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The Latest Breaking News from Guitar World

“We were too scared to take our own. We’d heard so many horror stories about guitars, planes and airports”: Wunderhorse turned up to the birthplace of Nirvana's In Utero, borrowed some guitars – and made one of the year’s best alt rock records

What started out as a solo project is now a proper band with ties that go back to childhood, and Midas is the sound of an indie collaboration in full bloom

Guitar World

“He turns back to where all the guitars are and the double-neck is gone, stolen from the stage while the lights are down”: Nuno Bettencourt’s custom Washburn N-8 double-neck was stolen from an arena stage – but made a remarkable return

While in the middle of an Extreme tour, Bettencourt found himself without his prized custom Washburn guitar, with suspicion falling on his crew

Guitar World

“I worked on that crazy Fender Twin and never understood how it made such fabulous noise”: Stevie Ray Vaughan’s Twin Reverb amp, used in the recording of Texas Flood, Bowie sessions and live shows is up for sale... for over $600,000

The 1967 Twin is fitted with distinctive Electro Voice SRO 'coffee can' speakers, and was used by SRV during his Las Colinas rehearsals with David Bowie

Guitar World

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“A man bought this signed Taylor Swift Guitar at a charity auction for $4000, then proceeded to smash it with a hammer”: This Taylor Swift-signed guitar was smashed at auction and went viral – now it has been sold at an even higher price

Texan Gary Estes insisted that the guitar smashing move was just a joke, whereas later reports suggested it was an obvious political statement

Guitar World

“As if its tone has been perfected over years of fireside strumming”: Guild has given its retro DS-240 Memoir series a makeover for the first time in five years with two classy new colorways

The two new-look acoustics are crafted from solid Sitka spruce and mahogany, with the DS-240E offering a DeArmond Tone Boss soundhole pickup

Guitar World

“Probably the broadest, most accessible guitar mag in the world... It has been an absolute privilege”: Total Guitar to close after 30 years in print

It was once the biggest-selling guitar magazine in Europe. Now Total Guitar is set to close after its latest issue. Here’s what its first and last editors have to say...

Guitar World

“I wanted to sound like Jimi Hendrix on his first album. It was good to have that there for a while”: Brian May reveals the off-the-wall Red Special mod from his pre-Queen days that he ended up removing

The wild electronics upgrade didn't last for very long, but it can be heard on some of May's earliest pre-Queen recordings

Guitar World

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“I wrote that riff on the Fender six-string bass. I saw Peter Green with Fleetwood Mac pick one up. I thought, ‘I’m gonna get one’”: Joe Perry on how he ditched his Les Pauls and Strats to write an Aerosmith classic

Perry had been eyeing the Fender Bass VI for quite some time – which turned out to be the perfect instrument to write 1976's Back in the Saddle

Guitar World

“All-stars like Phil X, Jimmy Herring, Derek Trucks and Richard Fortus have sung the Hyperdrive’s praises. Now a new IAM overdrive/boost pedal has entered Earth’s atmosphere”: Interstellar Audio Machines Supernova Zoeldrive review

Greetings, Earthlings, here comes a boost/overdrive fresh from the final frontier bearing all the tonal hallmarks of the reassuringly terrestrial Fender Tweed drive

Guitar World

“The British Invasion brought awareness to the music, but not the culture. They were great guitarists, but they weren’t as good as Robert Johnson”: Jontavious Willis has become one of acoustic blues’ most exciting voices – just don’t say he’s the future

Straight out of West Georgia with stories to tell and songs to sing, Willis tells us why he the time is now for acoustic blues and how the British Invasion brought good and bad for the art form

Guitar World

Fender Mustang Micro vs Mustang Micro Plus: is it worth upgrading?

