Get all your news in one place.
100’s of premium titles.
One app.
Start reading
Guitar World
Guitar World
Entertainment
Andrew Daly

“We set out to put our thoughts and musical ideas out there, hoping they’d be appreciated. That’s proved to be true”: Sampled by Grandmaster Flash, De La Soul and the Fugees, Cymande shaped the sound of hip-hop. Now they’re back to claim their legacy

Patrick Patterson of Cymande feels the funk as he performs SXSW 2022, playing his sunburst Gibson ES-339 – a guitar that's served him well over the years.

Through DJ Kool Herc, Grandmaster Flash, De La Soul and – most infamously – the Fugees, British funk-meets-psych outfit Cymande gained cult status in the ’80s and ’90s after dissolving into obscurity in the ’70s.

For those who know, Cymande (1972) and Second Time Around (1973) are cratedigger classics revolving around oodles of funky guitar rhythms. But none of that impacts how founding guitarist Patrick Patterson approaches Renascence, Cymande’s first record in 10 years.

“I felt like I needed to get away from how I used to play,” Patterson says. One wonders why, given the greatness of cuts like Dove, which the Fugees illegally sampled on 1996’s The Score. But Patterson has the answer: “Just to freshen up. I wanted to identify a new approach that’s not too involved.”

The approach might have changed, but when it comes to Cymande’s new songs, like Chasing an Empty Dream, Coltrane and How We Roll, the gear hasn’t.

“I tend to play Gibsons,” Patterson says. “I like my Gibson ES-339. It’s not as if we’ve been out of music completely for the last 50 years. I’ve maintained some consistency, which has been very productive.”

The perception for many, though, is that Cymande completely went away; it’s not entirely true.

Yes, Patterson and his partner in crime, bassist Steve Scipio, disbanded Cymande in the mid to late ’70s. Yes, Cymande probably only came to the forefront, if you could call it that, because of hip-hop.

But outside of hip-hop and vintage vinyl-loving circles, Cymande was a myth – a legend, a coulda-shoulda-been that never was. But that’s changing again.

A 2022 documentary (rereleased in 2024), Getting It Back: The Story of Cymande, brought the group back to the masses, leading to more shows (including a U.S. tour in February) and the new record, which dropped at the end of January.

“We always felt the music had a life of its own,” Patterson says. “We felt it had value and could sustain itself. We set out as young musicians to play music and put our thoughts and musical ideas out there, hoping they’d be appreciated. That’s proved to be true.

“That speaks greatly to the legacy of Cymande, what we created, and what we’re hoping to create going forward.”

Sign up to read this article
Read news from 100’s of titles, curated specifically for you.
Already a member? Sign in here
Related Stories
Top stories on inkl right now
Our Picks
Fourteen days free
Download the app
One app. One membership.
100+ trusted global sources.