Sony Pictures Entertainment (SPE) and news media organisation Guardian Media Group (Guardian) have today (Tuesday 6 August) announced appointments to the team leading their strategic creative partnership. The deal, announced in November 2023, will see SPE gain exclusive first access rights to the full range of the Guardian’s global journalism, with the aim of developing suitable materials for audio-visual adaptation.
Tara Bohn joins as head of global content development for film and TV and Lindsay Poulton is appointed as editorial director, film and TV.
Prior to taking up this role, Tara has had a successful career building and managing premium content slates as a producer, as well as a studio and network executive. Most recently, an executive on Amazon Studios’ Series team, where she worked across development and current series domestically and internationally, including: Reacher (Skydance); Carnival Row (Legendary); The Outlaws (BBC/Big Talk), and Nine Perfect Strangers (Fifth Season/Hulu). Tara has also worked closely with SPE on projects such as The Good Doctor (ABC) and The Scandal Anthology (BBC/Prime), among others.
Lindsay Poulton is the Guardian’s first editorial director, film and TV and will represent Guardian journalism and core editorial purpose in the partnership as the organisation extends its presence into the global film and TV industry. Alongside this expanded focus, Lindsay continues in her role as head of documentaries, commissioning and curating the Guardian’s documentary strand, building on the huge success she has achieved, including the Oscar-winning Colette and BAFTA-winning The Black Cop.
The team brings together leading production development and journalistic experience, and in partnership with Sony’s film and TV talent, Tara and Lindsay will build the right strategic approach to find the most powerful ways to adapt stories for the screen rooted in Guardian journalism and ethos. Both new roles will be based at the Guardian’s London HQ.
Tara Bohn, head of global content development, film and TV, says:
“I am honoured to lead global film/tv content for this exciting new venture. In a rapidly shifting entertainment landscape, IP adaptations have become an essential and steadying force. This partnership is poised to emerge as a key leader in that space. With the Guardian’s trailblazing work and talented team, including Lindsay, combined with Sony’s powerhouse creative, I am confident we will deliver culturally defining content across all genres and formats to millions of viewers worldwide.”
Lindsay Poulton, editorial director, film and TV, the Guardian, says:
“I’m delighted to lead editorial strategy and representation across our film and tv partnerships and productions, and to embed this exciting new collaboration with Sony in the Guardian’s distinctive ethos and purpose. We are renowned for our agenda setting journalism and I’m excited to extend the impact of that work in imaginative new ways. Working alongside Tara and in deep collaboration with Sony’s creative talent, I’m thrilled to be part of this brilliant team as we bring powerful new stories to the screen.”
Matthew Justice, EVP UK and Europe, Sony Pictures Television, says:
“It is fantastic to have Tara and Lindsay bringing their pedigree and experience to lead this collaboration. Tara has an incredible eye for projects which find acclaim and audiences the world over. Coupled with Lindsay’s journalistic expertise and the sheer wealth of stories available across The Guardian’s output and archive, it’s tremendously exciting to announce this top team to take our collaboration forward.”
Keith Underwood, chief finance and operations officer, Guardian News & Media, says:
“We are delighted to have appointed Lindsay and Tara. With leaders of this calibre and experience spearheading our strategic creative partnership with Sony, we are very excited to see the high quality projects they bring to fruition.”
About the SPE and Guardian partnership
The collaboration spans the whole of SPE’s television production groups, from its U.S. scripted and non-fiction television divisions, to international production, which includes scripted companies Left Bank Pictures, Bad Wolf, and Eleven, and unscripted, sport and factual entertainment producers such as The Whisper Group. As well as television, the agreement spans SPE’s feature film division, which includes labels such as 3000 Pictures, Columbia Pictures, TriStar Pictures, and Screen Gems.
Under the deal, SPE will have access to the Guardian’s current and developing news stories, and to the Guardian archive, containing 200 years of history across articles, blogs, columns, videos and podcasts.
The deal builds upon the Guardian’s growing reputation in the TV and film sectors. The company was the first ever newspaper organisation to pick up the Academy Award for Best Documentary Short for the film ‘Colette’[1] in 2021, following a nomination in the same category for the film ‘Black Sheep’[2] in 2019. In addition to recent deals with the BBC, Netflix and Sky, they have a slate of other projects in development in the UK and US, and three option deals with SPE that will launch the new collaboration.
[ENDS]
For more information please contact:
media.enquiries@theguardian.com
About Sony Pictures Entertainment
Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Group Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. Sony Pictures Television operates dozens of wholly-owned or joint-venture production companies around the world. SPE’s Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, 3000 Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, Sony Pictures International Productions, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html
About Guardian Media Group
Guardian Media Group is amongst the world’s leading media organisations. Its core business is Guardian News & Media (GNM), publisher of theguardian.com, one of the largest English-speaking quality news websites in the world. In the UK, Guardian Media Group publishes the Guardian newspaper six days a week, first published in 1821, and the world’s oldest Sunday newspaper, The Observer. Since launching its US and Australian digital editions in 2011 and 2013, respectively, traffic from outside of the UK now represents around two-thirds of the Guardian’s total digital audience. The Guardian also has an international digital edition and a European edition that launched in 2023.
Notes to editors
About Tara Bohn
As the head of global content development, Tara leads the Guardian’s film and TV slate across the Sony partnership, and throughout the wider entertainment industry, to implement strategy and develop, package, and drive world class adaptations. Most recently, Bohn was an executive on Amazon Studios’ Series team, where she worked across premium global tentpoles, co-productions, and acquisitions domestically and internationally, including: Reacher (Skydance); Carnival Row (Legendary); The Outlaws (BBC/Big Talk); Cruel Summer (eONE/FF); The Power (Sister Pictures); Wolf Like Me (Fifth Season/Peacock); The Wilds (ABC); and Nine Perfect Strangers (Fifth Season/Hulu). Tara also worked closely with SPE on series such as The Good Doctor (ABC) and The Scandal Anthology (BBC/Prime), among others.
In prior tenure at two Amazon first-look deals, Bohn spearheaded development and production and successfully set up multiple projects, including Ken Woodruff & Boom Comic’s recently greenlit Butterfly, and was part of the producing team of Solos. Bohn began her entertainment career in representation at The Gotham Group working with NYT best-selling authors, journalists, playwrights, and publishers to help package and support IP adaptation. Prior to entertainment, Bohn was a clinical researcher and psychometrist at MSKCC, while pursuing a graduate degree in Behavioral Sciences. Her research has been published in half a dozen academic outlets.
About Lindsay Poulton
Lindsay Poulton is the Guardian’s first editorial director of film and TV. Representing the Guardian’s core editorial ethos and purpose in the Sony partnerships and productions, Lindsay will shape the editorial strategy and output as GNM expands its presence into the global film and TV industry. Alongside this expanded focus, Lindsay continues in her role as Head of Documentaries, including commissioning and curating the Guardian’s Documentary strand and building on the tremendous success it has achieved under her leadership in the past five years, including the Oscar-winning Colette and BAFTA-winning The Black Cop. Having worked as a journalist and filmmaker for more than 15 years, Lindsay is a creative executive with a strong enterprising spirit - her broad portfolio of work demonstrates her wide interests from investigations to art. Her work has been recognised with numerous awards and shown at The White House as well as top-tier film festivals around the world.