We put Fender’s two headphone amps for guitar in a room together to duke it out

Guitar World

“It never existed before, at least to my knowledge”: Jacob Collier’s custom five-string Taylor – which paved the way for his game-changing Strandberg – has been launched as his latest signature guitar

A six-string version of the uniquely shaped acoustic has also been made available for those wanting something a little more familiar

Guitar World

He was a ’60s blues firebrand straight out of the “Surrey delta”, before he switched to the Strat and mastered a touch that has never been rivalled –here’s how Jeff Beck forever reshaped the way guitarists think about ‘feel’

From faux slide lines and whammy bar manipulation to fingerstyle phraseology and harmonics, learn the key tricks of Jeff Beck’s incredible lead playing

Guitar World

“When you follow this path, all roads lead to one man: Alexander Dumble”: Ian Moore on Dumble's inspiring legacy, the “snake oil” around the iconic amp-maker – and his own quest to design the perfect amp

If the perfect tone doesn't exist then why are we still search for it? As Austin powerhouse Ian Moore sees it, "the journey is the destination"

Guitar World

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Guitar World

“I was truly terrified. In the first few months, I was on the same stage as every one of my heroes: Mike Bloomfield, Jeff Beck, Jimi Hendrix”: Martin Barre explains why his early days with Jethro Tull were a trial by fire

Jethro Tull went on tour with Jimi Hendrix, Led Zeppelin and Vanilla Fudge right after Barre joined the band

Guitar World

"There’s a beautiful warmth and roundness that makes for an incredibly pleasant playing experience, encouraging hours of enjoyment": Yamaha CG192C review

At the top end of Yamaha’s popular CG series, does the CG192C live up to the range’s reputation? We find out

Guitar World

“I was broke and working in a car wash, and saw an ad in the paper for a ’52 Telecaster. I went to the guy’s place – it turned out to be Norm from Norman’s Rare Guitars”: The Band's Jim Weider on how he bagged his career-defining Fender Telecaster

After spending years searching for his dream '52 Telecaster, Weider describes how he finally managed to get his hands on the one that would accompany him throughout his illustrious career

Guitar World

“There was one gig where Eric and I stopped playing for two choruses. Jack didn’t even know”: Cream were one of the loudest rock bands of their time – but the excessive volume tore the band apart

During Cream's late '60s heyday, and again during their brief reunion in 2005, drummer Ginger Baker felt that both his – and even Eric Clapton's – contributions were often drowned out by bandmate Jack Bruce's

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Guitar World

“I got a call – ‘I’m putting a super band together, and I want you to be one of the guitar players.’ The other guitarist was Neal Schon from Santana”: How Les Dudek joined Journey “for two hours”

Recruited due to his stellar resume – which included studio work with the Allman Brothers Band and Steve Miller – Dudek turned down the gig to pursue a solo career

Guitar World

“The only person to get a good sound out of that bass was Berry Oakley. It's got so many pickups!” Berry Oakley set the template for the Allman Brothers Band with a modified ’72 Jazz Bass, known as ‘The Tractor’

Oakley added a Hagstrom Bi-Sonic pickup to his 1972 Jazz Bass, giving him a total of three pickups and five control knobs

Guitar World

“I tried it fingerstyle, and that didn't work. As a joke, somebody said, ‘Why don't you try slap bass?’ Everyone was laughing. Then we went back and listened to it…” Chris Wolstenholme switched up his tone and technique on Muse’s The Resistance

Monstrous tones (and a massive signal chain) are just part of Chris Wolstenholme’s bass evolution with Muse

Guitar World

“When you played with John Lennon, you could feel him listening to you. He didn't bother or bug you at all”: Unsung ’70s session bass ace Gordon Edwards recalls his time with John Lennon on his fourth post-Beatles album

A close connection with John Lennon's musical arranger put Gordon Edwards in the studio for 1973’s Mind Games

Guitar World

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Guitar World

“The same high-quality performance at an even more budget-friendly price point”: Harley Benton has made its absurdly affordable ST-Modern lineup even cheaper with a range of $200 HSS S-types

Roasted maple necks, compound radius fingerboards, and contoured neck heels head up the new ST-Modern HSS models, some of which are priced as low as $197

Guitar World

“I took the neck off my Strat, put it on a Tele, and ended up with my ‘FrankenTele’”: Steve Morse modded the heck out of his first serious guitar, and it became the blueprint for his signature Ernie Ball Music Man model

Unsatisfied with the limitations of his first proper guitar, Morse took matters into his own hands, a lá Eddie Van Halen

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