The Latest Breaking News from Damien Chazelle

Perhaps Chazelle's greatest accomplishment here is to make Margot Robbie and Brad Pitt boring

Hollywood swingers.

For those who think Hollywood has become a cocaine-and-orgy-fueled cesspool that churns out nothing but garbage, "Babylon" is here to assure you: It was always thus.

Self-indulgent, stomach-churning epic from director Damien Chazelle offers little insight on 1920s Hollywood.

“Perhaps the ballyhoo meant nothing,” Kevin Brownlow wrote in his defining history of the silent film era, “The Parade’s Gone By…” It’s probably true that even avid moviegoers have increasingly drifted away from the films of what Brownlow called, with good reason, “the richest in cinema’s history.” In 1952, the…

Damien Chazelle's "Babylon" begins in a dusty stretch of Southern California desert in the 1920s, with the delivery of an elephant that will serve as one of the more quixotic performers at an exclusive Hollywood house party. While being carted uphill to the venue where various movers and shakers will…

Damien Chazelle's sprawling "Babylon" is the flip side to his 2016 hit "La La Land." Both are movies about movies, set primarily in Los Angeles and focus on characters who dream. But where "La La Land" was all lightness, a gentle valentine to love and hope and the larger-than-life way…

As a cinematic study in risk and reward, the first four features from director Damien Chazelle just plain work, often dazzlingly. He knows how and when to move a camera. You know how rare that is these days? Steven Spielberg; Paul Thomas Anderson; a few others. And Chazelle.

Damien Chazelle would really like to talk to you about “Singin’ in the Rain.” Of course, you already know the 1952 Stanley Donen MGM meta musical comedy starring Gene Kelly and Debbie Reynolds about the transition from silent to sound films, but if not, Chazelle will recount it for you,…

Brad Pitt and Margot Robbie star alongside each other as debauched movie stars in new film Babylon, with the actors opening up about some of the behind-the-scenes mayhem

Tailor-made to divide audiences, this is the ‘La La Land’ director’s rocket-powered rebuke to claims he’s too sentimental