The Latest Breaking News from Adam Driver

Never one to downplay the power of film, Stanley Kubrick once said that “almost every novel could be successfully adapted”. He carried this confidence into his own filmmaking, working not from original screenplays, but from adaptations of novels as different as William Makepeace Thackeray’s historical romp Barry Lyndon (1844) and…

If you've been following Noah Baumbach's work over the past few years -- including The Meyerowitz Stories (2017), Marriage Story (2019) and most recently White Noise (all of which are now available on Netflix) -- it's clear the American director can work nimbly across a range of genres.

With certain films, you're not at all surprised to see the characters break into a joyous dance at the end: Fred Astaire and Ginger Rogers movies. Bollywood musicals. Animated films like "Shrek" or "Despicable Me." Even the odd raucous comedy like "The 40-Year-Old Virgin."

Besides all the follow-ups and reboots, this year will bring original stories of Barbie, Leonard Bernstein, Enzo Ferrari, the father of the A-bomb, Dracula’s lackey and a coked-up bear.

Here are the sci-fi movies we're looking forward to the most this year.

From box office hits to award contenders and hyped releases that launched a thousand hot takes, here's where to stream the most talked-about films of the year.

This week’s new entertainment releases include a streaming concert from 21 Savage, a Netflix film starring Adam Driver made from Don DeLillo’s 1985 novel “White Noise” and a movie marathon on Turner Classic Movies featuring the martini-swilling detectives Nick and Nora Charles from “The Thin Man.”

This time-travelling sci-fi thriller has massive flop written all over it. Or it could be the greatest piece of cinema ever created

‘Nobody talk to me about a single damn thing unless it’s about Adam Driver firing a very large gun at a Tyrannosaurus rex,’ posted one viewer

Noah Baumbach’s laboriously quirky adaptation of DeLillo’s 1985 book can’t break free of the author’s voice

The take-away is: “Oh, we’re so doomed. Let’s dance!”