The Latest Breaking News from Country

A floating laboratory off Konomie-North Keppel Island is allowing ecologists to get baby coral onto the reef faster than before, increasing their chances of survival.

Did you know the Sydney suburb Rosebery was home to the now-endangered green and golden bell frogs? That enormous cauliflowers were nourished by fresh water springs? And that dugong bones were found during excavation for the Alexandra Canal?

Southeast Australia’s bushfire crisis culminated in the devastating bushfire season of 2019 and 2020 that burnt nearly 25 million hectares of bush.

Content warning: this article contains distressing information about Stolen Generations and residential schools. Aboriginal and Torres Strait Islander readers are advised this article contains images and names of deceased people.

Within western society, maps are often perceived as scientific, neutral and objective tools. Map making has always been shaped by our social and cultural relationships to the land. In the last 20 years, approaches to map creation have become much more reliant on photographic and digital technologies, including Google Earth.

All around us, climate change is worsening existing disadvantage. In Australia, we need only look to low-income households hit harder by rising energy and fuel prices, and flood responses in northern New South Wales overlooking the needs of people with disability.

This article is part of The Conversation’s series looking at Labor’s jobs summit. Read the other articles in the series here.

An application from Traditional Owners to block the construction of a fertiliser plant near ancient rock art in the Pilbara was denied by the federal Environment Minister Tanya Plibersek this week. This decision is deeply concerning, and points to a much larger problem with Indigenous heritage management.

Aboriginal and Torres Strait Islander readers are advised this article contains images of deceased people.

Celebrated Quandamooka artist Megan Cope is planting oyster poles on Country as part of an ongoing artwork that draws attention to colonisation, climate change and cultural practice.

The authors are cultural men who have undertaken learning on and through Country with Elders in NSW, Queensland, and the Northern Territory. This piece is the product of their own experience and understanding and is not intended to represent the views of all Indigenous people.