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The Latest Breaking News from LSO

Wigs, kisses and the pope’s jumpsuit: can Maestro reveal the real Bernstein?

Bradley Cooper has audiences in raptures as electrifying conductor Leonard Bernstein in a new authorised biopic. Musicians from the London Symphony Orchestra remember playing for the great man – and rate the man who now plays him

The Guardian - UK

The week in classical: Cumnock Tryst; LSO: A Dance to the Music of Time

James MacMillan’s inspiring four-day festival brings together top-class professionals and local performers, and Antonio Pappano gives the Barbican a tantalising taster

The Guardian - UK

LSO/Pappano review – Kopatchinskaja dazzles and ravishes in Say’s Violin Concerto

Fazil Say’s theatrical ‘1001 Nights in the Harem’ was terrific fun, played with exhilarating precision by the LSO and soloist Patricia Kopatchinskaja. Rachmaninov of drama and power ended a concert full of colour

The Guardian - UK

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LSO/Pappano at the Barbican review: the Covent Garden maestro steps into Simon Rattle’s shoes

This marked Sir Antonio Papano’s first concert as chief conductor designate of the London Symphony Orchestra

Evening Standard

LSO/Hannigan review – season opens with haunting Vivier and superb Strauss

The London Symphony Orchestra’s associate artist Barbara Hannigan conducted a programme that mixed mainstream repertoire by Haydn and Strauss with less familiar music from the second half of the 20th century.

The Guardian - UK

‘The music conjures emotions to reflect the mystery of outer space’: Inon Zur on the musical universe of Starfield

The composer was involved at the earliest stages of development of the space-exploration game, providing concept music that inspired its themes. It’s no wonder his soundtrack evokes its very essence

The Guardian - UK

LSO/ Hannigan at the Barbican review: the virtuoso orchestra flourished under this mesmerising conductor

Barbara Hannigan is a supremely mobile conductor, at times almost dancing, her hands shaping the music like a sculptor

Evening Standard

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The week in classical: LSO/ Rattle; Boston Symphony Orchestra/ Nelsons – review

The LSO gave Simon Rattle an unforgettable send-off in Mahler’s Ninth, while the Boston Symphony Orchestra and Andris Nelsons turned on the style with Stravinsky, Ravel and Gershwin

The Guardian - UK

Prom 56: LSO/Rattle review – a packed Albert Hall hung on every note in utter silence

In his last UK concert as the LSO’s music director, Simon Rattle bid farewell with an outstanding and assured performance of Mahler’s final symphony. The BBC Singers’ Poulenc, beginning the Prom, was expert and impassioned

The Guardian - UK

Beatrix Players announce joint headline shows with Amanda Lehmann

New-look Beatrix Players also launch pre-orders for brand new album Living & Alive

Louder

Hooked on classics? But if you want to learn to play, you’d better be posh

My state school taught me the value of Bach and Vivaldi. Today’s pupils aren’t so lucky

The Guardian - UK

Colin Bradbury obituary

Principal clarinet of the BBC Symphony Orchestra for more than 30 years and exponent of the instrument’s lesser-known repertory

The Guardian - UK

The week in classical: Dialogues des Carmélites; Tristan und Isolde; LSO/Rattle – review

Poulenc’s shattering opera disturbs and confounds in Barrie Kosky’s new Glyndebourne production; Wagner meets the pre-Raphaelites at Grange Park Opera. Plus, a thrilling farewell from Simon Rattle

The Guardian - UK

LSO/Rattle review – wistful and life-enhancing, a terrific farewell for the departing chief

Signing off with a joyous new commission from 96-year-old Betsy Jolas and a return to a longtime Messiaen favourite, Sir Simon led a regretful but sunny evening

The Guardian - UK

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Creative Bloq

The ingenious LSO logo still has people talking

Can you see the conductor?

The Independent UK

Bronze bust honouring conductor Sir Simon Rattle to be unveiled

The sculpture will be unveiled on June 15 before Sir Simon conducts his final concert as the London Symphony Orchestra’s (LSO) music director.

The Guardian - UK

LSO Futures review – works new and nearly new are a sparkling showcase for this superb orchestra

Premieres by Jonathan Woolgar and Colin Matthews sat alongside music by Lili Boulanger, Cassie Kinoshi and Bartók in a concert full of interest and energy

The Guardian - UK

LSO/Tilson Thomas/Tetzlaff review – Brahms soars and glows

In an all Brahms programme, Christian Tetzlaff brought momentum and shape to the Violin Concerto, and Tilson Thomas made every note glow

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Evening Standard

BBC Proms 2023: the 20 concerts to book now, from Anna Lapwood to a Northern Soul night

From Portuguese Fado to the Rite of Spring played from memory, a Horrible Histories opera and a tribute to a Bollywood legend, there’s something for everyone

The Guardian - UK

Simon Rattle: UK classical music is fighting for life after ‘swingeing’ funding cuts

The outgoing director of the London Symphony Orchestra says that cuts by Arts Council England and the BBC risk destroying the entire sector

The Guardian - UK

BBC Singers/LSO review – music, and words, of power as Rattle protests vandalism of UK’s musical life

Superbly executed Mahler was given fire by the addition of Poulenc’s work from the just saved BBC Singers – and a fierce attack on arts funding by the conductor

The Independent UK

LSO director Simon Rattle speaks out about ‘desperate’ situation for UK classical music

BBC Singers are under pressure amid budget cuts

The Guardian - UK

The week in classical: London Symphony Orchestra/Noseda; Down the Rabbit Hole – review

Gianandrea Noseda and the LSO go to the edge with Shostakovich. Plus, an operatic trip to Wonderland for deaf and hard-of-hearing children

Evening Standard

Classic Tube posters reimagined for 160th anniversary of London Underground

Four classic Tube posters that celebrate London’s cultural life have been “reimagined” to mark the 160th anniversary of the Underground.

The Guardian - UK

The week in classical: Siemens Hallé international conductors competition; LSO/ Hannigan; Turandot – review

A trio of young conductors vie for a job with the Hallé; Barbara Hannigan takes Mahler at his word; and Antonio Pappano makes a thriller of Puccini’s final opera

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