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The Latest Breaking News from John Entwistle

The Who axe legendary member from group after on-stage 'fall out' with Roger Daltrey and bandmates

An insider said the fallout is ‘a little acrimonious to say the least’

Evening Standard

“A distinctive brightness that no other strings have been able to capture”: How Rotosound revolutionized the bass world with its Swing Bass 66 strings – and shaped the sound of rock music in the process

The story of how Rotosound founder James How worked with one of the brightest minds in bass history to produce a string that has stood the test of time – and defined music history as we know it

Guitar World

“For Pink Floyd songs, David is happiest when I play an old Fender with a pick”: Session legend Guy Pratt on the Jazz Bass he bought from John Entwistle and how he conjured a “massive octave-pedal freakout” with Madonna

In addition to his main gig with David Gilmour, Guy Pratt has played bass on some monster hits, including Madonna’s Like a Prayer and Michael Jackson’s Earth Song

Guitar World

From analysis to the latest developments in health,
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"It was a fair fight that I got thrown out of the band for, because Moon came for me with a tambourine": When Roger Daltrey was fired from The Who at the worst possible time in 1965

Best of 2024: "When they got on amphetamines the music just turned to a load of crap," reflected the singer

MusicRadar

"I remember saying to Eric, 'I'm going to play him off the stage one day'. But what Eric did was even more peculiar, he said, 'Well, I'm going to pretend that I am Jimi Hendrix!'": Pete Townshend looks back in this classic 1990 guitar interview

Best of 2024: "The thing that really stunned Eric and me was the way he took what we did and made it better"

MusicRadar

"We look so young. We were so young": Brian May's guide to rarely-seen Queen photos, from before they were famous

Sir Brian May talks us through a series of previously unseen photographs from Queen's early days as featured in the new Queen I Collector’s Edition

Louder

“Ron played bass like John Entwistle – he was definitely into that kind of rhythmic gallop”: When Ron Asheton switched from guitar to bass, Iggy and the Stooges recorded their most influential record

How a chance meeting between Iggy Pop and David Bowie put the Stooges back on their feet

Guitar World

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“When I was growing up, everyone said, ‘Oh, bass is just a second guitar.’ Bull! It's an art, man!” How Matt Freeman became one of punk’s most iconic bassists – bringing bass solos, jazz band and Carole King to Rancid

The Rancid bassist talks picking technique, chasing vintage tones, and channeling John Entwistle

Guitar World

“Sometimes you have to take the piss out of the nerdiness in yourself!” How Geddy Lee geeked up for his Big Beautiful Book of Bass

Rush icon planned to buy 12 instruments for his own enjoyment – but when his collection reached 250 he decided to justify the expense by writing a 600-page book (of which 408 were published)

Louder

“Tom Morello ended up flying to Seattle and doing the vocals with Layne Staley. Tom came back and was like, ‘He’s in really bad shape. It’s scary’”: Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle

Long before perfect stranger John Entwistle lent him a Trace Elliott, the Porno For Pyros founder started out with a P-Bass knockoff and a homemade amp. Now he’s all about paying tribute to late friend Mark Lanegan

Guitar World

“The bass solo in My Generation is one of the classic bass things of all time. And John Entwistle said it was the bane of his life”: Rick Wakeman explains the problem with recording a classic solo, and how he experienced it with Yes’s Close To The Edge

“The truth of the matter is, there is no such thing as a solo on record,” he argues

MusicRadar

“Herbie Flowers was supposed to do the date, but he couldn't make it. So Bowie said to me, ‘You'll have to play bass’”: Trevor Bolder speaks out on his storied history with David Bowie

How could anyone who played bass on Ziggy Stardust not be a rock legend?

Guitar World

“The store said, ‘We can’t get an amp before your gig.’ This gentleman walked up behind me and said, ‘You can use mine.’ It was John Entwistle”: Martyn LeNoble was once in desperate need of bass gear – and The Who’s low-end legend came to his rescue

When he first moved to the US, LeNoble was unable to ship has trusty Trace Elliott over with him. When a local bass store couldn't provide a replacement in time, Entwistle stepped in…

Guitar World

Jimi Hendrix, Jimmy Page, Jeff Beck and Eric Clapton may have been masters of ’60s lead playing, but Pete Townshend was the god of rhythm guitar –and he was just as unhinged on the acoustic

Tracks such as Pinball Wizard and Substitute were driven by Townshend's untapped, brawny-yet-brainy acoustic guitar playing. We've gathered all the techniques you need to nail his style in one video lesson

Guitar World

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Louder

"If someone tries to start a fight with you, put them down as fast and nastily as you possibly can": The wild life of The Who's combustion engine, John Entwistle

Delivering a deafening but dextrous bass-in-your-face assault, John Entwistle was a key part of The Who’s sound – and also their chemistry. This is his story

Guitar World

“It’s sloppy and out of tune, but it seems to benefit the track”: How Ryan Martinie redefined metal bass playing for a new generation with Mudvayne

Ryan Martinie stepped out as a 21st-century bass hero on Mudvayne’s The End of All Things to Come

Guitar World

“When I first visited the Rickenbacker factory, I thought I was going to get a hero's welcome. But they were like, ‘Come take a look at our repair room’”: Why Chris Squire’s relationship with Rickenbacker got off to a rocky start

Chris Squire's Rickenbacker underwent several changes over the years, the most radical coming when he rewired the single-output bass with stereo outputs

Louder

“David Bowie was an absolute genius. I learned more from him than from anybody I’ve ever worked with.” Rick Wakeman’s epic tales of sessions with Bowie, Bolan, Lou Reed and more

Former Yes keyboard maestro Rick Wakeman has played with rock’s great and good over the years – and he’s got the memories to prove it

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Louder

"I often wonder what would have happened if Keith Moon and I had formed Led Zeppelin": How The Who stopped hating each other for long enough to shape the sound of the future

In 1966, The Who were a bunch of drinking, drugging, brawling rock stars-in-waiting. Pete Townshend was about to change all that

MusicRadar

"The thing that really stunned Eric and me was the way he took what we did and made it better"

MusicRadar

"It was a fair fight that I got thrown out of the band for, because Moon came for me with a tambourine": When Roger Daltrey was fired from The Who at the worst possible time in 1965

"When they got on amphetamines the music just turned to a load of crap," reflected the singer

Guitar World

“Roger Glover got me into Jaco. I heard the stuff he was doing with Weather Report while Priest were at the same studio in the ’70s”: Judas Priest’s Ian Hill names 8 bassists who shaped his sound

A mainstay of chug-and-slug for over five decades, the veteran bassist reveals the surprisingly wide range of influences that feed into the metal gods’ low-end –

Guitar World

“I've always played with a pick, but up until the fifth Foo Fighters record, I never played downstrokes”: How Nate Mendel changed the way he played bass to “support Dave’s songs as best as possible”

From the Bass Player Archive: An interview with Foo Fighters bassist Nate Mendel

Louder

"Have I got time to go to the bathroom?" 12 minutes with Roger Daltrey and John Entwistle will tell you everything you need to know about the tedium of touring

In 1994, Roger Daltrey and John Entwistle were interviewed at Red Rocks in Colorado: it did not go according to plan

Guitar World

“You don’t just play the root notes – there’s always harmony there to make a bassline more interesting”: How Bruce Thomas transformed Elvis Costello’s (I Don’t Want To Go To) Chelsea

Bruce Thomas on the heyday of the Attractions and their most auspicious debut, (I Don’t Want To Go To) Chelsea

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