The Latest Breaking News from Todd Field

Todd Field’s symphonic backstage drama “Tár” and the existential comedy “Everything Everywhere All at Once” tied for top honors with the Los Angeles Film Critics Association in awards announced Sunday. The critics group opted to split its best film award between the two acclaimed films. “Tár,” which was also chosen…

After two years Hollywood would rather forget, 2022 offered some hope.

Todd Field’s first film in 15 years is a surprising triumph, one of the few to take on the knottiness of so-called ‘cancel culture’ and succeed

CHICAGO — The new Cate Blanchett film “Tár” is no issue movie. It has, however, brought a lot of rarified and/or unfashionable issues back into the spotlight: symphony orchestra politics; the cost of obsessive artistic ambition and devotion to a calling; and, for writer-director Todd Field, the challenge and allure…

An icy-hot paradox of a film, and one of the year’s peak achievements, writer-director Todd Field’s “Tár” casts a gimlet eye on a fictional American orchestra conductor and composer, Lydia Tár, at the summit of her global fame. The view is glorious. It’s also more treacherous than she realizes.

Until recently, Todd Field, whose feature directorial debut is the acclaimed 2001 drama "In the Bedroom," hadn't made a film since its 2006 follow-up, the well-regarded "Little Children."

Cate Blanchett has played her share of formidable characters, rulers who could bring mere mortals to their knees with a single icy stare: Queen Elizabeth I in "Elizabeth," Galadriel in the "Lord of the Rings" trilogy, the goddess Hela in "Thor: Ragnarok."

David O. Russell's star-studded 1930s mystery “Amsterdam" flopped and the children's book adaptation “Lyle, Lyle, Crocodile” debuted softly, allowing the horror thriller “Smile” to repeat atop the box office in US and Canada theaters, according to studio estimates Sunday. Neither new release caught fire with moviegoers but the disappointment was…

David O