We have a strong sense of déjà vu when we unpack Rotel’s new A8 integrated stereo amplifier. It reminds us of the company’s excellent, Award-winning budget models from the early 2000s. Sure, there is more sophisticated switching here along with flashes of colour thanks to the use of LED lighting around the central volume control, but in essence, the A8 looks to be packing the same DNA.
Just to be clear, that’s a good thing.
Build & design
This is not an amplifier to show off about. Its appearance is simple and unassuming. It is a slim unit that stands just over 7cm in height and the styling is best described as functional. The A8 isn’t trying to be a style icon; it is a tool to do a job, nothing more, and we like that focused approach, particularly at this level where budgets are tight.
Pleasingly, this is a solidly made unit where every switch and control feels properly engineered, and the casework is well-finished and made with care. Look inside and you will find a sensibly specified power supply, neatly laid-out circuitry and plenty of evidence of good quality components.
Features
The Rotel A8 isn’t packed with features and even misses out on the digital inputs and Bluetooth connectivity that is relatively common at this price level. Are those big losses? Our answer would have to be no.
Typically, the digital modules used in budget amplifiers tend to be box-ticking exercises that don’t tend to sound great. We haven’t come across a situation where we prefer one of those to the DAC module fitted to a half-decent budget streamer, CD player or laptop for that matter. Bluetooth connectivity, however, is always useful, so its omission is a bit of a negative. But the lack of it isn’t a deal breaker for us.
Elsewhere, the Rotel has the basics covered with a moving magnet phono input for your record player and three single-ended line-level inputs for the rest of your sources. In most cases, this array of connections is likely to be enough for all but those with really complex stereo systems. There is a 3.5mm headphone output on the front panel too.
Compatibility
Even Rotel doesn’t claim the A8 to be a powerhouse; it has a modest claimed output of 30 watts per channel into an 8 ohm load that rises only slightly to 40 watts per side as impedance halves. That’s notably short of a class leader like Marantz’s PM6007, which claims 40 watts per channel rising to 60 watts under the same conditions.
Type Integrated
Power 30W per channel into 8 ohms
Phono stage? Yes (MM)
Inputs Line level x 3
Outputs N/A
Bluetooth? No
Headphone output? Yes (3.5mm)
Dimensions (hwd) 73 x 430 x 347mm
Weight 5.8kg
On paper that suggests the A8 might need extra care in speaker partnering, but in use it proves surprisingly capable, driving everything from a pair of budget Wharfedale Diamond 12.1 standmounts to more premium options such as KEF’s LS50 Meta without issue. The more time we spend with this little integrated the more it becomes clear that this isn’t an amplifier that shouts about its talents, more one that goes about its job without drawing undue attention.
The natural sources for an amplifier at this level are the likes of the Rega Planar 1 record player, Cambridge Audio MXN10 music streamer or Marantz’s CD6007 CD player. It works well with any of these, but also has enough stretch in its abilities to accommodate more ambitious alternatives such as a Rega Planar 3/Nd3 turntable or Arcam CD5 CD player without issue. Much the same applies to speakers. While the A8 will drive the likes of Wharfedale’s Diamonds well it doesn’t feel like a weak link even when we plug it into more premium alternatives such as KEF’s mighty LS50 Meta. If you have this amplifier in a budget set-up, it will probably be the last thing you will need to upgrade.
Sound
Straight from the box, this Rotel sounds a little restrained and mechanical. Given a few days of use, its presentation becomes more natural, losing the initial traces of hardness and gaining a good dose of fluidity. After that point, this is an amplifier that just fades into the background letting the recording and the other components in the system step into the limelight.
As we listen to Barrington Levy’s You Say Me Say the A8 handles the song’s bassline with considerable skill, delivering it with impressive grip and punch. The song’s easygoing momentum is communicated well with a fine sense of drive and authority. This integrated is surefooted with rhythms and unusually expressive as far as dynamics are concerned. Levy’s voice comes through with character and charm intact. While the rival Marantz PM6007 delivers the recording in a more spacious and more fluid manner, particularly through the midrange, it is the Rotel that comes across as the more authentic performer thanks to its pleasing resolution and greater insight into the subtleties.
Switching to Górecki’s Symphony No.3 shows the A8 to have a firm handle on rendering large-scale dynamic shifts and keeping everything under tight control even when the music becomes demanding. It sounds organised and controlled even at points where most rivals struggle to stay coherent. There is a calmness about this amplifier’s delivery with difficult music that is hard to better without spending much more.
Stereo imaging is fine. There is a good sense of focus and a decent amount of stability, though its Marantz rival does render a more expansive soundstage. Still, the Rotel counters with superior definition, particularly at low frequencies where it is considerably more articulate and textured than any alternative we have tested.
We try the Rotel’s moving magnet phono stage and find it perfectly acceptable. As is typical at this level there is a drop off in clarity and transparency compared to the line level inputs, but the A8’s unassuming but hugely likeable character still shines through. As we listen to Mary J Blige’s No More Drama set, it is easy to appreciate the amplifier’s musically engaging yet still composed nature.
Verdict
The Rotel A8 is a fuss-free, well-built product that sets an enviable standard for sound quality at this level. While there is tough competition from the likes of Marantz’s long-running PM6007 and Cambridge Audio’s AXA35, the A8’s understated charms have us hooked. If you are looking for a stand-out budget amplifier, ignore this one at your peril.
First reviewed: October 2024. Review updated: November 2024.
SCORES
- Sound 5
- Build 5
- Features 4
MORE:
Read our review of the Marantz PM6007
Also consider the Cambridge Audio AXA35
Best stereo amplifiers: the 8 best integrated amps chosen by our experts
