One of the standing stones at Avebury, Wiltshire. redisright nominated it: 'Is Avebury an artwork? Surely it was a place of worship; though at a 5,000-year remove we're not entirely certain what they were worshipping and how'Photograph: David Pearson/Rex FeaturesDepiction of St Matthew the Apostle from the Book of Kells, circa AD600-900, nominated by referendumPhotograph: CorbisThe Wilton Diptych, painted circa 1395-1399, now found in the National Gallery, London. Nominated by PeterNW1, who explains the history of the work herePhotograph: Corbis
A 13th-century wood carving of an elephant adorns a misericord in the south choir aisle of Exeter Cathedral. Nominated by referendumPhotograph: Angelo Hornak/CorbisThe Heir from William Hogarth's series The Rake's Progress, painted in 1735. Nominated by BoblaFlambeurPhotograph: Derek Bayes Aspect/CorbisWilliam Blake's The Ghost of a Flea, painted 1819-20. Nominated by guydenningPhotograph: Courtesy: TateJMW Turner's The Slave Ship, painted in 1840. Nominated by BereniceWeberPhotograph: Barney Burstein/CorbisSir Frederic Leighton's Flaming June, painted in 1895. Nominated by TigerDuncPhotograph: CorbisThe standard London Underground map designed by Harry Beck in 1931. Nominated by referendumPhotograph: Transport for LondonFrancis Bacon's Study after Velazquez's Portrait of Pope Innocent X, painted in 1953, on display at Tate Britain. Nominated by BoblaFlambeurPhotograph: Suzanne Plunkett/ReutersHoward Hodgkin poses in front of his oil on wood painting of 2007 titled Where Seldom is Heard a Discouraging Word. Nominated by FurryjenPhotograph: Martin Argles for the GuardianDavid Hockney's A Bigger Splash from 1967, on display at Nottingham Contemporary. Nominated by Felix Kanor Tetteh Photograph: David Sillitoe for the GuardianTony Ray-Jones's California, 1971. Nominated by flicks64Photograph: Tony Ray-Jones/SSPL/Getty ImagesAnthony Caro's Month of May, of 1963, (foreground) on display at the Tate Britain exhibition. Nominated by quaelaPhotograph: Dan Chung for the GuardianDavid Nash, Seventy One Steps at Yorkshire Sculpture Park, 2010. Nominated by ntofr1Photograph: Jonty Wilde/Courtesy of YSPMaggi Hambling with the painting Young Scalloped Hammerhead Shark Wounded. Nominated by PoorBoyDave, who says of her work: 'Maggi Hambling always manages to capture the might and power of the sea'Photograph: Sarah Lee for the GuardianA wall of Tracey Emin's neon works at the Hayward Gallery, part of the exhibition Tracey Emin: Love is What You Want. Nominated by Chappers1962Photograph: David Levene for the Guardian
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