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The Latest Breaking News from Guitar World

“Unparalleled playability with a fuller, more robust metal tone”: Strandberg extends its Boden Metal lineup with new finishes – and a series-first spec

The innovative Swedish luthier brings some new hardware and suitably spooky colorways to the series for the first time

Guitar World

“What a ride…” Guitar Techniques magazine is closing after 30 years of in-depth tuition from some of the world’s greatest guitarists

The last issue of Guitar Techniques goes on sale this week, after 30 years of publishing. Read Editor Jason Sidwell's final editorial letter

Guitar World

“A finish that’s a true work of art”: Tosin Abasi and Ernie Ball Music Man’s Kaizen has a new Gallium finish that features actual silver – and it uniquely oxidizes depending on how you play it

The Gallium Kaizen will react and rust in unique ways, transforming the space-age instrument into an industrial time-worn artifact over time

Guitar World

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“I doubt there’s going to be another Jimi Hendrix, Jimmy Page or Eddie Van Halen”: Joe Perry on why the age of the guitar hero might be over – even though the instrument still has a bright future

Perry is confident there's more to explore on the fretboard and players will continue to push the boundaries of guitar music – but the individual feats of guitarists might not be viewed in quite the same way

Guitar World

“Billy had already played half a solo. The producer said, ‘Can you play the other half?’ I said, ‘Can’t you give him a whole solo and me a whole solo?’” Brian May explains why he was reluctant to share a solo with Billy Gibbons – and what changed his mind

May and Gibbons were recruited by session icon Steve Cropper to add their guitar star power to his latest release, Friendlytown

Guitar World

“I couldn’t do all the licks and Jimmy Page stuff. By not being able to play properly and discovering echo units, I came upon some monstrous sounds, purely by accident”: Robin Guthrie on how he conjured the haunting tones of Cocteau Twins

With The Moon and the Melodies remastered and reissued, the architect of the lushest sounds committed to tape reflects on the effects experimentation and accidental magic of the quintessential 4AD band

Guitar World

“The idea behind this pedal is to make clean guitar as fun as overdriven guitar”: Chase Bliss is on a mission to make you rethink clean guitar tones with the “very fun” Clean compressor

The pedal “swells, sags, smooths, pans, and filters”, promising to bring your clean tone to life like never before

Guitar World

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“I spent a whole year without being able to do anything on the guitar, which was really scary. I thought, ‘OK, maybe I’ve lost it for good’”: How Neige’s ascent from the creative abyss led to Alcest’s most ethereal and life-affirming album

The French black metal institution has always let the light in, embracing shoegaze and post-rock experimentalism. Les Chants de l’Aurore is the sound of Neige on the other side of writer’s block, answering “the magic” and finding solace in sound

Guitar World

With Bob Rock and Rick Rubin at the helm, he recorded some of rock’s most iconic riffs, and launched side-projects with Jerry Cantrell, John Corabi and The Alarm’s Mike Peters – how Billy Duffy’s guitar playing built a Cult following

Duffy’s unique playing style has made the Cult one of rock’s most enigmatic artists, and this video lesson goes deep inside the Sonic Temple to spill the secrets to his rhythm and lead approaches

Guitar World

“The concept or technology might not be new, but the execution, in such a perfectly made guitar, takes some beating”: PRS SE Custom 24 Semi-Hollow Piezo review

As PRS begins celebrations for its 40th anniversary in 2025, its SE division continues to release models that push the quality to price ratio. This new Custom might well be the best yet – and it’s piezo-loaded!

Guitar World

“The world's most authentic amp models, no UA hardware required”: Universal Audio takes its Edge-approved amp pedals to the digital realm for the first time with $299 plugins

The UAFX Dream ’65 and Ruby ’63 pedals – which The Edge used during U2's Sphere residency – have been digitized alongside the Marshall-inspired Lion ’68

Guitar World

“I played a Gibson SG Junior. It was the guitar I used in my punk band – when my apartment got broken into in New York, it got stolen”: Yes, Rick Rubin played the opening riff on Beastie Boys’ No Sleep Till Brooklyn – he looks back at recording a classic

While Kerry King's searing solo is the star of the show, Rubin sets the tone with his rhythm guitar work on the iconic rap rock track

Guitar World

“Blazes a trail into new sonic territory”: Fender Japan gives the Cabronita Telecaster a radical mini-humbucker revamp by loading the Gretsch/Fender hybrid with new high-end pickups

