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The Latest Breaking News from Fender

“These won’t last long!” Fender issues surprise limited-edition semi-hollow guitar drop, bringing the Telecaster Thinline to the American Professional II Series and reviving the Stratocaster Thinline

Kitted out in four transparent pastel finishes, the new limited-edition releases rank among Fender’s most enticing launches this year

Guitar World

“The Ford Motor Company had created a color called ‘Daisy Pink’ especially for his aunt. She was famous in her own right and had the paint sent to Fender”: Meet 9 of Fender’s most elusive offset guitars

From Fender Japan exclusives to mid-’60s unicorns, and a 1958 Sparkle Sunburst Jazzmaster that’s a holy grail in anyone’s book…

Guitar World

"The glorious neck staining and the warmth of those pickups make the CV 60s Strat a serious guitar that just so happens to look, feel, and sound amazing": Squier Classic Vibe 60s Stratocaster review

Heavy on the vibes, but not on the price

Guitar World

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“The bouncers wouldn’t let the audience stand up. That frustrated me to the point that I destroyed my bass guitar”: The Clash's Paul Simonon reflects on that iconic London Calling moment

Paul Simonon smashed his Fender P-Bass during a concert at New York’s Palladium on September 20th, 1979

Guitar World

“A cache of beautiful gear used in the studio and on tour”: Gilby Clarke is selling his Guns N’ Roses, Slash’s Snakepit and Heart gear on Reverb

Clarke is clearing out his inventory, with everything from a guitar that featured in Slash’s Snakepit videos to amps and pedals all up for grabs

Guitar World

“I’m playing a Strat, too, which you never hear me use”: Slash explains why he swapped his Les Paul for a Stratocaster to cover a Peter Green track on his new blues solo album

The Les Paul loyalist dipped into his Fender collection for the new album, which was also recorded using a '50s Telecaster

Guitar World

“I’ve typically been afraid of Strats just because they carry so much baggage”: How a gift from Mike McCready helped change St. Vincent’s relationship with the Stratocaster

Listen to the song that St. Vincent reveals begged for a Strat moment

Guitar World

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"It delivers a smooth, thick, high-octane overdrive that perfectly captures modern rock and metal, with a full and bright clean tone to match": Vox amPlug3 High Gain review

Turn up the gain while keeping down the volume with Vox's ultimate high-gain practice solution

Guitar World

“Once inserted, they can comfortably stay in until the end of the night”: D’Addario dBud earplugs review

Versatile and visually subtle earplugs from a trusted brand

Louder

10 legendary blues guitars, from Lucille to Lucy and the ‘Loch Ness Monster of Les Pauls’ – a priceless Gibson that has been missing for more than 50 years

Named and famed! Behind every great blues player is a great guitar, and they don’t come more iconic than this...

Guitar World

“It’s an inspiring guitar to play whether strumming or playing fingerstyle”: Fender CP-60S Parlour review

This parlour version of Fender’s best-selling beginner acoustic offers big tones in a smaller, more comfortable package

MusicRadar

“Dad would never touch the gunk that had built up on the fingerboard. He told me, ‘The dirt keeps the funk’”: Inside the sound and style of Motown master James Jamerson

Five top low-enders with links to the bass great dissect the James Jamerson style

Guitar World

“People have always gravitated to guitars by Fender Japan because you get so much more choice… The build quality is the best Fender makes outside the Custom Shop”: How the Japanese Fender offset conquered the world

Fender Japan showed the world how radically offsets could be modified. We visited specialist Japanese guitar retailer Gas Station Guitars to chart the evolution of the MIJ offset

Guitar World

“Marvel said, ‘Whatever you’re playing has been floating around in the universe for a while…’ I said, ‘Well, why don’t you just mess this guitar up?’” Kevin and Michael Bacon on trashing Taylors for Guardians of the Galaxy and love of Fender Acoustasonics

