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The Guardian - US
The Guardian - US
Entertainment
Lloyd Green

Traffic review: Ben Smith on Bannon, BuzzFeed and where it all went wrong

The sun sets over the BuzzFeed office in Los Angeles.
The sun sets over the BuzzFeed office in Los Angeles. Photograph: Étienne Laurent/EPA

Ben Smith is a willing passenger on the rollercoaster also known as the internet. He reported for Politico, was founding editor-in-chief at BuzzFeed News and did a stint as a columnist for the New York Times. Then he co-founded Semafor. Graced with a keen eye and sharp wit, he has seen and heard plenty.

People and businesses crash, burn and sometimes rise again. BuzzFeed News is no more. The New York Times trades 75% higher than five years ago. Tucker Carlson is off the air. Roger Ailes is dead. Twitter ain’t what it used to be.

Smith’s first book, Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral, captures the drama with light prose and a breezy tone. He observes that internet news morphed from being a vehicle for the left into the tool of the right. It’s a lesson worth remembering.

Technology is agnostic. The market yearns to build the better mousetrap. Secret sauce seldom stays secret for long. Barack Obama demonstrated a then-unparalleled mastery of electoral micro-targeting; in turn, the first Trump campaign harnessed Facebook and social media in a manner few envisioned.

Traffic is the narrative of an industry and its personas. Smith spills ink on the overlapping relationships between the late Andrew Breitbart, founder of the eponymous rightwing website, Arianna Huffington and Matt Drudge. He stresses that ideology tethered to accessible if potentially inflammatory content gains eyeballs and clicks. Kittens are cute. Listicles are good for laughs. On the other hand, dick pics get stale quickly unless there’s a story behind them. Brett Favre is the exception that proves the rule.

Smith recounts discussions with Steve Bannon, the dark lord of Trumpworld. He describes a Trump Tower meeting, amid the 2016 campaign. Bannon, then Trump’s campaign chairman, “exuded confidence, but it didn’t feel like a winning campaign”, Smith observes. “He didn’t seem to have much to do.”

But there was more to the confab than atmospherics. There was insight.

“Breitbart hadn’t just chosen Trump, Bannon told me, based on the candidate’s political views.” Rather, “Bannon and his crew had seen the energy Trump carried, the engagement he’d driven, and attached themselves to it.”

Charisma counts. Said differently, Hillary Clinton was only a candidate. Unlike Trump, she did not spearhead a movement, evoke broad loyalty or elicit passion. Bernie Sanders, the Brooklyn-born socialist, stood in marked contrast. And he didn’t give speeches at Goldman Sachs or summer on Martha’s Vineyard.

Sanders connected with the white working class and Latinos. A creature of the beer track, he came within two-tenths of a point of beating Clinton in Iowa then clobbered her in New Hampshire. The Democratic primary extended into July. The performance of the senator from Vermont presaged Clinton’s election day woes.

“BuzzFeed, in Bannon’s view, had failed to recognize that Bernie Sanders could generate the same energy, the same engagement,” Smith writes. “Why hadn’t we gone all in for Bernie, he asked me.”

Smith’s answer satisfied no one, not even himself: “I told Bannon that we came from different traditions.”

Greed, sex and ambition also marble Smith’s tale. Sam Bankman-Fried, founder of the FTX crypto exchange and a $10m investor in Semafor, faces a dozen federal criminal counts. The company plans to repurchase his shares. Tainted money is a flashpoint for aggrieved creditors.

The pursuit of coolness, cash and desirability seldom respects boundaries. Like moths, journalists gravitate to flames only to be burned. In one chapter, Smith recalls the plight of BuzzFeed’s Benny Johnson.

Johnson came from the Blaze, the hard-right brainchild of Glenn Beck, purveyor, Smith says, of “deranged conspiracies about Barack Obama before [Fox] pushed him out in 2011”. As for Johnson, he generated clickable copy. “He had a gift for traffic,” Smith writes. Johnson also had a plagiarism problem. In hindsight, he flashed warning signs. Apparently, Smith elected to ignore them.

“I wasn’t really worried about whether Benny would fit in,” he admits. “I should have been.”

Johnson was not another David Brooks or George Will. He was not “a bridge between BuzzFeed’s reflexive progressivism and the other half of the country”. Rather, Johnson crystallized something new, “a conservative movement more concerned about aesthetics than policy, motivated by nostalgia and culture more than by the overt subject matter of politics”.

These days, owning the libs takes precedence over policy debate. Exhibit A: Marjorie Taylor Greene. Mien matters more than ever.

Smith writes: “I sometimes wonder now if Benny was headed toward the kind of rightwing populism that Donald Trump came to embody.”

Perhaps. Then again, “bullshit” and looks have always populated politics and the ranks of politicians. Smith’s words, again. After BuzzFeed, Johnson bounced to the National Review then on to the Daily Caller. He is now at Newsmax and Turning Point USA, the $39m non-profit led by Charlie Kirk.

Elsewhere, Smith recalls an offer made by Disney in 2013, to purchase BuzzFeed for $450m with the “potential of earning $200m more”. Smith’s colleagues rejected the deal. The Disney chief, Bob Iger, exploded: “Fuck him, he loses, the company will never be worth what it would have been worth with us.”

He was prescient.

“By 2022, the internet had splintered,” Smith notes.

America now faces a rerun of the last presidential election, Biden v Trump again.

In his conclusion, Smith writes: “Those of us who work in media, politics and technology are largely concerned now with figuring out how to hold these failing institutions together or to build new ones that are resistant to the forces we helped unleash.”

Rome wasn’t built in a day. Nor was the web. Sometimes, creative destruction is just destruction, slapped with a gauzy label.

  • Traffic: Genius, Rivalry, and Delusion in the Billion-Dollar Race to Go Viral is published in the US by Penguin Random House

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