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The Latest Breaking News from Guitar World

“When people throw around the Lennon/McCartney comparison to Bob Mould and Grant Hart, I think that’s fair”: Greg Norton believes Hüsker Dü were always going to break up, but it happened too soon

The current Ultrabomb bassist discusses the instruments that led to his custom Reverend, how a 1985 concert video got lost, and how easy it was to learn from bandmate Mould

Guitar World

“Being in the same band with Joe felt like watching a childhood fantasy step out of my teenage brain”: Steve Vai and Joe Satriani announce the return of the SatchVai Band with their debut U.S. tour – and tease an upcoming album

After embarking on a European tour earlier this year, the two are back with their first-ever collaborative U.S. dates and plenty more music

Guitar World

“The guitar I learned to play on isn’t worth much, but I’ve played it at thousands of concerts and hundreds of recording sessions”: He’s performed on over 500 albums. Now Marcus Deml is making breathtaking guitar instrumentals under his own name

He spent 12-hour days learning at GIT in the shred era. But for his Strat-led solo showcase, Deml relied mainly on his ears and a religious approach to tone

Guitar World

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"If you banish the desire for any real bass thump, there’s a lot of enjoyment to be had in the sounds you can coax out of this thing": Yamaha JR1 acoustic guitar review

Is this pint-sized dread Yamaha's ultimate beginner acoustic? Let's find out

Guitar World

“On the real Arm the Homeless guitar, a dog chewed the headstock. Other than that, they’re absolutely identical”: Tom Morello has been playing a Fender Arm the Homeless replica live and none of us noticed – now it’s available to buy

Five years in the making, the Rage Against the Machine guitar anti-hero’s most iconic instrument has been replicated by Fender – and even Morello admits he can’t tell the difference

Guitar World

“The guy met me in a Tower Records parking lot and gave me that bass... I’ve recorded every record on it since I got it”: How Flea landed his cherished 1961 Fender Jazz Bass after finding a seller during the early days of Twitter

During the early days of his career, the Red Hot Chili Peppers bassist was far from a gearhead – but an old Fender changed his tune

Guitar World

“This isn’t a remake. It's an evolution”: The DigiTech Bad Monkey broke the internet with its Klon-aping antics – now it’s back and badder than ever before

The unassuming budget overdrive sent the gear world into a frenzy when JHS Pedals' Josh Scott pitted it against a Klon Centaur – and the differences were borderline indistinguishable

Guitar World

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“It was a little hard bouncing between classes and playing gigs like Coachella. Now I’m out of school, I can devote all my time to being a musician”: Is Brandon ‘Taz’ Niederauer guitar’s next superstar?

At 22 years old, he’s already a star of stage and screen. Taz seems like such a nice kid, but don’t be fooled – he plays like a demon

Guitar World

“Tuning it was really hard… especially because I was stoned a lot of the time”: Joe Walsh walks you through the guitars he’s selling at auction – including one with a Morse code fretboard

All proceeds will go to his charity, Vets Aid

Guitar World

Tetsu Yamauchi, former bassist of Free and the Faces, has died at 79

The bassist, who kickstarted his professional career with Japanese prog rockers Micky Curtis & The Samurais, went on to record on Free's final studio album and joined the Faces until the band's disbandment

Guitar World

“We are building a system to stimulate and retrieve energy to Earth”: Electro-Harmonix wants to harness the magnetosphere’s energy to solve the AI power crisis

Brand founder Mike Matthews has teamed up with a former Bell Labs scientist to shape his plans

Guitar World

“It’s like getting a pre-washed pair of jeans: they’re broken in so they’re comfortable right out of the store”: The making of the American Professional Classic series – the brand-new “lived-in” (but not relic’d) US Fender line

More aged nitro finishes and a new US-made line-up that pares back the modernisms. Are our tastes changing? Max Gutnik, chief product officer at FMIC, tells all

Guitar World

“I discovered African blackwood probably around 20 years ago. The first guitar was paired with a cedar top and the volume blew me away”: How a $10K acoustic build put the loud into Lowden – with exotic tonewoods and faultless construction

