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The Latest Breaking News from Ted Templeman

“Eddie was always experimenting. Keyboards entered the mix, but it didn’t sound like a keyboard because Eddie played this cheap little Wurlitzer blazing through Marshalls”: Van Halen's Michael Anthony on the band’s cult classic Women And Children First

Less surprisingly, he said “it was party time in the studio”

MusicRadar

“We submitted plans for a racquetball court”: Eddie Van Halen's 5150 Studios was decades ahead of its time – but it required a white lie to build

LA homeowners were forbidden by the city's zoning laws to build a home studio on their property. But what's rock 'n' roll without breaking a rule here and there, and sticking it to the man?

Guitar World

“He went into this trance state as he played. I’d be sitting there at the console and he would lean on me while he was playing. And it was kind of weird – it was like it was coming through me”: A close encounter with the genius of Eddie Van Halen

The insider's view of how EVH reinvented himself on the 5150 album

MusicRadar

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read the most diverse news in one place.

“We were getting comfortable being back together – that was part of the reason we went out on the road without a record deal. Another reason was that we couldn’t get a record deal...” Why Aerosmith’s ’80s misfire, Done With Mirrors, was the making of them

After a few weird years with replacement guitarists, the Bad Boys from Boston were back and ready to prove themselves. It did not quite go to plan. We’ll let Joe Perry explain the rest…

Guitar World

Free Eddie Van Halen mini-documentary explores the origins of Eruption and his two-hand tapping technique – and it’s partly narrated by the man himself

The latest in-depth documentary from Simon Alkin focuses on the talent behind Eruption – a song that changed the guitar world forever

Guitar World

“I always felt like that record could have been better if we had worked on it some more”: Looking for a blockbuster comeback album, Aerosmith turned to Van Halen producer Ted Templeman. For Joe Perry, it served as a learning experience

Having been impressed by the producer’s touch on Van Halen's “monstrous” records, Templeman was tasked with reigniting the band’s spark

Guitar World

“I saw people in the audience holding up these banners: ‘SAMMY SUCKS!' 'WE WANT DAVE!’”: How Sammy Hagar and Van Halen won their war with David Lee Roth

An epic rock battle began 40 years ago

MusicRadar

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“Things had got pretty bad. I don’t know what demons Steven was fighting, but we definitely both had our ups and downs”: How Done With Mirrors put Aerosmith back on the long road to redemption

In 1985, the reunited Aerosmith had a long way to go to recapture old glories –and Done With Mirrors was the first step

Louder

"When I first played Jump for the guys nobody wanted to have anything to do with it": How Eddie Van Halen became a superstar and the real story of Van Halen's biggest-selling album

Welcome to 1984: it was the album that would see Van Halen straddle theplanet like a rock colossus, but it would also mark the end of the originalline-up

Metal Hammer

“I was approached to join David Lee Roth’s band, initially… I didn’t want to be Eddie Van Halen part two”: Steve Stevens on laying down the Dirty Diana solo with Michael Jackson and Quincy Jones, recording Rebel Yell – and why Vai got it right with Roth

Billy Idol guitarist discusses the folk guitar lick he adapted for one of his boss’ biggest hits, his secret-weapon amp, and how his early work is echoed in Idol’s upcoming return-to-punk record

Guitar World

Alex Van Halen on his brother Eddie: ‘I’m not done dealing with this yet’

In the new book Brothers, the drummer writes candidly about life in the spotlight alongside his late sibling and their many highs and lows

The Guardian - US

“When I first played Jump for the guys nobody wanted anything to do with it. Dave said I was a guitar hero and I shouldn’t be playing keyboards”: The story of Van Halen’s 1984 – the Flying V, the synths and the end of the David Lee Roth era

Creative differences led to Roth’s departure the following year, but 1984 found the band firing on all cylinders, as Eddie Van Halen embraced his pop sensibilities while retaining the musical adventurism that made him the greatest of all time

Guitar World

"It’s not one of my favourite things. It’s stupid because I produced it, but the keyboards just hit me as wrong": Van Halen's Jump is 40 years old. Here's how the most famous keyboard riff of all time was created (and how you can do it, too)

Or the most irritating? You decide…

MusicRadar

"Kids came in their thousands, and the first two rows looked like Attila The Hun’s frontline troops – frothing at the mouth": four years on the road with America's ultimate party band, Van Halen

At the tag end of the 70s, Van Halen were poised to become one of the biggest-grossing acts on the planet... but the cracks were beginning to show

Louder

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Metal Hammer

The 50 best Van Halen songs - the ultimate American party soundtrack

Eddie Van Halen was a game-changing guitar player, but it was his band's exuberant songs that gave his genius the power to soar - and here are 50 of the best

Tribune News Service

The Doobie Brothers tell their tale in 'Long Train Runnin' '

"Long Train Runnin': Our Story of The Doobie Brothers" isn't loaded with the tales of debauchery you'd get from books about, say, the Stones, Led Zeppelin or Mötley Crüe.

Los Angeles Times

What a Doob believes: How the Doobie Brothers survived '50-ish' years to finally get their due

LOS ANGELES — When it finally happened last summer, the Doobie Brothers' long-anticipated reunion with Michael McDonald took just more than a week to run into trouble.

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