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While there’s no out-and-out masterpiece this year, and at times more fun to be had watching the audience fighting, Sean Baker’s acid class comedy, Jacques Audiard’s drug-lord musical and India’s first Palme d’Or contender in decades are knockouts

Sean Baker’s tragicomedy features Madison as an escort betrayed by a bratty oligarch’s son who she marries in a film that offers a more realistic take than Pretty Woman