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The Latest Breaking News from Guitar World

“It’s the most beautiful musical instrument that humans have constructed. It’s an impossibility, and truly an American invention”: Justin Vernon, aka Bon Iver, on why he put pedal steel guitar front and center on his latest release

Vernon reunited with pedal steel guitar master Greg Leisz – who previously worked with Eric Clapton, David Crosby, and Sheryl Crow – for his 2024 release SABLE

Guitar World

“I planned to go out with Ministry. But then Madonna said, ‘I want Monte here – even if he’s just standing and holding a guitar’”: Monte Pittman on his crazy journey from Guitar Center to Ministry via Prong and Madonna – and his band with Adam Lambert

It might seem strange that a dude best known for playing guitar lines for pumping, thumping dance songs is now blowing eardrums with industrial metallers Ministry. But Pittman says he’s right where he belongs. This is his remarkable story

Guitar World

“Mick Fleetwood asked me to join the band, but I don’t think Stevie voted against me… I don’t play like Lindsey, but I was able to do the songs justice”: Mike Campbell on the challenge of joining Fleetwood Mac and what he learned from Tom Petty

He could always write songs, but spending all those years by Tom Petty's side taught Campbell a thing or two about fronting a band. He tells GW how these lessons are shaping the sound of the Dirty Knobs and what life was really like in Fleetwood Mac

Guitar World

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“Some people think its gloss black top was a response to Gibson’s Les Paul Custom – but that didn’t launch officially until ’54”: The Duo Jet took Gretsch’s ’50s innovation to new heights – and was loved by George Harrison, Jeff Beck and Malcolm Young

As solid-bodied models began taking the guitar world by storm in the early ’50s, Gretsch joined the party with the revolutionary single-cut 6128 Duo Jet and its twangsome DeArmond ‘Dynasonic’ single coils

Guitar World

“Over time, her arrangements became more creative and composed and could stand on their own as melodic instrumentals”: A pioneering protest singer, American folk legend Joan Baez draws on jazz and flamenco for her intricate picking patterns

Ever since the '60s, Joan Baez has delivered a message with her music, but she was never going to be a two-chord folkie with a bellyful of fire. Her sound takes from jazz and flamenco with picking patterns that are as good as a fingerprint

Guitar World

“It’s a symbol of creativity”: Les Paul’s experimental Klunker helped pave the way for his later innovations – now it’s been revived as a meticulous one-off replica by Les Paul's personal tech

Renowned luthier Tom Doyle hopes it will deepen the public’s understanding of the guitar’s cultural significance

Guitar World

“I called Supro and said, 'Hey I’m really digging this amp. Is there any way we can just give it a little more horsepower?'” Blues rock ace Tyler Bryant supercharges Supro’s flagship Black Magick combo for his new signature amp

Featuring more power, headroom, and a greater bass response, the Black Magick has been given some major upgrades to suit the guitarist’s needs

Guitar World

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“Dependability and durability baked in”: Cort takes a leaf out of Strandberg’s book and begins its True Temperament experiments with the KX700 TT

With looks to kill – and tuning and intonation that promises to withstand even the most aggressive of play styles – Cort’s new high-end model drags the innovative fret design to a slightly more accessible price point

Guitar World

“I ended up playing things I never have before”: John Mayer busts out his Charvel and an ultra-rare ESP as he breaks new ground during A-list R&B guest solo

Mayer has shared behind-the-scenes snippets as he composed his latest collaborative lead effort, which takes his solo chops to new experimental heights

Guitar World

“I went there with the intention of buying a Gretsch Jet Firebird. He said, ‘Forget the Gretsch. That’s a toy compared to the 335’”: Ritchie Blackmore recalls buying his first Gibson from amp pioneer Jim Marshall's music store

Blackmore used the Gibson ES-335 all throughout the '60s, from The Outlaws to Deep Purple’s 1970 breakthrough album, In Rock

Guitar World

“I would pick this over a ’60s or ’70s model. It’s the perfect Telecaster in my eyes”: Tele obsessive John 5 provides the ultimate test for Fender’s new American Ultra II series

The versatile shredder owns over 100 different Telecasters, but he’s full of praise for the upgrades that have been fitted to its latest iteration

Guitar World

“All of these things I do on record using a few guitars, I’ve got it all in the one”: Johnny Marr just launched a 7-string signature Martin acoustic – but it’s not what you think

Marr's latest signature model, the M-7 – also available as a regular six-string – features an extra string to provide his trademark jangle

Guitar World

“I did not find any reason to go after them legally for that – it would be ludicrous”: Elvis Costello explains why he never sued Olivia Rodrigo's team for interpolating one of his guitar riffs

