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The Latest Breaking News from Marshall

New Marshall amplifier celebrates 100 years of Celestion speakers – but you won't get one

The iconic amplifier brand has crafted a limited edition head and cab setup with classic styling

“There’s something about the JCM800 that just feels really good”: Polyphia’s Tim Henson and Scott LePage on why the classic Marshall tube amp has become a mainstay of their backline

No, progressive guitar’s boundary pushers are still using digital amp modellers, but as Henson says, “You just can’t beat the warmth of a tube amp”

MusicRadar

“He turned his amps around so they’re off-stage. The ones facing backwards were unbelievably loud to get sustain”: Dave Natale has worked with Prince, Van Halen and The Rolling Stones – but Jeff Beck was the loudest player he ever mic’d up

The legendary front-of-house mixing engineer has been exposed to countless guitar tones across his career, but Beck's was one of the best – and certainly one of the loudest

Guitar World

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“I was so nervous my foot was shaking on my wah pedal. After the gig someone said, ‘Wow! How are you getting that sound?’” Weird Al Yankovic guitarist Jim “Kimo” West on shaky beginnings, parody rock glory – and his Grammy-winning third act

He found his way to fame via Frank Zappa, has scooped up multiple award nominations under his own name – and is so laid back that he didn’t mind when Rick Derringer played the leads on Al’s ’80s albums

Guitar World

“Thin Lizzy prepared me for Skynyrd. They said, ‘You need to learn these songs note for note.’ I said, ‘I wouldn’t dream of doing it any other way’”: Damon Johnson on having one of rock’s most enviable resumés – and why Eddie Van Halen gifted him a guitar

From touring with Van Halen, to finding his own niche as a blood-and-guts player with some of rock’s biggest names

Guitar World

The Classic Sports Car Club Mick Hill Trophy races at Silverstone earlier this month turned the clocks back 50 years to the birth of Britain’s Super Saloon movement he and Tony Hazlewood masterminded in 1974. Hill and Hazlewood loved brawny American V8 engines, and became fan favourites for wrestling mighty…

Autosport

Watch Phil X demo Joe Satriani’s new 3rd Power Dragon Amplifier – the Marshall-inspired fire-breather Satch will be taking on the road to play classic Van Halen tracks with Sammy Hagar

It looks like Satch's newly commissioned tube amp for his tour with Sammy Hagar was met with approval from the Bon Jovi guitarist

MusicRadar

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Marshall Major V review: Signature sound and 100+ hours playback

Marshall’s latest on-ear headphones have the longest battery life we've seen and sound better than many luxury wireless alternatives, but comfort and functionality could be better.

Tom’s Guide

InfoComm 2024: 5 Booths to Add to Your Must-See List

Today, check out Yamaha UC, Epson, Marshall, Blustream and Genelec's innovations at InfoComm 2024.

AVNetwork

“After one of the shows, Ginger said, ‘You are a great bass player after all.’ I couldn’t believe it – he’d never once said that in all the years”: In 2005, Jack Bruce reunited with Cream after 36 years – and realized how much his bass playing had changed

When faced once again with the bass role in the ultimate power trio alongside Eric Clapton and Ginger Baker, Jack Bruce hired a rehearsal room in London and brought in “every bass amp in existence”

Guitar World

“Guitar’s versatility is unparalleled. But it’s also an instrument with a lot of baggage. We all know the tropes we’re trying to avoid”: St. Vincent on returning to real amps, stealing Josh Homme’s secret weapon – and how she overcame her fear of Strats

St. Vincent’s new album, All Born Screaming, sees her teaming up with two FooFighters, using Prince’sfavourite pedal and embarking on a prog odyssey. It also sees her return to real amps played real loud…

Guitar World

“We’ll spend hours trying to get the grossest, most evil sounds we can. We DI’ed a fuzz and it sounded like vomiting”: Battlesnake are the triple-guitar lovechild of Queen, King Gizzard and Judas Priest you never knew you needed

We meet Australia’s three-headed metal guitar hydra –are you prepared for Battlesnake?