Meet the high-end cutaway acoustic of your dreams that looks a million dollars and costs more than $10,000 – another occasion when Irish luthier George Lowden has raised the bar

Guitar World

“Moments like this don’t happen in real life”: Jared James Nichols spotted a pedal builder in the audience at one of his gigs – then handed him his guitar mid-solo

The impromptu guest spot was full of high notes

Guitar World

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Guitar World

“There is no greater story of triumph than that of B.B. King. I’m humbled to help bring it to life”: A B.B. King biopic is on the way – and it will chronicle the blues legend’s life, legacy and Lucille

The film will chart B.B. King’s rise from extreme poverty to global stardom – and his life-long partnership with his iconic ES-355 will be at the heart of it all

Guitar World

“I step back and I’m like, ‘Don’t think about it. Maybe you nailed it, maybe you didn’t’”: John Mayer names his favorite solo with Dead & Company – and plays it live on air

Mayer was asked the question during his Life with John Mayer SiriusXM show, and he just so happened to have a Silver Sky in hand to answer it

Guitar World

“He broke my heart, but at the same time, I was like, ‘Okay, well, I would love to have a Fender Jazz Bass’”: Bootsy Collins' first Fender Jazz Bass has just been sold at auction – and shot past its estimate

James Brown bought the bass sometime in 1970 for his young protégé, William Earl Collins, better known as Bootsy Collins, and it would go on to be played by another one of his bassists, Fred Thomas

Guitar World

“I got bored with Miles Davis. He was like, ‘Robben, play that just like the record.’ And I didn’t join Miles Davis to do that”: Robben Ford explains his dalliance with Davis, Joni Mitchell’s fuzz tips – and how Jeff Beck got him back on the Strat

Ford on two moments when Joni Mitchell was right and he was wrong, why his late 80s stint with Davis didn't work out and his go-to Dumble alternative

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Guitar World

“He said, ‘I canceled a gig to come watch you play, could I steal some licks from you?’ That’s when we got to know each other”: Buddy Guy recalls the first time he met Jimi Hendrix

The blues veteran reflects on having Hendrix in his audience, way back in the late ’60s

Guitar World

“Getting a Germanium Boy into Brian May’s hands pronto is a top priority”: Dirty Boy’s pedals are loved by the likes of John Frusciante and Neal Schon – is the Queen guitarist next?

The future’s bright for the boutique guitar and pedal brand. Its CEO tells us its story so far and why he believes he has just what Brian May needs for his tone

Guitar World

“Rickenbacker had a doubleneck guitar and bass, so I bought one. Then Fender came to me and said, ‘Why are you playing that?’” How Moody Blues bassist John Lodge found another gear with a Fender double-neck that was half P-Bass/half Telecaster

Having anchored the Moody Blues since the ’60s, the late John Lodge had a VIP seat for the Austin Powers-like era that made London the capital of cool

Guitar World

“I’d met Elvis Presley’s guitar player, who told me James Burton used banjo strings...” How Ritchie Blackmore came across an obscure string mod that introduced him to a whole new sound – and why it didn’t work for him

Burton proved it was possible to use banjo strings on guitar, but Blackmore’s early adventures with the hack got mixed results

Guitar World

“A warning shot to the competition and a reminder that Fender is still very much a force in the amp modeler market”: All the guitar gear that has caught my eye this week – including a new digital era for EVH

A landmark update for the Tone Master Pro, a new digital 5150III combo, and a signature capsule for Iron Maiden all landed this week

Guitar World

“A tighter, louder and gutsier tone from an already stellar-sounding amp”: Bad Cat Mod Shop Black Cat 30 review

Remixed and refreshed by the late, great amp-guru Mark Sampson, thisBlack Cat has two more tubes, 10 more watts and a whole new voice

Guitar World

“He was completely ignored by the guitar press of that time period”: Vernon Reid on the guitarist he believes is massively underrated – even though he kept “the Hendrix voice” alive

In a chat with Guitar World last year, Reid even insisted that this guitarist's “continued non-acknowledgment as a near direct tonal descendant of Jimi Hendrix continues to this day”

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