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The Latest Breaking News from Oliver Mears

‘Opera should be an unstoppable art form’: Royal Opera announce Netia Jones as associate director

The Royal Ballet and Opera have created a new role, allowing Jones to drive development and new commissions

The Guardian - UK

Trouble in Tahiti/A Quiet Place review – strong performances but Bernstein’s uneven pairing makes for a long evening

Henry Neill and Wallis Giunta captivate as the miserable married couple of Bernstein’s unsettling 1952 opera, but even clear orchestration, sumptuous vocals and compelling acting can’t make the later A Quiet Place a convincing work

The Guardian - UK

The week in classical: Jephtha; 7 Deaths of Maria Callas; Perfection, of a Kind: Britten vs Auden – review

Handel’s majestic final oratorio holds its own in Oliver Mears’s searching new production; Marina Abramović channels Maria Callas; and a well-told tale of when Britten met Auden

The Guardian - UK

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Jephtha review – Clayton is magnificent as a wide-eyed zealot

Oliver Mears’s powerful but flawed staging of Handel’s biblical oratorio boasts very fine singing and performances, with Jennifer France’s Iphis and Allan Clayton’s Jephtha standouts

The Guardian - UK

Jephtha at the Royal Opera House review: highly recommended to all but zealots and puritans

This is a powerful indictment of religious fervour and the dangers that can stem from it

Evening Standard

Allan Clayton: ‘I’m your tortured tenor for hire’

His committed performances and expressive voice have made him one of today’s most admired singers. As he prepares for Jephtha at Covent Garden, Allan Clayton ponders creativity, pigeonholes and facial hair

The Guardian - UK

The week in classical: Under the Little Red Moon; Helen Charlston & Sholto Kynoch; Rigoletto – review

An ‘opera for tinies’ captivates its target audience; the mezzo of the moment dazzles at Oxford’s renamed song festival; and Oliver Mears’s #MeToo Verdi still resonates

The Guardian - UK

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Rigoletto at the Royal Opera House review: a psychologically probing production

This revival as yet lacks the exemplary acting and dramaturgical tautness that were such a feature of the innovative 2021 production

Evening Standard

The week in classical: The Rape of Lucretia; Solomon’s Knot – review

A shocking update of Britten’s chamber opera feels wearily relevant. And one of the UK’s finest vocal ensembles probes the musical kinship of JS Bach and his uncle

The Guardian - UK

The Rape of Lucretia at the Royal Opera House’s Linbury Theatre review: a musical triumph

Contemporary resonances abound in this revival of Benjamin Britten’s opera

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