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Helen O’Hara unveils some of the greatest injustices at the Academy Awards

With cinematography by Roger Deakins and performances from Olivia Colman and Micheal Ward, Empire of Light captures the vintage splendour of England’s past

Cate Blanchett, Brendan Gleeson, Park Chan-wook? … our critic weighs up who will leave Sunday’s ceremony with an award

Helen O’Hara unveils some of the greatest injustices at the Academy Awards

LOS ANGELES — What does one of the world's most sought-after cinematographers do to relax when he's not scouting, planning or shooting a movie? He takes still photographs, of course.

For decades, Roger Deakins’ eye has been one of the keenest in movies

Forgotten amid larger successes, this tightly-wound film launched one of the most acclaimed directing careers in modern Hollywood.

From its first moments, in which an employee played by Olivia Colman opens the grand, golden Empire cinema for the day, "Empire of Light" feels like a love letter to the experience of moviegoing.

In “Empire of Light,” Sam Mendes casts a nostalgic eye toward the movies. Like several other auteurs this winter season, Mendes has crafted what could be considered a “love letter to cinema” (see also: Steven Spielberg’s “The Fabelmans,” Damien Chazelle’s “Babylon”), but “Empire of Light” is less of a mash…

The man who filmed Skyfall, Blade Runner 2049 and No Country for Old Men started out as a photographer in Devon. He explains why this shot of a bus-stop, taken at the height of the British summer, is his best

Director Sophie Kargman spoke to Salon about her dark comic thriller premiering at the Toronto Film Festival