybrid delay/reverb pedal he almost didn’t release

Guitar World

“He knocked on the door of his girlfriend’s ex. The guy said, ‘No, man, not my guitar!’ ‘Yep, you’ve got to give it up’”: George Benson on how he got the Gibson that shaped his 1976 chart-topping record, Breezin’

Benson recalls how he bought his Breezin' Gibson Johnny Smith from someone he calls “one of the bravest guys I’d ever met”

Guitar World

7 stocking filler gift ideas under $20 that guitar players actually need

These recommendations come with our junk-free guarantee

Guitar World

“The moment I played the first note, I knew we achieved Holy Grail-level results”: John Petrucci’s Majesty signature guitar has hit its 10th Anniversary – and brands are rolling out the red carpet to celebrate

DiMarzio and Ernie Ball Music Man have both helped Petrucci commemorate the milestone by unveiling a Majesty fitted with new-look humbuckers

Guitar World

“I went in there and I was like, ‘I need a really good fuzz.’ And they had this pedal there”: Myles Kennedy names the “secret sauce” stompbox he thinks every guitar player should own

The Alter Bridge icon used the sub-$200 octave fuzz pedal on his recent solo record

Guitar World

“I don’t think it’s wrong for certain people to like my style of playing better. It’s about who speaks to you”: Jake E. Lee on comparisons with Randy Rhoads – and what his fellow Ozzy shredder was better at

The virtuoso has weighed in on the decades-long debate that has pitted him against his Prince of Darkness predecessor

Guitar World

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Guitar World

“It sold for $937,000 to an anonymous buyer who, we assume, doesn't play punk rock for a living”: From Joe Strummer’s Tele to Johnny Ramone's Mosrite, here are the iconic guitars behind the sound of punk – and the modern-day equivalents you can buy today

The filth, the fury, and '80s Fernandes Strat copies – these guitars, amps, and effects defined the sound of some of rock's greatest, and most rebellious, bands

Guitar World

“I might have done better in the Bluesbreakers than in the Yardbirds, but I certainly wouldn't have had the same kind of free rein to experiment”: Jeff Beck on his relationship with Eric Clapton, jamming with Hendrix, and turning down John Mayall

In a 2010 chat with GW, the always creatively restless virtuoso discusses his love of John McLaughlin, what he sought out to do when venturing into the world of classical music, and the musical icon he wished he had had the chance to collaborate with

Guitar World

“It took me a while to learn that guitarists can’t play bass. It’s about more than just getting the notes right”: How Mike Rutherford’s ‘lead bass’ approach helped demystify the low-end for prog rock cornerstone Genesis

The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic

Guitar World

“There were nine other bass players. I got the job. Then I was told they were picking me up in three hours for a tour – I had to take it or leave it”: Tony Stevens on his rocky ride with Savoy Brown, Foghat and Midnight Flyer

Despite industry woes, he loved the challenge of playing with Kim Simmonds and ‘Lonesome’ Dave Peverett, and loved Acoustic amps and Warwick basses

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Guitar World

“Right before we started the set, Bill Evans called me on a pay phone. He said, ‘I’m bringing somebody to hear you.’ I said, ‘It’s not Miles, is it?’” How jazz guitar legend Mike Stern ended up joining Miles Davis’ band – and had a song named after him

Stern was playing with Billy Cobham one night in the early 1980s when Evans decided to bring along the legendary jazz trumpeter, who was in the market for a new guitar player

Guitar World

“I took over where Billy Gibbons left off and did my half of the solo, and it was a very rare thing. My wife loves it. She doesn’t love anything I do...” Brian May, Billy Gibbons and Steve Cropper on how the three guitar icons learned to play together

For the latest record from Steve Cropper & The Midnight Hour, the Stax legend enlists two equally iconic players. Here three kings of the six-string tell us what went down in Friendlytown

Guitar World

“Somebody in a trailer park was selling the body – at least it wasn’t a real body”: Nuno Bettencourt explains how his custom Washburn N4 was once stolen from a storage lock-up – and met a grizzly end

Bettencourt's OG Padauk N4 featured two distinct dark stripes embedded into the wood, which became crucial in its eventual discovery

Guitar World

“Prince said, ‘Think more Elton John.’ I was like, ‘Is he clowning? Is he trolling me?’” Session ace Ella Feingold once auditioned to join Prince’s band – and was told her playing was “too funky”

Feingold has discussed her 2005 audition, during which her chops proved to be too funky – and not enough ‘Elton John’ – for Prince

Guitar World

“A saturated reverb with a boingy, surf-like character – garage and lo-fi pedal junkies are going to flip over its seductively dark and grungy splash”: Anasounds La Grotte Analog Spring Reverb review

Jack White's maverick collaboration puts real mechanical spring reverb on your pedalboard and pairs it with a tone-sweetening preamp

Guitar World

“Joe had a semi-truck full of amps and swapped them out every two or three shows. He'd say, ‘What do you think?’ I'd be like, ‘It sounds just like you every time’”: Greg Suran on his time with Joe Walsh – and the Eagle’s passion for tonal tinkering

A veteran guitarist whose resumé also includes work with Sunny Day Real Estate, The B-52's, and Lionel Richie, Suran tells GW that he learned plenty from the Eagles legend, both tone-wise and solo-wise

Guitar World

“I remember trying to do pinch harmonics on a 30” Dunable in the studio… it was close to impossible. My fingers were all torn up trying!” Meet Gore. guitarist Alex Reyes – the modeler-melting Texan metal player summoning djent riffs from six-strings

The Houston metal trio’s debut EP is turning heads as Reyes summons low-tuned maelstroms into stunning structures, making the most of his producers’ songwriting experience

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