Guitar World

“I was trying to be Dave Navarro or Vito Bratta – those moments where you go into the spotlight with wind blowing”: Terry Corso on how he finally fused ’80s shred with nu metal for Alien Ant Farm’s surprising comeback

Writing shreddiest record yet, Mantras, was like a debut album experience for Corso. He reveals why he’s reveling in building his own guitars, loves surprising audiences with Strandbergs, and the guitar lessons he learned from Stone Temple Pilots’ DeLeo brothers

Guitar World

“We were playing so loudly, you could see that we were tiring people out”: Thin Lizzy's Scott Gorham on the development that changed the amp game forever

Scott Gorham reveals that, before this amp upgrade, he and fellow Thin Lizzy guitarist Brian Robertson played so loud that amp mics couldn't take it

Guitar World

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Guitar World

“Dave Cobb had just done the last Slash record with walls of Marshall stacks, which got ungodly loud – I don’t think we used anything bigger than an 8” speaker!” Blackberry Smoke’s Charlie Starr on why downsizing his backline made for bigger tones

Blackberry Smoke’s frontman, guitarist and compulsive gearhead explains why using little amps “creates a whole different experience”

MusicRadar

“I got kicked off my Fender deal because I couldn't stop using a Les Paul – I can't really live without one”: Lee Downer from Lowlives picks his 3 essential pieces of gear

From his love of grunge to valuable vintage guitar advice and selling Slash a guitar worth 13K, Downer talks gear, music and life in alt-rocks hottest new band

MusicRadar

“A verbatim sonic-twin of Dave’s all-time favourite amplifier”: Friedman Amplification’s Vintage Collection debuts with the PLEX – a 50W tube head based on Dave Friedman’s legendary ‘68 JMP

If you are looking for tones inspired by the vintage Marshall that started Friedman’s obsession with amplifiers, the PLEX has you covered, and it has some modern refinements too

MusicRadar

"It was totally, totally nuts": The Edge was so impressed with Universal Audio's Lion '68 amp pedal, he didn't just add it to his rig – it changed the tone for his intro to U2's Las Vegas Sphere gigs

"I'm using the pedals exactly like I use the amps"

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USA Today Sports Media Group

Ravens sign RB Rasheen Ali to rookie deal

Baltimore Ravens sign Rasheen Ali to 4-year rookie deal

AVNetwork

How Marshall POV Cameras Are Transforming the Courtroom Experience

Strategically placed Marshall Micro POV cameras capture dedicated views of court proceedings.

USA Today Sports Media Group

Colts rookie minicamp preview: UDFA OL Dalton Tucker

With Colts rookie minicamp taking place May 10-11, here is a preview of undrafted rookie offensive lineman Dalton Tucker from Marshall.

Guitar World

“It’s a monster – the most powerful Magnatone to date, delivering enough unbelievable tone, gain and headroom to fill a stadium”: Magnatone’s mega-loud signature Slash head the SL-100 is available in new Blackout Edition finishes

The GN’R guitar hero has debuted a new darker finish for his thunderous signature amp

Guitar World

“I thought I’d make the notes count, like Jeff Beck. It doesn’t sound anything like Jeff, but that was the intention going in!” Phil Collen on how – by accident and design – Def Leppard reinvented rock guitar on classic album Pyromania

Pyromania is 40 years young this year is still fresh as a daisy. Collen explains how tones, solos, Mutt Lange and the art of recording one string at a time forged a pivotal moment in rock

USA Today Sports Media Group

One thing to know about each of the Rams’ 16 undrafted rookies

The Los Angeles Rams' roster grew significantly in the last week with the team adding 10 rookies in the draft and another 16 as undrafted free agents. While the UDFA class is large, it's still smaller than the 26 players the Rams signed after last ...

Guitar World

“I’m playing a Strat, too, which you never hear me use”: Slash explains why he swapped his Les Paul for a Stratocaster to cover a Peter Green track on his new blues solo album

The Les Paul loyalist dipped into his Fender collection for the new album, which was also recorded using a '50s Telecaster

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