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The Latest Breaking News from Guitar World

"This is an upgrade in every sense": Boss Katana-Mini X guitar amplifier review

Boss makes its mini amp bigger – and worthier of the Katana name

Guitar World

“One of the most important guitars in rock and roll history”: George Harrison’s Futurama smashes auction estimate and sets a new record with staggering $1.27 million sale

The oddball electric – which was used during the Beatles’ early years, and saw action in over 300 historic shows – becomes the most expensive electric guitar formerly owned by a Beatle to sell at auction

Guitar World

“The tube amp brought into the 21st century”: Blackstar’s St. James 100 looks to set a new benchmark with its most powerful and lightest 100-watt amp yet

The latest evolution of the British amp maker’s pioneering St. James family smashes the sonic ceiling with more output, selectable tubes and a wealth of modern refinements

Guitar World

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“We’re doing my first-ever gig with Nirvana on SNL. What I didn’t know was there was a discussion about my guitar like, ‘No, we can’t let him on stage’”: Pat Smear’s first Nirvana appearance almost didn’t happen – because of his guitar

Smear had bought a 1982 Charvel when he was playing with Nina Hagen – but the guitar didn't quite impress the Nirvana troupe

Guitar World

6 AI-powered guitar tools to supercharge your guitar-playing

We have a look at the brave new dawn of guitar playing and check out powerful tools to improve your skills

Guitar World

“You’ve got three guitars, and nothing to prove”: Stephen Malkmus, Emmett Kelly, and Matt Sweeney discuss the country tracking tricks, experimentation, and East German fuzz pedal clones that power The Hard Quartet's self-titled debut album

The first LP from indie supergroup The Hard Quartet brings Pavement, Cairo Gang, and Chavez guitarists brilliantly together

Guitar World

“This amp easily turned in a convincing Van Halen ‘brown’ sound, a feat many would assume out of range for an affordable solid-state combo”: Laney LFSUPER60-112 Combo review

Can this Lionheart Foundry combo from Laney win the solid-state wars?

Guitar World

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“I wasn’t gifted with enormous speed on the guitar. There were years when I thought I could get that if I practiced enough. It wasn’t ever really going to happen”: David Gilmour explains the origins of his lauded ‘feel’ playing technique

In a new interview with Rick Beato, the Pink Floyd legend discusses the “David Gilmour effect” and picks apart his playing style, which has captured the hearts and minds of generations of guitarists

Guitar World

“Punch and power in a flyweight build”: Boss goes head-to-head with Positive Grid with the $149 Katana-Mini X – one of the firm’s most portable practice amps yet

Could the newest addition to the Katana collective become the go-to desktop amps for players?

Guitar World

“I wouldn’t normally be caught dead with a Tele because I think they’re ugly, but that’s the only guitar I used”: Opeth’s Mikael Åkerfeldt and Fredrik Åkesson on their love of “stupid riffs,” and “recapturing that old death metal magic”

Opeth may have returned in a way to their sonic roots on their new album, The Last Will And Testament, but – with appearances from a Neal Schon signature model and a “not very metal” trick picked up from Eddie Van Halen – there are still plenty of quirks to…

Guitar World

A master of making major key licks sound moody, Mark Knopfler is one of guitar’s true alchemists – take your melodic phrasing to new heights with this lesson in the Dire Straits icon’s soloing style

Few players can pick out the notes like Knopfler, and this lesson goes deep into his fingerstyle approach, and how he foregrounds melody to tell a story with his leads

Guitar World

“It would've been almost two hours to get home in traffic. I said to myself, ‘You’re here. Just write a song.’ Within 30 minutes, Pumped Up Kicks revealed itself to me”: How a ’59 Jazzmaster and capture-the-moment attitude keep Foster the People in gear

On their new album, Paradise State of Mind, Mark Foster and co. indulge in Chic-style rhythms over classic funk bass, disco strings, Kraftwerkian synths, and pure joy

Guitar World

“We’ll say, ‘You’re a master shredder. We want to hit this moment on screen with some type of arpeggio or shred lick’”: Polyphia's Tim Henson revealed as the virtuosic guitarist behind the fast-paced, flamenco-inspired piece in Cobra Kai's final season

