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The Latest Breaking News from Natalya Romaniw

The week in classical: Festen; Das Rheingold review – a dark, jubilant, five-star Turnage triumph

Daring, lyrical and brilliantly achieved, Mark-Anthony Turnage’s new opera is his best work yet. Plus, knockout Wagner on a shoestring

The Guardian - UK

Festen at The Royal Opera review: gripping adaptation of a taboo-breaking film masterpiece

4/5 This adaptation of Thomas Vinterberg’s film is a skillful and gripping rendering of a taboo-busting story

Evening Standard

The week in classical: Opera triple bill: Britten, Weill and Ravel; Hänsel und Gretel; Tosca – review

Two opera studio shows find the next generation of stars in rude health, while the Royal Opera’s latest Tosca revival is the ultimate class act

The Guardian - UK

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Tosca review – Bryn Terfel’s lustful Scarpia returns to intimidate and compel

Natalya Romaniw brings vulnerability and depth to Tosca and, in the pit, Eun Sun Kim conducts with subtlety and delicacy in this revival of Jonathan Kent’s staging

The Guardian - UK

The week in classical: Welsh National Opera’s Il trittico; Oxford international song festival – review

Even as they fight for survival, WNO give their all in Puccini at his most affecting – and funniest

The Guardian - UK

The week in classical: Prom 37: Britten’s War Requiem; The Turn of the Screw – review

Britten’s explosive work is a rallying cry at the Proms, while a twilit production of his chamber opera feels properly ghostly

The Guardian - UK

War Requiem at the Royal Albert Hall review: sincere and theatrical in the hands of Antonio Pappano

This was one of those occasions to treasure that the Proms does so well

Evening Standard

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Katya Kabanova review – Romaniw soars in cogent take on Janáček’s tragedy

Natalya Romaniw is touching as the heroine trapped in a loveless marriage, while Susan Bullock is chilling as her monstrous mother-in-law in David Alden’s staging

The Guardian - UK

Ethel Smyth: Der Wald review – an operatic pioneer finally gets her just deserts

Smyth’s opera was the first by a woman to be performed at New York’s Met. One hundred and twenty years later this is its first recording

The Guardian - UK

Ariadne auf Naxos review – austere staging makes room for the riches of Strauss

Natalya Romaniw’s Ariadne shines in an unfussy production that is, at its best, breathtakingly effective and beautiful

The Guardian - UK

The week in classical: Tosca; Gloriana review – made in Britain

The sensational Freddie De Tommaso soars alongside Natalya Romaniw in a catch-it-while-you-can Tosca

The Guardian - UK

Tosca review – British pairing make this a Tosca to treasure

With Freddie De Tommaso, Natalya Romaniw and Erwin Schrott in the lead roles this revival of Jonathan Kent’s sure-footed staging of Puccini’s opera is in very good hands

The Guardian - UK

Prom 19: Hallé/Elder review – programme full of drama gleams but doesn’t quite spark

In a programme of Dukas, Respighi and Puccini, Mark Elder and the Hallé conjure atmosphere and electric suspense with precision and lush strings

The Guardian - UK

The week in classical: Rusalka; Pekka Kuusisto / London Chamber Orchestra; LCMF

A visceral production of Dvořák’s opera about a love-stricken water nymph; a jolly evening with the Finnish violinist and conductor; and a journey to the outer limits

The Guardian - UK

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The Guardian - UK

Rusalka review – Natalya Romaniw is a rapturously magnificent water nymph

Romaniw unleashes an overwhelming torrent of sound and emotion in a spectacular production that imbues Dvořák’s fairytale with sinister magic

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