Trina Robbins, a pioneering cartoonist known for her groundbreaking work in expanding the visibility of women in comics, passed away at the age of 85 following a stroke earlier this year. Robbins, inducted into the Will Eisner Comics Hall of Fame in 2013, was a key figure in the underground comix movement of the 1960s, offering a feminist perspective on politics and pop culture.
Before her comic career, Robbins found success as a boutique owner in New York's East Village, where she designed iconic costumes for figures like Donovan and Mama Cass. She later moved to the Bay Area and co-created the first all-women comic book, 'It Ain't Me, Babe,' and produced the first lesbian-themed comic story in 'Wimmen's Comix #1.'
Robbins continued to make significant contributions to the comic industry, becoming the first woman artist to draw Wonder Woman in her own comic book in 1986. She collaborated on various projects, including adapting old folk tales in 'A Minyen Yidn: A Bunch of Jewish Stuff' and writing books for children.
As a scholar and historian, Robbins shed light on the underreported history of women in comics through her books and exhibitions. She co-founded 'Friends of Lulu' in 1993 to advocate for female representation in the comics industry and was a vocal critic of the male-centricity in the medium.
Her impact on the rising generation of scholars and artists was profound, inspiring many to pursue feminist approaches to comics studies. Robbins' legacy includes her efforts to bring visibility to women cartoonists and her dedication to showcasing their work in museums and galleries worldwide.
Trina Robbins leaves behind a rich legacy of creativity, advocacy, and mentorship, having influenced countless individuals in the comic industry. Her memoir, 'Last Girl Standing,' offers a glimpse into her eventful life. She is survived by her longtime partner, comic book artist Steve Leialoha, and daughter Casey.