Henson follows in the footsteps of Charlie Robbins, Myrone, and Andrew Synowiec, who were all featured in the blockbuster show's guitar-driven soundtrack

Guitar World

“My experience with the Boss GX-10 is a real tale of two halves”: Boss GX-10 review

Hands-on with the latest portable multi-effects pedal from stompbox heavyweight Boss

Guitar World

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Guitar World

Bassmans, a Klon Centaur clone, and a brand-new effect, dubbed the Glooper: Fender just dropped a game-changing Tone Master Pro update – making its flagship modeler more competitive than ever

Fender has bolstered its flagship amp modeling multi-effects pedal with its first dedicated bass amps, a host of new functional updates and more

Guitar World

“What I do with the trem arm is not an exact science. It’s more like an absurdist alchemy”: Imperial Triumphant guitarist Zachary Ezrin showcases his wild whammy technique on Eye of Mars – and a Gibson with the Midas touch

The experimental band’s forthcoming album, Goldstar, puts Ezrin’s oddball blend of influences and techniques center stage

Guitar World

“A great-looking guitar that’s just a few minor tweaks away from being as good as its style suggests”: Gretsch Electromatic Pristine Ltd Jet Single-Cut with Bigsby review

Always the ‘Les Paul’ of the Gretsch line since it first appeared back in the 50s, the Jet gets a snazzy Electromatic makeover. Style over substance? Let’s plug in…

Guitar World

“I don’t practice, because I don’t think that practicing in itself is necessary”: Yes icon Steve Howe on why he rarely runs scales, thrashing acoustics –and why you won’t catch him playing unfamiliar guitars

The prog legend checks in to talk all things guitar, from drawing inspiration from his parents' record collection and cutting his teeth on a cheap arch-top to finding his sound on the ES-175 and six-string explorations on Guitarscape

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news in one place.

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Guitar World

If tone is really in guitarists’ hands – then we need to pay more attention to our picks

Bog Street Picks’ forward-thinking pick design has us seriously questioning the role of the humble plectrum

Guitar World

“He came out to the studio, sick, did the solo and killed it after a couple of passes. I tried to pay him some money, but he wouldn’t accept it”: Jim Suhler on the time Joe Bonamassa played on one of his tracks – and delivered a searing solo while sick

Suhler met Bonamassa back in 2001, when the then-rising star was supporting George Thorogood, and has stayed in touch with him ever since

Guitar World

“You can get a little bit formulaic sometimes when you know where to go next, and alternate tunings definitely take that away”: Soccer Mommy on the power of alternate tunings in pushing her songwriting capabilities

The singer-songwriter discusses how opting for left-field tunings forces guitarists to learn a whole new vocabulary, which ultimately improves their playing

Guitar World

“Billy Corgan literally said he wanted the ‘Sabbath note.’ He wanted that midrange that Tony Iommi has that really cuts through”: Reverend Guitars’ founders on their wild signature collabs with Smashing Pumpkins, Vernon Reid and Reeves Gabrels

Reverend is fast becoming the go-to brand for artists looking for something different. Ken Haas and Joe Naylor explain what it takes to make an artist's dreams come true...

Guitar World

“The missing link”: Line 6 keeps up the pace with the Fender Tone Master Pro by adding EVH 5150-inspired amps for the first time in free bumper Helix update

The update also delivers amp models inspired by sought-after Fender and Bogner amps, four new cabs, and a bass wah to widen the line-up’s tonal palette

Guitar World

“Was smoking Hendrix’s Strat my wildest studio experience? Oh, certainly not! We always went full tilt. There was never a dull day!” Steve Cradock on his star-studded session with Paul McCartney, SGs vs Teles – and the joint he laced with Hendrix’s guitar

The Paul Weller and Ocean Colour Scene guitarist hints at high times in the band’s studio history, and he’s looking forward to going back to track their first album in “freaking years”

Guitar World

“I put a crushed cigarette packet underneath it to get it nearer the strings... It helped give the guitar a mysterious sound”: Vic Flick, the guitarist who played the iconic James Bond riff, dies aged 87

Flick had planned to record the legendary hook on a Strat, but after it was stolen, the guitarist got creative with a semi-hollow instead

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