The experimental branch of the Big F has given the quirky Tele a tonal overhaul by swapping the hi-fo Fidelitrons for DiMarzio pickups

Guitar World

“There seems to be an idea among guitarists that something as remarkable as a box that creates a perfect echo is old, played out or overused”: Why Jonny Greenwood downsized his rig to just a guitar, amp and delay pedal to write the Smile’s new album

The sound of the Radiohead offshoot’s latest record stemmed from a challenge the famously tech-savvy guitarist set for himself – and his renewed love of delay

Guitar World

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Guitar World

“Jimmy Page was in the control room window, waving madly. I was in the middle of the solo, and I thought, ‘Sorry, but I can’t stop.’ I just turned my back”: Martin Barre on the time Jimmy Page nearly cut him off mid-Aqualung solo

“I think it was take two,” the Jethro Tull guitarist recalled, “and if I hadn’t got it in two then it would have been a flute solo”

Guitar World

“He had it in a case and said, ‘I don’t play it. Do you want it?’ I was like, ‘There’s no way I can take that from you’”: Olivia Rodrigo guitarist Daisy Spencer reveals how a stroke of good luck landed her the 1972 Fender Strat she plays onstage

Spencer is currently touring the world as Olivia Rodrigo's rhythm guitarist – and the 1972 Fender Strat is one of the many guitars in her arsenal

Guitar World

“I quit teaching art to go tour and be a musician. I didn’t sign up for the drama, or the stalkers, or the business side”: Yvette Young almost left music before taking a radical solo turn – but she’s not done with Covet

Getting over her thoughts of quitting, Young has developed a glitchy sound “like a dying battery,” and moved away from technique-focused shredding to dream pop. However, don’t write off her math rock days just yet...

Guitar World

“I’ve always said that I don’t play the guitar, I play the string”: John Mayer ends years-long search for his ultimate string set with the Ernie Ball Silver Slinky – a new signature set that brings the guitar hero’s custom gauge to the masses

Over the past few years, Mayer has been using and refining his custom Silver Slinky set, which offers a unique in-between gauge and a custom core-to-wrap ratio

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Guitar World

“I wasn’t interested in learning the ‘correct’ style of playing bass. I was going back to guitar”: Larry Graham explains how his unorthodox six-string style invented slap bass

How the father of slap bass drove the world’s grooviest band

Guitar World

“The world's greatest guitarist is what everyone says. It's kind of a dicey title. You never liked it”: Alex Van Halen reveals the unease Eddie felt with being labeled the best guitar player on the planet in new excerpt from tell-all memoir

Brothers, which will “set the record straight on Edward’s life and death”, has been previewed by an audio clip that finds Alex paying tribute to EVH's guitar talents

Guitar World

“It's tough for me to talk about giving them up... They came in my life at different times, but they all had meaning”: George Benson is selling his studio-and-tour-used rare and vintage guitars

The jazz icon's Reverb collection includes his Gibson Johnny Smith, which he played on the 1976 triple-platinum album Breezin'

Guitar World

“I saw this video of a 10-year-old Japanese girl shredding Paul Gilbert solos. I figured, ‘This can’t be about brute physicality. It’s about touching the guitar the right way’”: Karl Sanders on technical epiphanies – and why Nile needs three guitarists

Sanders might be one of death metal's most ferocious and technical players but he tells us you're never too good to stop improving, and a lesson from one of his students transformed his technique, making it more vicious and controlled than ever

Guitar World

“I don’t think he was very happy about the situation. I would hope he might have thought, ‘Oh well, at least somebody that can write a good song has taken my part’”: Crowded House’s Neil Finn on replacing Lindsey Buckingham in Fleetwood Mac

Finn also discusses the challenge of learning the guitar and vocal parts of iconic Fleetwood Mac songs like Go Your Own Way

Guitar World

“There was this thing I was trying to create that didn't exist”: Gretsch and super-producer Jack Antonoff combine the Fender Jazzmaster with an oddball vintage Gretsch to create the Grammy-winner’s “dream” signature guitar

He's produced for the likes of Taylor Swift and Sabrina Carpenter, and fronts the influential indie rock outfit Bleachers. Now, Antonoff has been honored with his first signature guitar

Guitar World

Pat Metheny called him “the father of modern jazz guitar”, while Mike Stern, John Scofield and Julian Lage worshipped his playing – here's how Jim Hall revolutionized modern jazz

Hall's genius with a guitar had profound implications for the jazz band format, as six-strings replaced piano in the rhythm section

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