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Tilda Swinton Discusses 'The Room Next Door' With AP

Julianne Moore, left, and Tilda Swinton attend the premiere of "The Room Next Door" at TIFF Lightbox during the Toronto International Film Festival on Saturday, Sept. 7, 2024, in Toronto. (Photo by Ev

Pedro Almodóvar's latest film, 'The Room Next Door,' marks his first English-language feature. Despite this, actress Tilda Swinton points out that Almodóvar writes in his unique 'Pedro language,' which she describes as a version that sounds somewhat like English but remains distinctively his own.

The film is set in New York and follows Swinton's character, Martha, a terminally ill woman who decides to end her life on her own terms. She persuades her friend Ingrid, played by Julianne Moore, to stay with her during this process.

Swinton, reflecting on the film's themes, emphasizes the importance of individuals having autonomy over their living and dying. She shares a personal experience of being asked to support a friend in a similar situation, which has shaped her perspective on life and death.

Swinton's character, Martha, navigates end-of-life decisions with her friend Ingrid.
Almodóvar's first English-language film features Swinton and Moore in lead roles.
Swinton shares personal experiences that influenced her perspective on life and death.
The film explores themes of autonomy and dignity in facing mortality.

In discussing her role in the film, Swinton expresses gratitude for the opportunity to portray a character dealing with end-of-life decisions. She believes that the film's portrayal of Martha's approach to her own mortality can serve as an inspiration for viewers to consider facing death with dignity.

Regarding the topic of assisted suicide, Swinton acknowledges that different countries have varying laws on the matter. She highlights the efforts of individuals advocating for broader acceptance of assisted dying, including in the United States.

Swinton also shares insights into working with Almodóvar, noting his fast-paced directing style and the organic path it sets for performances. She describes Almodóvar's filmmaking as creating a unique world that she has long admired and enjoyed immersing herself in.

The film received a positive reception at the Venice Film Festival, with a notably long standing ovation. Swinton expresses gratitude for the audience's response, indicating the impact of the film on viewers.

When asked about awards season considerations, Swinton downplays their significance, focusing instead on the present moment and the art of filmmaking itself.

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