You would not know, on first listen, that this effervescent debut solo album by the sometime frontman of TV on the Radio was steeped in grief. Tunde Adebimpe’s sister died during the pandemic when these songs were taking hesitant shape in an LA studio that Adebimpe, now a successful actor, shares with multi-instrumentalist and co-producer Wilder Zoby.
Those difficult feelings – and others, about living in “a time of tenderness and rage” – became snaggle-toothed synth-punk cuts and bouncy synth-pop sounds. On Drop, there’s beat-boxing; on The Most, a Sleng Teng reggae riddim ambush; while on Somebody New, you can hear a punk-funk echo of New Order. Only ILY, a finger-picked folk song addressed to his sister, breaks character, adding “balladeer” to Adebimpe’s varied CV (former stop-motion animator, illustrator). “How’d you get so low?” asks God Knows, a perky, doo-wop-adjacent song about a flailing relationship.
Everything about Adebimpe’s magnetic presence fronting of one of the most critically acclaimed bands of the 00s is present and correct on Thee Black Boltz: his warm fluency, wistful anger and genre versatility. But his pop instincts have come to the fore on these 11 streamlined songs; witness Magnetic, one of the best things he’s ever done.
