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When did you start out in your current photo genres?
I have always been a multi-genre photographer; I am guided by my feelings, desire, and willingness to photograph. I never stick to just one genre but can switch between several genres at the same time. For me, it is most important that a hobby remains a hobby and that I simply get paid for it. Photography as a job must not take over at all. I have turned down many photography jobs because of this. I am driven by my desire and willingness.
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What challenges did you face as a startup, and how did you overcome these?
Since I was born deaf, I have to work much harder to break into the competitive market. Once I manage to do so, everything becomes easier over time and I build good connections. More and more people want to hire me as a photographer because they desire visually appealing photos, which is ideal for me as a deaf photographer. Given that I lack any sense of hearing, I have a highly developed sense of vision.
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What key skills are needed for your line of work (for example, communication or problem-solving)?
I typically review everything with clients beforehand, allowing me to fully concentrate on the photography at the event. Discussing all details in advance via email greatly simplifies the process. When on-site, if someone needs to communicate with me, they can text on their phone. Otherwise, we resort to straightforward gestures, such as signaling to come here, pointing in a direction, and so on. Nearly everyone is familiar with these kinds of gestures.
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And your future plans? Are there any other genres you’d like to try or expand into?
Right now, I’m interested in exploring a completely new genre. Despite my fear of water due to a near-drowning experience in childhood, I’m going to start snorkeling and photographing underwater. I see myself as an explorer eager to discover new worlds. I have studied space, terrestrial photography, and macro photography and now it’s time for the underwater world. I am also working on photo books that will be published on Amazon.
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Mikael's main photo gear
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Great in low light. Small files are quick to work with and it’s possible to enlarge an image using AI if it needs more MP.
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For when I need lightweight and handheld for wildlife in good natural light without a tripod. It’s used more for spontaneous occasions.
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Sigma 300-800mm f/5.6
A favorite lens for wildlife and sports, when I use a tripod. It’s not often you see such lenses these days.
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Sigma 400mm Tele APO Macro
A vintage lens I can’t be without! Good close focus for when I’m photographing frogs or snakes.