Headlining the Monsters Of Rock festival at Donington in 1988 should’ve been the crowning glory on a hugely successful period for Iron Maiden, but the day – 20 August, 1988 – will forever be connected with tragedy. As the mammoth show approached, Maiden were on a victory lap. The recently-released Seventh Son Of A Seventh Son – can you guess it was their seventh album? – had gone to Number One in the UK Album Charts, their second record to hit top spot, and they had played stadium shows in countries all over Europe.
That day at Donington, though, would be bigger than them all. The festival had been going since 1980 but the capacity would be a record that year – an estimated 107,000 people were in attendance. Before Maiden took to the stage, though, during a performance by the-then up and coming Guns N’Roses, catastrophe struck. “It was the biggest ever Monsters Of Rock, a fantastic bill with Iron Maiden, Guns N’Roses, Kiss,” promoter Stuart Galbraith told Classic Rock. “It was one of the best events, but definitely the worst experience of my career.”
GN’R bassist Duff McKagan remembers witnessing the horrific events unfold from the stage. “It was real scary,” he said. “We all went like: ‘Woah!’. It was kids piled on kids horizontal on the ground. And more people kept falling on them. It took twenty minutes to get everybody out. We stopped the show, and they finally pulled the last couple of people out and I think they were dead.”
Two young men had lost their lives in the crush, and promoter Galbraith sat down with Iron Maiden’s manager Rod Smallwood to work out what to do. “It was decided not to tell Iron Maiden about the tragedy,” Galbraith recalled. “I considered whether or not to tell the band,” added Smallwood, “but decided against it as it would serve no purpose and make it immensely difficult for them to play with their hearts in it, which would let down an awful lot of fans. I ensured there was no access to the band so they could not hear about this.”
“We were so nervous that no one wanted to tell us before the gig,” said Maiden bassist Steve Harris. “I think if we’d known, everyone would’ve freaked out.”
They put on a thrilling show, remembers Classic Rock co-founder Dave Ling. “The stage show was captivating as promised,” said Ling. “It featured an array of walkways, fake icebergs and stalagmites that looked like something out of a Glacier Mints commercial, plus a light show that could probably be seen from as far away as Pluto.”
“It was like climbing a mountain and we’d finally reached the top,” recounted Maiden guitarist Dave Murray. But then came the punch in the gut, as Smallwood went into the dressing room and informed them about the deaths that had taken place earlier in the day. “When I told them what happened to these poor kids they were devastated,” said the manager. “It was very emotional indeed. Whenever we look back we think of those kids.”
The ramifications of the tragedy were far-reaching for the live music industry. “The coroner’s inquest verdict was accidental death with no contributory factors in terms of the organisation of the event,” says Galbraith. “But it became obvious there was no blueprint on how to run events of that sort.” Out of it came a manual called The Purple Guide – a Health and Safety document which outlined the rules for putting on mass live events. Nothing could take away from the trauma of what happened, but out of it plans were made to try and help avoid it happening again.
