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The Latest Breaking News from Ibsen

Jane Lapotaire was a sensation as Edith Piaf – and a majestic actor you’d never regret seeing on stage

Lapotaire’s portrayal of the French singer transcended impersonation and she revealed her instinctive intelligence in Shakespeare, Chekhov, Ibsen and much more

The Guardian - UK

Seasons review – it’s Ibsen vs Peter Pan in chronicle of actors messing up their lives on and off stage

Polish director-writer Michal Grzybowski’s film has inspired flashes, but mostly eschews humour for a drearier take on the intertwining of stage and life

The Guardian - UK

Simon Stone on luring film stars on stage, family tragedy and staging Chekhov in Korean: ‘It’s one of the proudest moments in my career’

Directing the likes of Alicia Vikander, Andrew Scott and Olivia Colman on stage, the Australian director is returning to Adelaide festival with a bold new take on The Cherry Orchard

The Guardian - AU

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The best theatre to stream this month: The Unlikely Pilgrimage of Harold Fry goes an extra mile

Passenger reworks songs from his hit musical while Tanika Gupta gives Ibsen a Hollywood makeover and TikTok becomes a stage for young playwrights

The Guardian - UK

Hedda review – Ibsen transposed to world of pencil moustaches and tea dresses

Orange Tree theatre, LondonTanika Gupta’s forthright reimagining of a classic illuminates the racial politics and middle class assumptions of the period

The Guardian - UK

Hedda at the Orange Tree Theatre: 'Super-smart but lacks tension'

3/5 Ibsen’s Hedda Gabler is reimaged in Chelsea in the 40s, with Pearl Chanda’s title character an Anglo-Indian actress denying her heritage

Evening Standard

The Twistiest Drama Of The Year Is A Diabolical Psychological Thriller

Nia DaCosta reinvents a classic play with a cruel streak.

Inverse

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The Lady from the Sea review – Andrew Lincoln and Alicia Vikander make waves in magnificent rewrite

Ibsen’s mysticism and mermaids are thrown out as director Simon Stone amps up the 1888 play’s psychological intensity with his eco-focused update

The Guardian - UK

Creditors at Orange Tree Theatre: 'the production just lies there, inert, on the stage'

2/5 Despite an excellent cast including Charles Dance, this Strindberg psychodrama fails to spark

Evening Standard

Alicia Vikander: "I'm rehearsing my play with an AI Andrew Lincoln!"

The Oscar-winning actor is making her theatre debut in a new version of Ibsen at the Bridge. It’s still a work in progress — and she’s freaking out

Evening Standard

‘It will be frightening but you have to do it’: Andrew Lincoln and Alicia Vikander’s nerve-shredding stage return

Can two world-famous actors and auteur Simon Stone bring 19th-century Norway screaming into the modern world? They talk mean directors, bathtub revelations and reinventing Ibsen’s The Lady from the Sea

The Guardian - UK

A bold, queer 'Hedda,' from Nia DaCosta and Tessa Thompson, debuts at TIFF

Coming on the heels of her Marvel Studios film “The Marvels,” DaCosta premiered her Ibsen adaptation “Hedda” at the Toronto International Film Festival on Sunday

The Independent UK

Prime Video's new movie looks like an emotional rollercoaster in a single night

It's Ibsen, you philistines

Roger Harcourt obituary

Other lives: Headteacher who transformed the lives of his Hertfordshire comprehensive pupils with summer Shakespeare camps

The Guardian - UK

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The Guardian - UK

Ben Okri: ‘Is A Tale of Two Cities the greatest English novel? Meet me in a pub to discuss’

The poet and novelist on having his heart broken by Animal Farm, imagining Ibsen and Chekhov characters as Nigerian, and ditching physics for Plato

Bored Panda

45 People Share The Most Iconic ‘Last Words’ In History

We never know when our final moment will come or what we’ll say when it does. But some people have left behind “last words” that are impossible to forget. The post 45 People Share The Most Iconic ‘Last Words’ In History first appeared on Bored Panda.

The Guardian - UK

On my radar: Claire Messud’s cultural highlights

The novelist on the continuing relevance of Ibsen, the joyful quilt art of Faith Ringgold and where to find British scotch eggs in New York

The Guardian - UK

An Enemy of the People review – Matt Smith’s groovy firebrand swings from rebel to conspiracist

Rock’n’roll reimagining of Ibsen’s timeless corruption drama brings the audience into direct Question Time-style dialogue with Smith’s idealist revolutionary

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The Guardian - UK

‘I want to do stuff that pushes things to the edge’: Matt Smith on friendship, fame and radical theatre

For his latest challenge, the Doctor Who star is taking to the stage in Thomas Ostermeier’s new production of Ibsen’s dynamic, politically charged An Enemy of the People

The Guardian - UK

Ghosts review – Ibsen’s intense tragedy by candlelight

Joe Hill-Gibbins directs his own version of the psychodrama, creating a potent atmosphere with designer Rosanna Vize

Evening Standard

Ghosts at the Sam Wanamaker Theatre review: Hattie Morahan is a simmering maelstrom in this great production

Productions of this Norwegian play seem to be either sublime or awful: this one is very, very good indeed.

The Guardian - UK

Ibsen’s Ghosts: a resounding flop that still returns to haunt us

Despite being panned as ‘a dirty act done publicly’ on its London premiere, the tragedy is now regarded as a classic – here are three productions that radically shifted our perspective

The Guardian - UK

Shooting Hedda Gabler – Ibsen update is a brilliantly unnerving study of coercive control

A demanding director drives his cast into discomforting areas in this clever play critiquing the patriarchal power structures of the movie business

The Guardian - UK

Where to start with: Jon Fosse

Having long been tipped as the next Nobel laureate, the Norwegian writer has this year been awarded the prize. For those new to the acclaimed playwright and novelist, here are some good ways in

The Conversation

Sydney Theatre Company's new The Importance of Being Earnest: fresh, funny and completely joyous

It is easy to forget that when Oscar Wilde’s The Importance of Being Earnest was first written and performed in February 1895, Ibsen’s A Doll’s House was already 16 years old. Both plays, in different ways, expose the foundations of society (marriage; class; money; property) to searching critique.

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