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The Latest Breaking News from Caliban

This ain’t America’s trash, it’s Shakespeare’s

Letters: Mark Lewinski-Grende and Austen Lynch on the American English that started off over here, not over there

The Guardian - UK

Caliban Shrieks by Jack Hilton review – lost voice of the north

This rediscovered mix of autobiography and ‘artful rant’ – about working-class conditions in the 1930s – is full of energy and comedy

The Guardian - UK

Let’s teach children about slavery properly by connecting it to our present

When treated purely as historical fact, the slave trade can be dismissed as an evil of the past – the reality is very different says English teacher and writer Lola Okolosie

The Guardian - UK

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The Tempest review – Alex Kingston is a magnificent Prospero

Climate catastrophe and power struggles dominate Elizabeth Freestone’s RSC interpretation of Shakespeare’s play

The Guardian - UK

Sydney Theatre Company’s butchery of The Tempest reveals how weak our commitment to difficult art has become

The STC has counterfeited Shakespeare to serve progressive ideology. In the process, it has created a self-serving apology for colonialism.

Crikey

We've been editing Shakespeare's plays for 400 years – but does a new Australian production of The Tempest idealise the Bard?

Review: The Tempest, directed by Kip Williams, Sydney Theatre Company.

The Conversation

The Tempest review – Shakespeare gets a radical edit from Sydney Theatre Company

Richard Roxburgh as Prospero and Guy Simon as Caliban are outstanding in Kip Williams’ latest production, which takes a revolutionary approach to the script

The Guardian - AU

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The Tempest at Shakespeare’s Globe review: Some rough edges but a sunny delight

Even Shakespeare is not immune to the Love Island aesthetic

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