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The Latest Breaking News from King Crimson

“We didn’t go ‘That’s your job’ – we’d say ‘Why don’t you have a go?’ I can remember playing solos on Stylophone… In some places it was like 'the Martians have landed!‘” How Family made Bandstand, and where it took them

With a pre-King Crimson John Wetton on bass and a clutch of idiosyncratic songs with busy arrangements, the 1972 release cemented Roger Chapman and co’s position as one of the most influential bands of the era

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Listen to Jakko Jakszyk and Mel Collins' new version of I Talk To The Wind

An all-star reimaging of King Crimson's debut album, Reimagining The Court Of The Crimson King, to be released in April

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"I call Bill Bruford and blurt out 'how would you like to be in a rock band again?' Bill says, 'And do what? Sit around a luggage carousel all day?' But he gave us his blessing." Adrian Belew opens up on the formation of Beat

Adrian Belew has formed Beat with Tony Levin, Danny Carey and Steve Vai to perform King Crimson's 80s reportoire

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“Robert Fripp is one of our historical geniuses… I will be putting my best foot forward to respect this great music”: Steve Vai, Adrian Belew, Tony Levin and Danny Carey reveal full details of new King Crimson supergroup tour

The Fripp-approved band – which will revisit and reinterpret tracks from Crimson's Discipline, Beat, and Three of a Perfect Pair albums – will hit virtually every corner of the US and Canada this fall

Guitar World

“We were really screwing with the system, removing applause from live tracks to sound like studio tracks – the exact opposite of what people do today”: How King Crimson made stealth live album Starless And Bible Black

King Crimson’s 1974 ”excruciating, teeth-pullingly difficult” album Starless And Bible Black sowed the seeds of their looming breakup

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From King Crimson to A-list hired gun with Talking Heads, Frank Zappa and David Bowie, Adrian Belew created his own language on the guitar – here are his 10 greatest guitar moments

With King Crimson, Talking Heads, as a solo artist, it didn't matter: Adrian Belew manipulated the guitar like no-one else, bending sound into new shapes

Guitar World

“You pick five interesting guys, lock them in a room together… and if they make an album without actually killing each other first, it will at least be an interesting album”: How King Crimson made Larks’ Tongues in Aspic

The 1973 release steered a new line-up into uncharted waters, resulting in a work that could only have been made by a band who were “prepared to jump off the cliff”

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“Steve Vai is the only guitarist who could play my parts. I’m totally psyched for this”: Robert Fripp gives his blessing for a new King Crimson supergroup, featuring Steve Vai, Adrian Belew, Tony Levin and Danny Carey

The star-studded lineup will perform tracks from King Crimson's ’80s albums – and it was Fripp who suggested the group's name

Guitar World

“Robert Fripp watched the show from the wings. As I was playing I was thinking, ‘Oh, I stole this line from Robert… that’s a riff from him too!’” Billy Sheehan’s obsession with King Crimson’s Red

Mr Big, Whom Gods Destroy and Sons of Apollo bassist once spent two weeks listening to nothing else

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Robert Fripp endorses new Adrian Belew Crimson project Beat

Adrian Belew has teamed up with Tony Levin, Danny Carey and Steve Vai as Beat to perform King Crimson's 80s reportoire

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Listen to Todd Rundgren's version of King Crimson's 21st Century Schizoid Man

All-star reimaging of King Crimson's debut album, Reimagining The Court Of The Crimson King, to be released in April

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Robert Fripp and Toyah Willcox have returned to the internet with a sparkling new episode of that thing they do at the weekend

Two of Britain's most popular light entertainers are back to enliven your week with a cover of Shocking Blue's classic Venus

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“Stumbling on King Crimson and Gentle Giant was eye-opening for me. I went, ‘How can you do that so fast?’”: ex-Mötley Crüe guitarist Mick Mars reveals his secret love of 70s prog

Forget Shout At The Devil – Mick Mars is all about 21st Century Schizoid Man

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“I put an ad in Melody Maker – ‘musicians only need apply!’ – and we got Peter and Michael Giles, and Robert Fripp”: So many artists wanted to be part of Judy Dyble’s world

Late singer decided to avoid staying in bands too long after being fired from Fairport Convention – “I’d leave before they could throw me out” – but believed the split sent both parties hurling into adventures they’d otherwise have missed

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“People would ask: ‘Is David Byrne a genius or a moron?’ I wanted to nip that ‘moron’ bit in the bud, so it was better to say ‘genius.’ The truth is somewhere in between”: The prog credentials of Talking Heads

The eccentric post-punk outfit certainly progressed with albums including More Songs About Buildings And Food, Fear Of Music and Remain In Light… but were they actually progressive?

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“If there’s a message it’s live every day as if it’s your last. I went through a very sticky patch… The freedom of not being enslaved by addiction is marvellous”: John Wetton’s return from the darkness

With Asia on the rocks and a scuppered solo deal, the singer found himself struggling with alcohol in the 90s - before he finally earned himself a reprieve

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Toyah and Robert Fripp continue to bring the noise with chaotic old-skool cover of (You Gotta) Fight for Your Right (To Party!)

"It's a brand new instalment and it's a good one!" says Willcox

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Robert Fripp and King Crimson manager David Singleton announce West Coast US dates

Robert Fripp and David Singleton tell Calidfronia to "ask the questions that get us out of bed in the morning..." on their upcoming Californian spoken word dates

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“He never set out to please or comfort, so we often end up with his brilliant musical mind at its best… For that, we can forgive the physical abuse of a few Hammond L-100s”: King Crimson, Marillion, Tangent members and more pay tribute to Keith Emerson

15 more examples of his best work, as described by Jakko Jakszyk, Mark Kelly, Andy Tillison, Jem Godfrey, Arjen Lucassen and musicians who worked with the late keyboard genius

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“I don’t mean to sound arrogant, but we had the goods. We knew what we were doing”: how Bad Company conquered in America in the ’70s

Bad Company played their first US gig in July 1974. Within 12 months, they were one of the biggest rock bands on the planet

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“They sort of jiggled around for a while until someone found something and took hold of it and the rest went, ‘Great!’” The Cure co-founder Lol Tolhurst’s love for Can

Drummer appreciated krautrock heroes from his early days, along with King Crimson, ELP and others

Guitar World

“The process with Robert was so intense – I feel like I helped create almost a new genre with King Crimson with each piece of music we made”: Trey Gunn on what he learned from Robert Fripp – and how to tame the Warr Guitar

The 10-string instrument isn’t actually a guitar, says the former King Crimson member – and he doesn’t plan to ever stop exploring it in improv groups like Tu-Ner

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Robert Fripp and Toyah have covered Lick It Up by Kiss and we may never sleep again

In which King Crimson leader Robert Fripp appears in Kiss make-up while sporting a grotesque, oversized tongue. Happy New Year everyone!

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“I don’t mean to be arrogant, but we had the goods. We knew what we were doing”: how Bad Company hit the bullseye with their classic second album Straight Shooter

Bad Company’s second album, Straight Shooter, was the one that sealed their superstardom

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“As hard as it was, and it was hard, nobody wanted to bottle out. We just knew we had a big landscape we could explore”: How Tales From Topographic Oceans became the most arduous project in Yes’ history

Used as a byword for musical over-indulgence, 1973 album fought its creators every step of the way – right down to its master tapes nearly being crushed by a bus

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