Movie star Kevin Bacon and his composer brother Michael reveal how they play to their differences during their Bacon Brothers shows – and what happens when they perform Footloose at venues that don’t allow dancing

Guitar World

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Guitar World

Guitar Center reveals Seymour Duncan-loaded Fender Player models in exclusive Daytona Blue finish - meet the Saturday Night Special Tele, Strat and P-Bass

Featuring a striking Daytona Blue finish and Seymour Duncan Saturday Night Special pickups these limited edition Players sound as good as they look

Guitar World

I’ve played IK Multimedia’s nano modeling amp, the TONEX One – and it could be the ultimate pocket-sized pedal platform

The tiny modeler is not perfect, but it’s going to solve a lot of problems – particularly for players who are willing to put in a little time upfront

Guitar World

“Nobody said, ‘You need to play five-string,’ but for stadium gigs there’s nothing cooler than hitting a low B and feeling it in your core”: Kenny Chesney bassist Harmoni Kelley on why five-strings rule for modern country players

With no experience of the extra string until her successful audition with Chesney, Kelley’s taken her P Bass attitude and hard rock roots for longterm stroll down Music Row

Guitar World

“To Doc, love and prescriptions, Keith Richards”: A mahogany Telecaster used by Keith Richards throughout the Rolling Stones’ iconic Some Girls era is up for auction (without its original neck) – for $400k

Built by the Rolling Stone’s go-to guitar tech Ted Newman Jones, the custom T-style has killer provenance but has been heavily modified since its Stones days

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Guitar World

“Is it wrong in every possible way or do you dig it?” This guitarist transformed their John Mayer PRS signature guitar into a Stevie Ray Vaughan Number One Strat tribute – and now we really want a sunburst Silver Sky

John Mayer once asserted he’d never produce a sunburst version of his popular PRS signature guitar. Now we know what it would look like, and it's quite something

MusicRadar

“It actually gave me more Hendrix vibes than Stevie vibes”: Watch what happens when you play a Strat through a cranked Super Reverb in an empty warehouse

Pedal Pawn’s Chris King Robinson conducts an experiment that shows how strange and magical things happen when you dime old tube amps in large, empty spaces

Guitar World

“Most stakeholders in the blues world are killing it instead of keeping it alive”: Athlete turned guitarist Emanuel Casablanca approaches guitar with a competitive mindset – and he’s on a mission to stop the blues all sounding the same

Strung Out on Thrills was hard to make and hard to write – every track was challenging. But Emanuel Casablanca's album throws down the gauntlet to blues guitar, presenting a new path forward

MusicRadar

"Stevie liked a clean sound. He really didn't turn everything up until the last song": Stevie Ray Vaughan's tech Rene Martinez remembers his boss, friend and blues guitar legend

Classic interview: "The way he had it configured was so that everything acted like one big gigantic speaker"

MusicRadar

“Stevie Wonder told me I needed to do 5 hours a day to get good at piano”: Super-producer Raphael Saadiq on taking advice from a legend, his love of Teles and creating musical history with Beyoncé and D’Angelo

“I guess we were sort of playing a game to see who could get the furthest behind without getting off beat,” says Saadiq of the recording of D’Angelo’s Lady

MusicRadar

"A guy named Alexander Dumble made the amps": Andrew Watt reveals the gear behind Pearl Jam's new album

"I have Marshalls, Fenders, Voxes, Oranges, Supros – all different kinds of amps. But since the day we got this amp I've not plugged into anything else," he said of his favourite Dumble modded amp

Guitar World

“Carlos Santana said, ‘I’ll play bass – you play guitar.’ I said I couldn’t, but he told me whatever I played belonged to me. I could own it”: Super-producer Raphael Saadiq on how he switched to guitar and earned his signature Fender Telecaster

The Grammy-winning producer has worked with the biggest names in music. He explains why the Telecaster has appeared on every album he’s ever worked on – and shares what he learned from Stevie Wonder, Beyoncé, Barry Gibb and countless others

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