Rodrigo credited Taylor Swift, Jack Antonoff, Hayley Williams, and Josh Farro as co-writers after fans noted similarities between tracks on her debut album, SOUR, and songs and riffs by those artists

Guitar World

“I spent 10 hours a day for a month making that guitar… If it didn’t work out, it could have been a white Stratin Purple Rain”: Prince’s Cloud guitar builder Dave Rusan on how he made the iconic instrument – and the legal battles over his replicas

With Prince’s Cloud 3 guitar fetching nearly a million bucks in June, we speak to Rusan about working for a pop legend, using tools you’d find around the house to make a guitar for Purple Rain, and what fans can expect from his replicas

Guitar World

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Guitar World

3 easy rock guitar solo licks you need to know

A quick power-up for beginner and intermediate players' rock soloing, with three ripping solo ideas based around the D minor pentatonic scale

Guitar World

“The Robert Cray gigs had me shaking so badly that I thought I’d faint… It was one of the pools I had to dive into or drown”: A non-shredder among metal guitarists, Katie Knipp took years to go electric – then scored a hit blues album

Inspired to explore blues by a choir singing Mozart, Knipp avoided asking advice from the big names she opened for – and even though it took 20 years, the G&L player has made it her own way

Guitar World

“The tone EC achieved on that record has become one of the classic archetypes for how an electric guitarshould sound”: How Eric Clapton got his tone on John Mayall and the Bluesbreakers’ ‘Beano’ album

The ‘Beano’ album has become a benchmark for how a Les Paul ’Burst and a Marshall could sound together. But how Clapton got that tone is a little more complex than that...

Guitar World

“I started playing $150 Ibanez guitars because onstage I would take damage… Clown used to use metal bars. We were very unsafe”: Mick Thomson reflects on 25 years of Slipknot’s incendiary debut – and what it was like to see his solos erased

If Slipknot's debut remains a true face-ripper all these years later maybe it is because they brought the chaos of the stage show into the studio. Thomson can remember it vividly, the gear, the danger, the risk to his guitars from stray iron pipes, and he wouldn't have it any…

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Guitar World

“No menus, no apps, just a familiar and intuitive interface that makes dialing in tones easy”: Fender has rebooted its top-selling Champion modeling amp family – and prices start at $129

The ultra-affordable amps offer onboard effects and a suite of amp voices for added versatility

Guitar World

“Conjuring nightmarish soundscapes through a sinister blend of distortion and synthesis”: Jack White's Third Man Hardware teams up with Eventide on Knife Drop – a sub-octave fuzz and analog synth powerhouse of a pedal

The Jack White-certified pedal is all about extreme experimentation – with dual octave control, precise filtering options, flexible expression pedal integration and an intuitive preset system

Guitar World

“These silly lists come out about the greatest guitar players – I usually don’t make those lists, or they’ll put me behind somebody who I could play circles around”: Billy Corgan on why he thinks he’s still under-appreciated as a guitarist

The creative force behind Smashing Pumpkins is often overlooked in the 'greatest guitarists of all time' conversation

Guitar World

“A lot of players don’t bother to learn how to fix their guitars – but it’s a necessary part of technique”: Cradle of Filth’s Donny Burbage hated guitar until he got bored of playing video games – and became a tech’ing shredder

The Ibanez fan, Aether Realm guitarist and former guitar tech explains the importance of mastering vibrato – and avoiding pyro at his very first Cradle of Filth show

Guitar World

“I remember my dad saying, ‘There’s no ambience, Brian. I don’t feel like I’m in the room with you playing next to me’”: Why Brian May and Queen were unhappy with their debut album – and how the newly revamped version fixes the “very dry” guitar parts

Queen just released a remixed version of their iconic 1973 debut, and Brian May reveals that “every instrument has been re-examined from the bottom up”

Guitar World

What if Jimi Hendrix jammed with Eric Clapton, or Gary Moore traded solos with Joe Bonamassa? We imagine 5 all-star fantasy blues jams and what they would sound like

Welcome to an all-star fantasy blues jam, featuring a greatest hits of blues players, their signature licks, and how to put them together and incorporate them in your own playing

Guitar World

“When the Strat went, I couldn’t believe it. We went in to make our first album and the pickup went. I had to use the backup I kept on the side…” Tony Iommi was a Fender Stratocaster player before fate intervened – and he had to reach for his Gibson SG

Iommi went to the studio intent on recording Black Sabbath's debut album with his heavily modded Strat. Things didn't quite go according to plan...

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